In the works...

Celebrating my birthday with Paula Panich at Girasole in Los Angeles, a sweet French bistro

Dear friends, 

Where did February go? And for that matter, where did the first half of March disappear to?  

I’m so sorry! I’ve been racing around like a crazy woman. Like my fellow *Gamma-Sisters everywhere, the world is asking more of us at every turn. Eternally curious, we’re inspired by exciting, interesting and compelling people, places, projects and opportunities. As one of my friends pointed out, I am easily drawn to “bright, shiny objects.” It’s irresistible. There are literally not enough hours in a day to “do it all.” 

One of my excuses is that I have been traveling more than usual. Another is that my little family is currently in its bicoastal phase, with Mom and sons in Southern California and Dad (for the most part) in Pittsburgh. His occasional trips home are a highlight for us and exhausting for him. In between, I’m solo-parenting, burning the candle at both ends and juggling everything (while also letting some important things slack off, such as keeping in touch with friends, answering 500 emails in my in-box, and blogging!). I had to put the pause on the blog for a while. No promises, but as of this weekend, I sincerely hope my “blogger’s block” has been broken – and that I can return to regular correspondence. 

By July, we will be reunited as a family, but I am well aware that July is still several months away. In the meantime, we have to ready this 1980 Spanish-style ranch house for sale; get packed and relocated; get our oldest son ready for his freshman year in college and move me, younger son and our family pet to Pittsburgh. Oh, and find a place to live! Crazy, life is just crazy. 

I don’t want to leave Southern California, especially with its glorious natural beauty, amazing gardening and garden design community, and (for me) wonderful opportunities to gather and tell stories. So, I guess I’m going to try and become a working writer with two home bases: Los Angeles and Pittsburgh. We’ll see how that goes. I don’t want to lose these ties I’ve been so fortunate to develop since moving here in 2006. Imagine: I didn’t want to come to L.A. and now I don’t want to leave! 

Just to bring you up to date, dear readers, here are a few highlights of the past month. If we’re connected on Facebook, you may already have seen some of these items. If not, then click on my Facebook icon (see right) and join in. (more…)

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In a winter scene in a city garden, Jon's plum-and-green garden house is quite handsome

Seattle’s historic Georgetown settlement isn’t really known for being a residential neighborhood, but rather for the fact that a freeway runs through it, a bunch of warehouses populate its main streets and – oh yeah, if you look really close, there are a few pretty amazing lanes where Early Seattle architecture still stands.

Behind one of these cottages is an irresistible gentleman’s oasis, its exterior painted dark plum with pine-needle green trim. It has a comforting hip roof overhead, on top of which is a decidedly non-urban weather vane.

Jon Dove, the gentlemanly owner of this garden house, is an estate gardener and talented plantsman who grew up in Georgetown as a kid and found that as a grownup, he didn’t want to leave. Jon has restored and revived a 1905 cottage-style farmhouse here, planting a voluptuous, beautiful tangle of a garden in front, on the side, and in the back.

I first met Jon through Jean Zaputil, my good friend and garden muse. They had volunteered at the Washington Park Arboretum display at one of the flower shows and found they were kindred spirits. One July, many years ago, Jean and I went on the Georgetown Art & Garden Walk – a walking tour put on by the neighbors rather than one of those fancy affairs with shuttle buses.

We stopped by Jon’s to visit his postage-stamp-sized garden filled with perennials and shrubs as tall as me. Glorious! Around back, a one-car garage occupied a too-important chunk of space, similar to the way my husband’s baby grand piano occupies a too-important chunk of our living room. (It’s there, it’s nice to look at, but it’s in the way.)

Jon Dove, showing off his old-new garden house

An Old-New Shed

Here’s how I returned to Georgetown to discover Mr. Dove’s Delightful Garden House.

Daniel Mount, another gentleman gardener (and a superb, dreamy writer, too – check out his blog), invited me to have tea when I came to Seattle. This was going to be tough, due to my schedule. But Daniel dangled the carrot from a stick: “We could meet at Jon’s – I want you to see his new shed.”

Oh, Daniel. You definitely know how to tempt a shed aficionado like me!

So after finishing up a photo shoot with David Perry (for our new book project – more on that later), and before joining my friend Jan Hendrickson for a lovely dinner, I made my way down I-5 to Georgetown. Jean was supposed to join me, but since she had just logged six or seven hours helping us as a stylist for the aforementioned photo shoot, she needed to take a pass. Of course, since she lives in Seattle, she can go see Jon anytime.

A work-in-progress photo, courtesy of Jon. This shot illustrates how the carpenter cut away the side of the garage to create a covered porch

Jon says it started to bug him that the useless garage was taking up a chunk of space otherwise deserving of something more attractive. As is the case with many people (I should know – I live in California where it happens for everyone), the garage was just a repository for stuff. After not looking at or using that stuff for a decade or so, Jon wondered if he really needed it after all. Voila! Out with the junk, in with the garden antiques.

