Debra Prinzing

Archive for the ‘Entertainment’ Category

A lovely conversation with NYC floral artist Emily Thompson (Episode 173)

Wednesday, December 24th, 2014
Emily Thompson (c) Photo by Maria Robledo

Emily Thompson (c) Photo by Maria Robledo

Emily Thompson is an iconoclast, an anything-but-predictable designer and artist – and owner of the NYC studio and shop that bears her name, Emily Thompson Flowers.

Three years ago at this time, the flower world was celebrating the fact that Emily and her team helped Michelle Obama achieve her dream of bringing the outdoors inside the White House at Christmas.

This year, Emily is settled into her charming new emporium in lower Manhattan, a huge space compared to her former flower-closet in Brooklyn’s DUMBO neighborhood.

I arrived to meet her early one October morning, a totally spontaneous visit prompted by the designer’s invitation when I took her class the evening before at Flower School New York.

As I wrote on my blog at the time, it was so gratifying to be introduced to Emily at her workshop and realize she’d been wanting to meet me, too.

An Emily Thompson botanical creation, displayed in a one-of-a-kind vase by artist Mark Gagnon (c) Sophia Moreno-Bunge

An Emily Thompson botanical creation, displayed in a one-of-a-kind urn by artist Mark Gagnon (c) Sophia Moreno-Bunge

That two-hour workshop was thoroughly inspiring. Every single word that Emily uttered was like listening to a Master instructor in a MFA program. I jotted down these lovely Emilyisms:

“I want to make things that are impractical. That are surprising to me.”

“The proportions I design with are more akin to the natural garden or landscape. I’m looking for powerful contrast, for things that resist one another. That draw the eye in and push it away.”

“I love to work with seasonal flowers, with things of our landscape. And then I’ll add bits of the exotic.”

“So much of design is done in selection of materials. I want a flower arrangement to feel like you’ve dug through the wilderness to find a treasure.”

Emily, designing with wild  and cultivated materials (c) Sophia Moreno-Bunge

Emily, designing with wild and cultivated materials (c) Sophia Moreno-Bunge

I love how the annual vines are climbing up the facade of this historic storefront (c) Debra Prinzing photo

I love how the annual vines are climbing up the facade of this historic storefront (c) Debra Prinzing photo

As I mentioned, Emily invited me to visit her brand new shop on Beekman Street, so the following morning we squeezed in a shared cup of tea/coffee and a tour of the new digs. I asked permission to turn on the recorder (natch) and Emily agreed.

Here’s a bit more about Emily:

Raised in Vermont, in a place she calls “the Northeast Kingdom – a place of uncompromising beauty,” Emily was deeply influenced by that sense of place, of the natural wildness of her childhood.

She was educated at the Pennsylvania Academy for the Arts, the University of Pennsylvania and UCLA, where she earned her Masters of Fine Arts in sculpture.

A floral arrangement in a beautiful Frances Palmer ceramic vase (c) Sophia Moreno-Bunge

A seasonal spring arrangement in a beautiful Frances Palmer ceramic vase (c) Sophia Moreno-Bunge

Emily is fascinated with the decorative arts and their history as she continues to collaborate with the rough hand of nature. Her flowers and banquet decor balance the uncultivated organic world with the delicacy of classical ornamental design. These pieces burst with unconventional materials like wild smilax, peaches and real butterflies, and always maintain sculptural grace. And most importantly, they are built in harmony with the space where they are displayed – as if they grew there.

One of Emily Thompson's nature-inspired assemblages (c) Sophia Moreno-Bunge

One of Emily Thompson’s nature-inspired assemblages, paired with a Frances Palmer vessel (c) Sophia Moreno-Bunge

Emily likes to cite William Gilpin, 18th century theorist of the picturesque, who directed builders of follies and artificial ruins, “to do so as if these ruins were not designed but naturally chosen.” What’s more, writes Gilpin, “they must be in magnificent style.” Emily’s work, like her ideal faux ruin, evokes nature in magnificent style.

Simply sublime (c) Sophia Moreno-Bunge

Simply sublime (c) Sophia Moreno-Bunge

Emily Thompson Flowers provides custom designs for special events and for all occasions. Using the freshest seasonal flowers, fruit, and foliage as well as unconventional and wild materials, each project or arrangement is individually conceived to suit the architecture and palette of its setting or to transform a room entirely.

