Announcing my new book...

The boutonniere sample for Rashad.

My niece Marquis is marrying her sweetheart Rashad next month and Aunt Debby volunteered to design the flowers. Marquis’s color palette is soft yellow and white, which at first I thought would be a little too simple or possibly limiting in the floral options.

However, after we visited our favorite local flower farmers and saw all the wonderful options, I have a new-found love of the color combination.

As partners in a vase or bouquet, yellow and white flowers are simply romantic! Marquis asked that I use more yellow ingredients in her bouquet so it will be more visible against her white dress; the bridesmaids will have more white ingredients in their bouquets – which will show off against their pale yellow dresses. Great idea!

With amazing fresh, seasonal and locally-grown ingredients from Jello Mold Farm, J. Foss Garden Flowers and Oregon Coastal Flowers, I made the samples this week so Marquis could see how the designs would look . . . and to help me figure quantities of stems. Here is a sneak peek – I think they are absolutely summery and joyous, just what you want for a wedding:

Bridal bouquet for my niece Marquis

Ingredients include: White scabiosa with pale green centers (pincushion flower), two types of white dahlias – ‘Bride-to-Be’ and ‘Little Lamb’; two types of yellow dahlias – ‘Nettie’ and ‘Candlelight’; feverfew (the little white buttons, actually Chrysanthemum parthenium); yellow sprays of solidaster for a soft touch; and variegated scented geranium foliage from my garden. The solidaster is a hybridized cross of a goldenrod (solidago) and aster. So if it’s not still growing next month, we’ll substitute regular goldenrod, which will create the same dreamy affect.

A little detail of the bridal bouquet.

Here's how the mostly-white bridesmaid bouquet looks - it's also about one-third smaller than the bride's bouquet.

Finally, the centerpieces. We are going to use the same shallow glass Ikea bowls that created the centerpieces for Marquis’s sister’s wedding receiption last spring. But this time, instead of floating orchids and candles, I thought about creating a “nest” out of curly willow around the inside rim. The center will have a stunning floating dahlia, like ‘Snowbound’, the dinner-plate-sized one shown here. And I’ll weave smaller yellow flowers into the willow. Today, I played around with helenium, just to see how it looks.

The low glass bowl is filled with curly willow, yellow heleniums and one dinnerplate dahlia - in white.

You know, this floral design focus of mine has been really rewarding, both as a storyteller and garden writer. But there’s one really wonderful surprise that has come out of the four years I’ve spent working with photographer David Perry to document the local, seasonal and sustainable flower movement (see our blog, A Fresh Bouquet, for lots more details).

It has begun to dawn on me that I am a creative individual and I love to design and arrange with cut flowers. And while I am totally self-taught, I am actually good at it. I contend that gardeners are the ideal people to be floral designers. We know the habit, form and life-cycle of the ingredients we use, which is more than one can say for some in the conventional florist world. And so I am ever grateful for the opportunities I am given, like my niece’s upcoming wedding, to move my hands off of this keyboard, pick up a pair of snips – and begin to create.

One of Treephoria's lovely flowering dogwoods, aka 'Heart Throb'.

Dear friends and readers, I’m sure you’ve just about given up on ever seeing an fresh, new blog post, since I nearly allowed the month of July to come and go without writing anything.

July was definitely enriching – my over-filled calendar says so! And yet, I am also exhausted (see my prior post, referencing moving to a new home, garden, and pond). Possessing countless experiences in need of personal review and reflection, I had planned to share the more colorful events here in a single post – a diary of sorts from the past month. Yet, since my just-crashed computer is in hospital, complete with most of my stored photos (my external hard-drive has to be replaced, too!), I don’t have much to show you.

The beautiful landscape of tree farms, across the field from Nancy Buley's Treephoria.

So the July recap will occur in stages. Phase One covers July 5th-6th when I visited a few rural towns outside of Portland, Oregon.

I rode the train from Seattle to Portland on July 4th of all things, and my 4-hour journey was lovely, relaxing, and quiet. What a nice way to skip out on the potential holiday craziness on the freeway. Upon arrival, I rented a car and drove to the hamlet of Boring, Oregon.

Here I am with Nancy Buley (right), on a tour of J. Frank Schmidt & Son's expansive tree farm in Boring, Oregon.

My friend Nancy Buley lives there and she let me stay under the eaves of her farmhouse, in a room she calls the “garret,” the window of which overlooks Treephoria, her boutique tree farm.

Nancy is a tree ambassador who works closely with landscape architects and designers to educate and excite them about awesome ornamental varieties grown by J. Frank Schmidt & Son.

As director of communications, she frequently writes and speaks about new tree introductions, landscape design and tree selection/care. I first met Nancy years ago through Garden Writers Association, but our friendship was actually forged during a fun evening in Oklahoma City in 2007, when Sally Ferguson included us both in her small dinner party. That’s often how things go: We may only see one another a few times a year, but the kinship is cemented and immediately recalled whenever we meet.

Weeping giant sequoias, stately-looking against the Oregon sky.

Nancy treated me to a fabulous visit, including a walk at dusk around her grounds. At Treephoria, she and her son Neil Buley grow specialty trees in small batches. Nancy possesses a keen eye for the uncommon, but she also evaluates trees for their performance in the residential landscape. She defines Treephoria as, “the rapturous feeling or state of being experienced when surrounded by remarkable trees.”

Nancy, showing off a gorgeous 'June Snow' dogwood tree at J. Frank Schmidt & Son's display garden in Boring, Oregon.

That is indeed how I felt. I didn’t want to leave! In fact, when given the choice of going out to a restaurant for dinner of staying in the garden surrounded by trees with a picnic of leftovers you can guess what I chose to do!

A highlight of our tour-at-dusk was Nancy’s flashlight-led visit to the stone barn behind the rows of trees. This two-story structure was once the headquarters for Compton’s Dahlias, a commercial dahlia bulb farm owned by Nancy’s aunt and uncle. Wooden trays, retro-style packing boxes and other vestiges of the flower farm made me almost wish she could trade trees for dahlias.

The next morning, I set out to meet photographer Laurie Black and her husband Mark King to shoot profiles of two garden artisans for a feature that will run in Country Gardens magazine next year. I’ll give you a peek about those locations in my next July recap post.