To get there, Jon sketched out a new floor plan for the squarish building. He intelligently carved three useful spaces out of the 20-by-20 foot structure. Its back section is separated by a wall (and door) to a long, narrow area for bicycle storage, garden supplies and tools.

The original sliding garage door opens to the alley, so this application was a perfect way to leave the utilitarian stuff facing away from the garden.

Left with about three-quarters of the footprint to work with, Jon then sliced that space into two sections – one larger, which becomes the main interior room; and one smaller, which is the corner that juts into the garden.

Finished with a brick floor and fanciful bracket-trim, it's a sheltered spot to sit in any weather.

He worked with a carpenter-friend to cut away an exterior side opening and “doorway” in that corner, essentially creating a covered porch. It is now carpeted with a pattern of recycled brick, set in sand.

By adding decorative corbels to the upper corners of the two openings, the space feels like a grand porch beneath an overhanging roof. “I wanted to be able to sit outside even when it rains,” Jon says. Cozy, comfortable, thoroughly delightful.

Now we shall step into the inner sanctum, through the French doors and into the room where tea was promised. A glance at Daniel’s face revealed that he had a secret I didn’t know quite yet. Inside, I understood why he was grinning. I forgot about the promise of tea and drank in the decorative sitting room.

Jon is a scavenger, like many of us. He found large, divided-paned doors to enlarge a tiny window space into a picture window. In the winter, it’s nice to see the bones of the garden revealed. What stands out is a graceful, curved metal bench, its lines echoed in the arched canes of chalk-white ghost bramble (possibly Rubus thibetanus).

A peek inside: Elegant, refined, inviting

Jon used plywood to cover the floor and then sealed the inexpensive material with clear, water-based semi-gloss Verithane. The light colored wood floor contrasts nicely with the dark, stripped-down ceiling beam (original to the garage).

An oversized vintage brass lantern hangs at the peak of the room, dominating the scene in a very pleasing manner. Because of the ceiling’s volume (I’m guessing it’s approximately 10-feet tall at its peak), there was plenty of space for Jon’s carpenter to add an upper ledge where birdhouses are now displayed.

Against one of the two solid walls is a garden bench painted pea green. Daniel somehow obtained the bench from the set of a Chekhof play and brought it here as a gift for Jon. The three of us started dreaming about moving the bench to the covered area outdoors so as to make room for a daybed. But then, maybe not, because everyone who visits Jon will yearn to nap in this garden house (me included).

UPDATE: Jon sent me this note last night. . . reading it put a smile on my face:

Oh Debra, I forgot to mention after your visit, I moved the bench from inside the Garden House to the porch. I then moved the my guest bed to the Garden House, I spent a night out there, was cozy. Looking forward to spending summers there. You’re a whirlwind of great inspiration.

 

Again, thank you!

 

Jon

Above the bench is a fantastic objet – a cast iron circle that measures about 48 inches across. There’s a mirror at the center, which reflects the garden’s foliage and flowers into the room. Turns out, the scrappy piece of metal was once the base of a stove that Jon took out of his home when he modernized it. He saved it – for no inexplicable reason other than it was strangely shaped and interesting – and, voila! Now it’s this dramatic wall detail. Ironically, an old mirror from a vanity or hutch fit perfectly into its center.

I'm glad Jon hung onto this until he found a perfect use for the cast iron circle, cum mirror frame.

It’s amazing how many great design ideas reside inside a few hundred square feet, including some recycled toile ceiling-to-floor draperies that Jon inherited from friends. They add style, warmth and privacy when pulled across the French doors. I’ll let my photos show you some of the other nice details Jon has added.

Jon says he spent around $5,000 to $6,000 for construction (labor and materials) and about $2,000 to have the garden house painted. To me, it seems like a great investment that adds a whole lot of character, interest and function to his urban garden.

Finally, I couldn’t take my eyes off of his collection of architectural miniatures that fill an old canning cabinet. The cabinet is ancient, dating back to the very first settlers in Georgetown. The Horton family platted Georgetown in the 1870s. A friend of Jon’s rescued the wood cabinet from a home once owned by the Horton daughter. The square-head nails hint at its pedigree.

The shelves are filled with tiny wooden buildings that Jon cuts from scraps and covers with beautiful, intricately painted details in black – windows and doors, of course; but also molding, corbels, cornices, all rendered with tiny brush strokes.

Here are some close-up details of his whimsical, wonderful miniatures.

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A Woolly Pocket wall of succulents adorns the retail shop at Descanso Gardens near Pasadena

Designed in Los Angeles, fabricated in Kansas, and soon to hang on a wall near you, the Woolly Pocket is a soft-sided planting envelope that makes it possible to have a lush wall of vegetation without having to hire a structural engineer.

Vertical gardening is all the rage, so here’s a way to bring plants into your home (indoors or out) with a breathable fabric container that is easy to hang and maintain.

Fill the 15 x 24 inch pocket with a little potting soil, plant it with lush greenery and allow the vines or foliage to spill over the top edge. Combine multiple pockets to create a living wall as is shown in these photographs.