At Emily Thompson Flowers in the Historic Seaport district of Manhattan, you can find flower arrangements and bouquets, artist-designed decorative objects, and all kinds of wildly beautiful things. The new shop is on a sunny corner in a building erected in 1865 by George B. Post (architect of the Stock Exchange), which is adorned with cast iron starfish and terra cotta sea monsters.

Old World-meets-Emily Thompson (c) Sophia Moreno-Bunge

Old World-meets-Emily Thompson (c) Sophia Moreno-Bunge

If you’re lucky enough to live in the New York area, you can order arrangements for delivery, but if you’re not a resident, visit Emily Thompson’s web shop to peruse the art, objects, tools and gifts that can be ordered online.

Emily Thompson designs powerful and poetic florals. She loves the peculiar, the quirky and the wondrous. To me, she gives us permission to redefine beauty in our own personal way, to ignore dictates that the vast floral industrial complex tries to force on us. On her blog, when Emily wrote in early 2014 about moving from a tiny Brooklyn studio to a full-fledged Manhattan flower shop, she wrote “We promise to do everything in our power to bring alchemy to all who need it on this island.”

(c) Sophia Moreno-Bunge

More of Emily’s botanical alchemy (c) Sophia Moreno-Bunge

There is one more episode left for 2014 – and that’s my very special episode that will air on December 31st. I plan on sharing my insights for the New Floral Year, so plan to join me!

My personal goal is to put more American grown flowers on the table, one vase at a time.  Listeners like you have downloaded the Slow Flowers Podcast more than 28,000 times. If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at hhcreates.net.

 

Brooklyn Grows Flowers! Meet Molly Oliver Culver of Molly Oliver Flowers (Episode 172)

Wednesday, December 17th, 2014
Meet Molly Culver, and a bouquet of beautiful larkspur she grew in Brooklyn.

Meet Molly Culver, and some of the beautiful  flowers she grew in Brooklyn.

One of the largest consumer marketplaces in the U.S., where floral design is a huge business, is sadly a little disconnected from where flowers grow. There is a cadre of flower farmers and floral designers who are working creatively to change that situation. And today’s podcast guest, Molly Culver, is at the forefront of this momentum.

The designer at work.

The designer at work.

Molly Culver is the owner of Molly Oliver Flowers, which she runs with partner Deborah Greig. In their day jobs, both women are deeply involved in urban agriculture. When the weekends roll around, you can probably find them designing bouquets, boutonnieres, centerpieces and more – for couples who love their fresh-from-the garden style. Together they create beautiful botanicals for New York area weddings with a huge emphasis on local.

A late June bridesmaid bouquet, designed by Molly and Deborah

A late June bridesmaid bouquet, designed by Molly and Deborah (c) Levi Stolove photograph

I’m so sorry Deborah couldn’t join us for this interview, recorded in late October when I was in New York for just a few days. Molly graciously helped me coordinate a Slow Flowers gathering – an after-hours affair that drew floral designers, flower farmers and one intrepid lifestyle blogger to 61 Local in Brooklyn.

Here's a fun photo from our NYC-Brooklyn Slowflowers.com gathering. From left: Gloria Battista Collins of GBC Style, me, Jessica Stewart and Justine Lacy of Foxglove Floral Design Studio, and Molly Culver of Molly Oliver Flowers.

Here’s a fun photo from our NYC-Brooklyn Slowflowers.com gathering. From left: Gloria Battista Collins of GBC Style, me, Jessica Stewart and Justine Lacy of Foxglove Floral Design Studio, and Molly Culver of Molly Oliver Flowers.

Over delicious food and beverages, we talked about our individual projects and collective vision for using and promoting American grown flowers. Molly brought the most lovely late-autumn floral arrangements to decorate the tables, wowing everyone with what she harvested from the growing fields that late in the season – the 3rd week of October.

Before I share our interview, let me share a little more about Molly Culver:

a Molly Oliver Flowers centerpiece for an October wedding.

a Molly Oliver Flowers centerpiece for an October wedding. (c) Kelly Kollar photograph

Molly has been working as a local food and flower activist in New York City since 2005. Early in her career, she kicked off a brand new CSA chapter and farmers market in the poorest congressional district in the US, and hasn’t stopped working to make growing food and eating local accessible to all. Molly has managed both rural and urban farms since 2009, and currently manages the 1-acre Youth Farm in Crown Heights, Brooklyn where she oversees flower production and sales and runs educational programming and farm training for adults. She is Farm School NYC’s Farm Manager and Director of the Urban Farm Training Program.