WHAT IS THE WOOLLY POCKET?

Miguel shows off a 5-pocket Woolly planter

I met designer Miguel Nelson at his studio in Culver City earlier this week and took a tour of Smog Shoppe, his event space where the Woolly Pocket was created.

Miguel was trained as a sculptor, but he obviously thinks about sculpture in a completely different way than artists whose work stands on a pedestal in the garden or in the foyer of a home.

The type of sculpture Miguel conjures is an entire building and outdoor courtyard that contains green events. He and Sherry Walsh, his wife, retrofitted an unsightly garage used to do emissions tests on cars (thus, the clever Smog Shoppe name).

The analagous blue-green plant palette nearly covers the exterior of Nelson's Smog Shoppe event space in Los Angeles

Used for private and corporate events, the warehouse-y space needed to be softened up. And so Miguel and his brother Rodney created huge wall-hangings with pockets and stuffed them with succulents, tropicals and other plants that cascade and drape. The hangings look like those large shoe-organizer pocket panels, but are oh-so-much more elegant.

Over two year’s time, the plants have thrived, nearly obscuring the concrete block walls and the black wool pockets. Once partygoers started asking if they could buy the planting system for their own homes and gardens, Woolly Pockets was born.

A detail shot reveals how happy these plants look

Instead of wool felt like the original system, Miguel and Rodney now use an industrial-strength USA-made felt from recycled plastic bottles (it is available in chocolate brown, black and cream – with a promise for more colors in the future). The pockets have a built-in moisture barrier that allows the plants to breathe while keeping moisture off your walls or floors.

The blogosphere and a few design magazines have discovered Woolly Pockets, which are priced at $49 for a single. Multiples range from $125 (3-pocket, 68 inches) to $188 (5-pocket, 112 inches).

Miguel’s eco-publicist, Corey Scholibo, is convinced that this green gardening solution will capture the imaginations of non-gardeners. It is a cool interior design application that is at the same time retro (think indoor plants of the 1970s) and futuristic (plants will save the planet!).

“You can now garden any time, anywhere, with little or no skill,” Corey says.

Interior walls of the courtyard are planted top-to-bottom

The team is inventing all sorts of new iterations of the Woolly Pocket. There is a Vagabond, which I wrote about last month for LA At Home (think “Garden Container meets Handbag”) and at this weekend’s Accent on Design in New York, Miguel will introduce a 5-sided wee-woolly tabletop planter and a gorgeous, free-standing 6-, 8- or 10-sided planter that has zippered sides so you can unzip sections to accommodate sculptural tree branches poking out. Those items appear to be ideal for the interior space and are a lot more attractive than some of the plastic, clay or faux planters I see hanging around garden centers.

You can mostly find Woolly Pockets online, but Miguel expects to sell through several retail channels by later this year.

“I see all these amazing living wall installations in public spaces,” he points out. “But you never read about a vertical garden you could have yourself. Now, even with just one Woolly Pocket, you can grow plants on your wall.”
With a cluster of them, arranged like a giant patchwork quilt, pretty soon you can have your own living, green wall.

I have four dark-brown Woolly Pockets to try out and I’ll report back soon on how they are doing. I’m going to hang them outside to try and mask some of that ho-hum tan stucco we’re so lucky to have here in SoCal.

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I competed with a hummingbird to get up close and personal with this gorgeous Manzanita. Katherine has a trio of them, small multi-trunk trees, in full January bloom.

Katherine Greenberg is a passionate native plant expert whose naturalistic landscape in the East Bay community of Lafayette has inspired hundreds of tourgoers and garden club students who have taken her workshops about growing California natives in the domestic environment.

I have known Katherine for about five years through our association as fellow board members of the Pacific Horticulture Society (she is former board president). Although we only see one another two or three times a year at board meetings, there is always a friendly connection as fellow horticulture enthusiasts. And also as writers.

Katherine has just signed on to completely revise and expand a classic title, Growing California Native Plants.  Written by the late Marjorie G. Schmidt in 1980, the guide originally introduced the idea of using native plants as elements of the landscape. Tens of thousands of copies have sold, but over the course of the book’s 30-year run, lots has happened in the cultivation of natives. More growers are propagating and breeding native plants and there has been an explosion of interest in changing how our yards and gardens look.

Katherine's entry garden in winter.

Lucky for California homeowners, University of California Press asked Katherine to create a new version of Growing California Native Plants. Uber-organized as she is, Katherine just signed the contract this past fall and has the entire book mapped out with most of the plant profiles rewritten (with a greatly expanded plant list, as one would expect). She is going to include many of the original illustrations and add up to 200 photographs in the new guide, expected out in 2011. Keep an eye out for its release.

Katherine’s own garden, approximately one-acre in size on a ridge above a seasonal creek called Happy Valley Creek, is a laboratory for living with natives, celebrating the seasons, and encouraging harmony with nature. It was profiled last spring in Diablo, the East Bay lifestyle magazine. You can read “Going Native,” the story, and see Saxon Holt’s lovely photography here.

I love the sweet display of drought-tolerant, cold-hardy hen-and-chicks in tall vessels

I had a quick trip to Oakland this past Wednesday and Thursday and Katherine graciously hosted me for an overnight before I gave a talk to the “Dirt Daubers,” an Orinda-based garden club.

Even though it was dreary and rainy out, I made sure to take a loop through Katherine’s garden. Seeing a native garden in winter is really a joy because the plants in fruit or in bloom are like little sparkling jewels that catch your eye against the silver-grey and green foliage and mahogany and white bark.

In the Diablo magazine article, written by Sandra Ann Harris, Katherine explains her commitment to designing with California natives:

“Gardening with these natural treasures is a way we can play a big role in preserving endangered plants and in making a connection to the place we live,” Greenberg says. “My garden won’t be complete in my lifetime, but it’s a celebration of our natural heritage.”

Here’s a little gallery of wintry photos to calm and sooth you. Thoughts of spring are accelerating as we catch glimpses of new growth emerging on stems and in swelling buds (especially after all the rain California has had – six consecutive days of it!).

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I’ve been contributing to a fabulous daily blog called “Lifestyle Insights. Real Women. Real Life,” which a group of us launched last September. It’s something completely different than my other writing projects and has allowed me to do some fun, memoirish, essay writing in addition to writing about outdoor living and gardening topics. But since it’s still a blog post, I have had to learn how to communicate my ideas in 300 words or less! And in today’s world of bite-sized journalism, I guess that’s a good skill to have.

To work with a dozen incredibly talented women – each highly accomplished in her own field – has been so rewarding and inspiring. Each of us is committed to communicating contemporary trends and ideas for women like us. Together, we have a powerful voice that we hope will inspire and influence how corporations communicate with their audiences.

The group was founded by Robin Avni, a multi-talented, idea-a-minute galpal. I remember reading Robin’s home+technology design stories in the Seattle Times long before I was fortunate enough to meet her – which I recall was on a press preview of the former Seattle Interiors Show in 2004 or so. Thanks to the miracle of LinkedIn, we reconnected last year and got together a few times when I was in Seattle on business or to give a lecture. Robin invited me to join her dream team of 12 lifestyle experts. We are part of a creative media and consulting agency “specializing in consumer insights, trend analysis, research and content for the MOMMY TO MAVEN™ market.” You can read more about the firm here.

I’ve added Lifestyle Insights to my blogroll at the right (under “My other blogs”), so I hope you’ll subscribe to our newsletter and also check in from time to time to discover a fabulous recipe from Jean Galton, our food expert; a perfect organizing tip from Janna Lufkin, our simplicity expert; an insightful parenting tip from Kavita Varma-White; entertaining, beverage and spirits ideas from Kat Spellman; sustainability news from Celeste Tell, our green goddess; technology insights from Molly Martin, our tech-savvy mentor (Molly, a former health and fitness columnist, also keeps us “balanced” and healthy); wonderful stories told by Sherry Stripling, whose words capture the universal connections of women in all generations; explore fashion and twentysomething trends spotted by Alexandra Smith; and get the “big picture” from Robin Avni, who ties it all together with a finger-on-the-pulse instinct about women and their lifestyle choices. Our visual storytellers include photographer Angie Norwood Browne and Valerie Griffith, our video producer. It is an honor to share the page (screen) with these talented communicators.

Here are two of my recent essays, in time for a quiet winter’s read. I hope you enjoy them:

The Scarf Society 

Here are the Italy Gals, with a few of us in our scarves.

My recent visit to a medieval village in Tuscany (where I spent a week with ten of my girlfriends in a rented villa) is symbolized by a soft, colorful scarf.

Each woman had in common a friendship with me; some have been pals since my early twenties, while others are more recently dear. Individually, we couldn’t have been more different from one another. Throughout the week, though, we bonded as a group. We spoke with a familiar friendship-language, punctuated with laughter, and enhanced by delicious food, good wine and unforgettable scenery.

And there was something else: Our Italian scarves.

Street vendors in Siena and Florence offered a tempting array of scarves – cashmere-and-silk textiles woven of gold and maroon; apple green and sapphire blue; solid or paisley-patterned. Pretty soon, most of us had joined what I called the Scarf Society. It was October, so the soft cocoon of fabric draped over the shoulder was appropriate. But it wasn’t all about getting warm.

The scarves, shawls and pashminas made us feel sophisticated. Even the less-flamboyant women in our group gravitated toward the look. Wrapped once or twice around the neck; used as a shawl around the shoulders; or worn asymmetrically with the ends twisted together, these lengths of fabric had a way of making even a t-shirt and jeans look glamorous.

Was it the scarf or the place? Was it the mutual experience of kindred spirits or a fashion statement? I’m not sure. But now that I’m back at home, I feel elegant when I wear my woven tapestry with threads of pale yellow and dark green. And I will always remember the warmth of my friendships.

You could call it a fringe benefit of an unforgettable vacation.

And this one, called Labryinths:

I was so moved by watching the labyrinth walk at a "God in the Garden" conference that I spoke at a few years ago.

Centuries, or perhaps millennia old, the labyrinth is linked to both mythical and religious practices of many cultures. Where a traditional maze is designed with dead-ends and false pathways, a labyrinth is made of concentric rings, interconnected to form a single, continuous journey.

In modern times, the labyrinth is used for meditation and contemplation – a device to slow one’s step and encourage quiet, inward focus. I’ve walked on grass labyrinths shaped by a lawn mower, pebble beach labyrinths designed by unseen hands, and carved concrete labyrinths installed in church floors and on the forest floor, surrounded by trees. Intricately made or constructed for temporary use, the labyrinth is a gift to be cherished.

To walk a labyrinth, I am required to step away from the chronological clock and get lost in the moment. I enter and follow the path to the circle’s center. I pause to say a prayer or quietly murmur “thank you” or “peace.” Slowly, I retrace my steps, returning to the beginning. I discover that time has almost stood still. I feel a spiritual connection to nature and a lightening of the heart.

I once met an artist who required the use of a wheelchair. He meditated with a “visual” labyrinth. Installed in the center of his garden was an 18-inch-square miniature mosaic labyrinth. This incredible man journeyed the labyrinth with his eyes, beginning and ending at the same point, and experiencing the same meditative benefits as when I walked a full-scale labyrinth.

The return of this ancient pattern is really no surprise. We are busy people, with a lot on our minds. Consider how hard it is to unplug, silence internal or external chatter, and isolate ourselves long enough to listen to our inner voice. Perhaps you, too, will find peace by walking the labyrinth path.

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Note: A version of this Q&A appeared earlier this week in “LA At Home,” the Los Angeles Times’ daily home and garden blog.

Mary Ann caught one glimpse of the awesome coat and matching socks . . . and said - Hey, that's Keeyla Meadows!

Los Angeles native Keeyla Meadows lives in Berkeley where she makes art and designs gardens. Her cheerful, 50-by-100 foot city lot is a living canvas packed with life-sized female figures and not-so-perfect vessels, hand-built in clay and glazed in a palette of turquoise, apricot and lavender.

An exuberant color palette that few would dare to use - here's Keeyla's Berkeley bungalow and street-side "sunset" garden

No surface here is left unadorned. Whether it’s her swirly ceramic paving, custom metal benches or sculpted walls, Keeyla artistically places favorite objects and plants with a carefree confidence that few of us can master.

Fans of Keeyla have long admired her award-winning gardens, including a ‘Best in Show’ at the San Francisco Flower & Garden Show a few years back. Her beautiful first book, Making Gardens a Work of Art, was published in 2004 by Sasquatch Books, a Seattle imprint that also published my first book, The Northwest Gardener’s Resource Directory.

Lorene and me ~ gal pals in Keeyla's garden

In 2008, I lucked into an impromptu visit to Keeyla’s personal wonderland when my girlfriend Mary Ann Newcomer boldly followed her into Café Fanny’s in Berkeley, an Alice Waters bistro, and snagged an invite for our group of breakfasting garden writers.

Lorene Edwards Forkner, Mary Ann and I hopped in the car and followed Keeyla to her bungalow, a few blocks away. It is fair to say we were hyperventilating!

“You can take photos, but don’t publish them until my book is out,” Keeyla requested. It was the least we could do, having feasted our eyes on her botanical paint box, imagining how we might try her playful ideas in our own backyards.

Her new book, Fearless Color Gardens: The creative gardener’s guide to jumping off the color wheel (Timber Press, $27.95), has just been published. Filled with Keeyla’s photography of design projects, as well as her doodles and sketches, it reads like a colorist’s memoir, complete with a muse named Emerald.

Strong on fantasy, it’s also a useful workbook for garden owners who need a nudge toward the more vibrant end of the color spectrum. I recently asked Keeyla about the book.

Q: How do you teach students to feel confident as garden designers?

Keeyla's color sensibility is in her DNA as evidenced by the orange side of her house punctuated by a tree-inspird sculpture

A: A lot of people have this mantra that says, “I’m not a creative person. I’m not an artist.” Our lives are built around the practicality of what we have to do everyday so many people shut those doors to creativity a long time ago. I suggest you treat garden design like something you do all the time. The physical activity of placing plants in a space can be as easy as folding laundry and putting it away, or setting the table, or baking a cake.

Q. How can I make a landscape project feel less overwhelming?

Mary Anne Newcomer, Keeyla Meadows and Lorene Edwards Forkner

A. I suggest you divide your space up like a series of photographs or like windows.

Decide what “picture” you’re working with, where it starts and ends. Start with looking out the kitchen window and use plants and art to fill the frame.

Q. Where does your color inspiration come from?

A. A lot of my color sense comes from growing up in Los Angeles and living with its “colorfulness” – the light, tile work and Catalina Island all inspired me. Right now, I’m designing a new garden for the San Francisco Flower & Garden Show in March. It’s a habitat garden and the colors I’m using come from the red-headed garter snake, an endangered snake from the San Mateo coastline. It has a read head with a turquoise and red stripe down the back, so it’s providing my design motif, my imagery and my color combination.

Jump off the conventional Color Wheel and play with Keeyla's Color Triangle

Q. How do you suggest people “jump off” the color wheel?

A. The traditional color wheel makes my head spin. I use a color triangle, which is so stabilizing. I put blue at the top of the pyramid – it represents the sky. The other two points are red and yellow. Between the three primary colors are the secondary colors. On either side of any point is a harmonic chord of color. You’ll never go wrong if you take one of the points – red, yellow or blue – and use one of those chords of color on either side of it.

 Q. How do you balance artwork with the plants in your garden? 

A checkerboard of color in a patio installation

A. Art gives me a constant relationship to plant against, a very stable feature to move through the seasons with.

Art creates so much focus and orients the whole space so one is not always reinventing. It is like a stage setting.

The artwork and hardscape set the stage for your plants to really become the stars.

Here’s a quote from Keeyla’s book that seems apropos:

“In my gardens, color refers to everything – absolutely everything. I don’t just make a bland holder, a neutral vase, for colorful plants. Color includes the rocks, the pavings, and the artwork. It also connects up with the color of the house and the sky above. So it’s really like bringing the camera to your eye. When you take a photo, you are looking at everything in the frame. In creating color gardens we will look at everything that is part of the garden picture. . . “

More photos to share from our visit to Keeyla’s magical garden:

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Don't you love this giant red trowel, called "Plantois"?

On Nov. 30th, I took one of the only direct flights from LAX to Des Moines, Iowa (on Allegiant Air), arriving in the Midwest around 8 p.m.

Susan picked me up at the airport and whisked me off to her cozy home where we sipped wine and reminisced about being in Tuscany together only four weeks earlier.

We indulged in sentimental memories, of course. The week in Italy – in a village called Montisi – was life-affirming, especially because it was to celebrate my big Five-Oh.

Susan on a sunny Tuscan afternoon at La Foce

The 10 women who joined me, including Susan, are some of my dearest friends. I would do anything to recapture that week we had together. We’d all love to return as quickly as possible!

The Italy week was an amazing “new beginning” for Susan as she dreamed about her next venture, a culinary destination she plans to open in rural Iowa. Stay tuned for news on “Applehurst Farm,” the project Susan is developing as I write this.

Doug Jimerson and Eric Liskey, BH&G's garden guys

On Tuesday morning, Susan dropped me off at the world headquarters for Meredith Corporation, publisher of Better Homes & Gardens and a million other home, garden, food and lifestyle titles.

I was to spend the day as guest of Doug Jimerson, group editor of all Meredith’s “outdoor” content (books, mags, online) and Eric Liskey, deputy garden editor of Better Homes & Gardens magazine.

It was hard to be businesslike when I kept running into the friends I’ve made and worked with over the years:

They included James Baggett, editor of Country Gardens; Nick Crow, art director of Country Gardens; Jane Austin McKeon, editor of Nature’s Garden magazine and her art director Jarrett Einck; Denny Schrock, a talented editor and past fellow Garden Writers Association board member; Justin Hancock, BH&G web garden editor;  and David Speer, editorial manager. Hugs and high-fives ensued. These are people I would rather be friends with than spend my time hustling for assignments.

Doug and Eric and I brainstormed about possible ways I can get more involved in BH&G’s editorial pages. Then we met up with Gayle Goodson Butler, editor-in-chief of the mothership!

Wow – what a great experience. Gayle, Doug, Eric and I had a delicious lunch during which we tossed around story ideas and discussed outdoor living trends. It looks like I will join the BH&G family as a contributing editor for gardening and outdoor content in 2010. I couldn’t be more excited!!!

I'm posing with BH&G garden editor Eric Liskey

I also posed with Doug Jimerson, Meredith's Group Editor for Garden & Outdoor Living

After lunch, we took a tour of the Meredith “campus,” which includes an incredible, larger-than-life sculpture of a trowel called “PLANTOIS.” The pop-art style of this sculpture reminded me of the 19-foot eraser at the Olympic Sculpture Park in Seattle, called “Typewriter Eraser, Scale X.”  Turns out, BH&G’s trowel was also designed by Claes Oldenborg .

A site plan of BH&G's gorgeous test garden

Doug and Eric also showed me Better Homes & Gardens’  Test Garden, a beautiful walled oasis in the heart of the corporate campus. Here’s a plan of the garden (right) and a company description of how it is used:

It is an outdoor studio for our photographers, a venue for corporate entertaining, and a meeting and lunch spot for employees. While inner-city, the garden is landscaped in the style of someone’s backyard. Or, actually, several someones’ backyard. Because anywhere you take a look in our garden, if you turn ever so slightly, you will have a whole new vista. Because anywhere you take a look in our garden, if you turn ever so slightly, you will have a whole new vista. And so will our cameras, as we set about photographing how-to sequences and plant portraits, and documenting the performance of new plants. In all, there are 22 distinct areas in the Test Garden.

Yes, a rose was still in bloom on Dec. 1st

Mind you, this was on Dec. 1st in Des Moines, USDA Zone 5 or something like that. But several roses were still in bloom and the garden looked almost ready for its dormant winter phase, with lots of fresh mulch spread around, grasses and perennials cut back and everything tidy.

I was particularly drawn to the green shed, of course. I found out from David Speer that the plans for this potting shed are a free benefit of joining BH&G’s new Garden Club.

I do love this green potting shed with gabled roofline

For $9.95, you get the shed plans and other cool resources. Check out how to sign up here.  

If you find yourself in Des Moines, you can schedule a tour with garden manager Sandra Gerdes on Fridays from noon to 2 p.m., May through October. The garden is located at 1716 Locust Street, Des Moines, IA 50312. The phone number is 515-284-3994.

Here are more pics of the beautiful Test Garden:

By the way, the original test garden is on Doug Jimerson’s farm outside Des Moines. I got to visit that evening and join him and Karen Weir Jimerson, his writer-wife, for a delicious dinner.

Okay, doesn’t it make you feel better to know that the guy who heads up all of Meredith’s garden/outdoor living content is basically a gentleman farmer? In addition to their lovely farm and century-old farmhouse, Doug and Karen tend to six dogs, at least six cats (I lost count), a flock of sheep, a huge family of chickens and roosters, donkeys and horses. Before dinner, Doug gave me a tour of the Jimerson Farm in the waning daylight. I thought about how much I could love living on a farm in Iowa. Never mind. I’m just going to visit Susan and Jerry when Applehurst Farm gets up and running.

As for BH&G, my first contributions won’t appear until May 2010, but you can be assured that lots of creative storytelling will occur between now and then.

I’m excited – and grateful – for this cool opportunity!

Let’s see what 2010 brings!!!

A Post Script. I flew home from Des Moines on Dec. 2nd. While I was there, the weather was beautiful, with brilliant blue skies, sunshine and balmy (for Iowa) low 50-degree temperatures. One week later. . . yes, only one week later, my friends were buried in 16 inches of snowfall that practically shut down Des Moines. I heard that something like only 17 out of 60 flights were allowed to depart from the Des Moines Airport.

Whew. I totally lucked out. Thank you to the weather gods!

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Gourmet food, exotic tea blends and a library of design books fill the new Rolling Greens in Hollywood

Last Thursday, a vintage tire shop in the heart of Hollywood was the setting for a festive pre-opening bash thrown by Rolling Greens, its new tenant.

Designers, landscapers and horticulture fans gathered to sip, graze, explore (and shop!) at the hottest new garden emporium in Los Angeles. My editors at Garden Design magazine asked me to attend and check out the happenin’s.

Rolling Greens’ second location is the brainchild of owner Greg Salmeri and his colleague and creative director Angela Hicks. The original store in L.A.’s Culver City is a distinctive nursery, home and garden destination, formerly only for the trade, that opened to the public in 2004.

Tire dealer-turned-garden emporium, in a historic, weathered building that's full of character

For his new outlet, Salmeri snagged the lease on Town Tire Company, a weathered brick building that has been a Hollywood landmark at the corner of Beverly Blvd. and Gardner Ave. Built in 1930, the iconic structure was originally a food market and then in 1963 became a tire store.

“I’ve had my eye on the Town Tire Co. building for years and dreamed of opening Rolling Greens in this incredible space,” Salmeri says. “In this new location, we’ve expanded our offerings into home categories beyond what we offer at our Culver City location.”

Greg Salmeri

Salmeri and Hicks turned the tire shop’s unpolished attributes into appealing design elements for Rolling Greens. There are big metal garage doors that roll up to connect the indoor spaces with the fresh-air ones. The original concrete floor has been cleaned up and the exposed brick walls sandblasted. Once covered over, several huge glass doorways topped with half-circle transom windows have been exposed to invite sunshine into the 1,000-square-foot bed and bath department. The cash-wrap counters are clad in 19^th century pressed-tin ceiling tiles. The “color greenhouse” is a glass-and-steel dividing wall that encloses an area for indoor plants, including orchids and ferns. Panes of amethyst and bottle green glass replaced broken sections, creating a vintage greenhouse backdrop at the center of the store. (more…)

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Sharon Lovejoy and me

In the middle of last week, when I really didn’t have the time to do it, I drove northbound, to central California, where I spent 24 hours with talented writer-illustrator-naturalist Sharon Lovejoy and her smart and kind husband Jeff Prostovich. I met Sharon a little over two years ago when Nan Sterman and I drove to the San Francisco Flower & Garden Show with our friend Joan Bolton of Santa Barbara Garden Design. It was our Garden Writer Caravan and Road Trip. First, Nan took the train/bus from San Diego to my neck of the woods (Ventura Co.); then, the next morning, we drove to Santa Barbara to pick up Joan. Another 90 minutes north of Joan, up Hwy. 101, and we arrived to visit Sharon and Jeff. They fed us, feted us, and hopped in their car to follow the caravan.

A collection of Sharon's charming and inspiring books

Sharon is a total rock star in the Garden Writing Galaxy and I was so excited to have a chance to spend time with her and Jeff.

She has had a huge following ever since she started writing “Heart’s Ease,” a monthly naturalist’s column for the former Country Living Gardener magazine. Sharon’s blog is fun and highly personal -- it’s read by friends and fans around the globe.

Her illustrated books about gardening, gardening with children, gardening for wildlife, gardening with food — oh, there are so many and they are like little love letters — have sold hundreds of thousands of copies over the years. In our world, that is unparalleled, I tell you.

If, like me, you love the way Sharon involves children and their grownups with the natural world, be on the lookout for her next book -- out in January 2010! It’s called Toad Cottages & Shooting Stars (and it features her sweet artist-granddaughter, Sara, on the cover).

Sharon and Jeff and I had a magical 24 hours in which we basically talked, ate, drank, cooked, went to see the Lone Pine Arboretum and the plant nursery at Cal Poly San Luis Obispo, admired nature, and compared notes about our industry (?) and the “new media” platforms we’re all learning to navigate.

We had to force ourselves to go to bed last Tuesday night . . . the fire was burning in the fireplace and we had so much to say to one another. But we drifted off to sleep and rose on Wednesday morning in time for me to join Sharon at her writers’ group, during which yet another sparkling facet of this talented writer was revealed to me (hint: she is writing a wonderful young adult novel and I can’t wait for it to be completed AND published!).

A sweet retreat in the heart of Sharon's garden

It was nice to do something very spontaneous (and very nice that my own husband Bruce held down the fort at home so I could take the trip). I’ve been anxious to see Sharon’s new garden shed.

I had a sneaking suspicion I would be able to persuade Sharon to let me interview her on camera, so I asked -- and lucky for you -- she said yes. (And there was Jeff, the smart marketer, egging us on and actually directing us at one point.)

We made this totally rough-and-rugged video with my little Flip camera and gave the footage to Shirley Bovshow of Garden World Report. Shirley cleaned it up and used a portion of my tour with Sharon on today’s show. You can watch it here, along with contributions from Ken Druse and Ellen Zachos, two of my favorite garden writer-designers on the east coast.

Sharon promised me a personal tour, and here it is:

This entire experience reminded me of why I love what I do and the people with whom I share this journey.

Since this is Thanksgiving week, I’m thinking about gratitude:

1. I’m thankful that Nan introduced me to Sharon. Nan’s heart is big enough to share her blessings with her friends. I love that about Nan. It’s not the first time she’s opened a door for me, and I hope I can reciprocate.

2. I’m thankful that Sharon and Jeff have adopted me as a friend, and for their generous gift of time, ideas, support, encouragement, shelter (hey, I didn’t mention getting to sleep in the cozy loft at the top of a spiral staircase in Sharon’s art studio!!!) and food (oh, time around the table in their farmhouse kitchen was delicious -- in more ways than one).

3. I’m thankful that there are so many kindred spirits in the gardening world, especially for innovators like Shirley Bovshow who just make things happen in new ways, pioneering the path that we all wish to follow (but when we don’t have a road map….she’s bound to!)

4. I’m thankful for my long-suffering spouse and partner, Bruce. He always encourages me to take these trips and excursions, even though it usually means more work for him. I can’t wait for the time when he’ll be freer to join me (and vice-versa).

That’s it for now.

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Italian cypresses are so companionable with Italian stone pines

I did a lot of driving in Tuscany. More than I would have liked, just ask my girlfriends. Lots of to-ing and fro-ing between our remote villa and the train station in Chiusi about 45 minutes away. But there was one scene on the road between Trequanda and Sinalunga that caught my breath every time I drove past it and made the driving worth while.

Someone planted two lovely rows of trees on either side of a long driveway that ran perpendicular into the strada. And as I approached it, the classic, Renaissance-inspired pattern emerged, filling my line of vision with its elegance and storybook perfection.

When backlit, the tree shapes are even more distinctive

Silhouetted against the Tuscan sky, or back-lit by the sun, stood the contrasting shapes of tall, slender Italian cypress trees (Cupressus sempervirens) and upward-sweeping, umbrella-like forms of Italian stone pines (Pinus pinea).  The iconic forms alternate up one side of the drive and back down the other, ensuring a perfect display of two quintessentially Italian trees.

Thanks to the genius plantsman or woman who decided that these two trees – one, a spire; the other, a classic ovoid — should be grown together.

If ever I have enough land and live in the right climate, I’m going to replicate this gorgeous, satisfying, perfectly ordered pattern of trees. For now, I will share more photos. I stopped one morning and snapped oh-so-many views.

Another view of my favorite tree scene

Beautiful and orderly, an intentional planting scheme

Each time that I approached the pine-and-cypress-edged drive, a smile covered my face

P.S., this is the pine tree from which those delicious pine nuts come from.

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