September bouquet by Molly Oliver Flowers (c) Amber Gress photograph

September bouquet by Molly Oliver Flowers (c) Amber Gress photograph

Molly has taught the 5-week course “Growing Soils” for Farm School NYC since 2011, and has made a soil worshipper out of many an urbanite. Molly holds a degree in Ecological Horticulture from the Center for Agroecology and Sustainable Food Systems, UC-Santa Cruz and sits on the Board of Farm School NYC.

A flower crown by Molly Oliver Flowers.

A flower crown by Molly Oliver Flowers (c) Forged in the North

As I mentioned, Molly and Deborah Greig are partners in Molly Oliver Flowers, a sustainable floral design company launched in 2012. They are bringing new meaning to the term ‘green weddings.’

An April wedding bouquet by Molly Oliver Flowers (c) Clean Plate Pictures

An April wedding bouquet by Molly Oliver Flowers (c) Clean Plate Pictures

I hope that you’ll hear from Deborah in a future interview. She’s also the agriculture director for East New York Farms, a Brooklyn nonprofit that since 1998 has been working with youth, gardeners, farmers, and entrepreneurs to build a more just and sustainable community.

Yes, growing food is essential, especially when it feeds people who don’t otherwise have  access to fresh vegetables, fruits and herbs.

But then there’s flowers, which as Molly explains account for a significant portion of her work at Farm School NYC.

“Flowers are food for the soul; they feed me,” she says.

I couldn’t agree more!

Late August bouquet - photo credit (c) Elizabeth Andrews

Late August bouquet – photo credit (c) Elizabeth Andrews

My personal goal is to put more American grown flowers on the table, one vase at a time. I promise that when you tune in next week, you’ll hear another insightful and educational episode of the Slow Flowers Podcast. Listeners like you have downloaded the Slow Flowers Podcast more than 27,000 times. If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at hhcreates.net.

Slow Flowers: American Grown Wreaths for the Holidays

Saturday, November 29th, 2014
A California-Grown Holiday Wreath.

A California-Grown Holiday Wreath.

Detail of an edible/herbal-themed holiday wreath.

Detail of an edible/herbal-themed holiday wreath.

Thanks to some wonderful attention for Slowflowers.com in the media, I’ve been designing and writing and talking about American Grown Wreaths for the Holidays quite a bit lately.

Tonight, one of my friends asked: Isn’t that wreath-making how-to on a video?

And I said, “Not this time, but I’ll post the steps on my blog.” She’s getting ready for tomorrow’s Advent wreath-making party so I thought I’d get the instructions up quickly.

Here, you’ll find two of the DIY wreath how-to’s. I created the first for Chris Ross, Home & Garden editor for the San Diego Union-Tribune daily. “From Harvest to Holiday” appears in today’s newspaper and features ingredients grown near San Diego by Resendiz Brothers Protea FarmsThanks to Diana Roy and Mel Resendiz for sending me the flowers and foliage to play with!!!

Getting Started

Do-it-yourself wreath-making is as easy as placing flowers in a vase. Start with a walk through your neighborhood to gather “gifts” from nature, especially downed branches, autumn leaves, conifers and dried flowers (note: always wild-gather or forage with permission and never on public land).

Get your supplies in order: Wreath forms, bindwire or twine, clippers, snips, floral wire and ribbon.

Get your supplies in order: Wreath forms, bindwire or twine, clippers, snips, floral wire and ribbon.

1. Get your supplies in order. I bought the wreath forms at Michael’s, but you can also find metal and grapevine wreath bases at most floral and craft supply outlets. Choose your wreath base. For this design, I worked with a 15-inch round frame.

The floral elements and accents.

The floral elements and accents, including from left: Pink Protea, Brunia albiflora, Leucadendron and Creamy White Protea

The foliage elements

The foliage elements, including from left: Banksia, Eucalyptus, Acadia, Grevillea, and more.

2. Gather flowers and foliage: As you gather branches, foliage and other elements, clean away debris and trim away broken parts. Lay out pieces on sheets of newspaper and allow them to partially dry (this helps reduce mildew). Plan for twice as much as you think you’ll need. You want your wreath to look rounded and dense rather than thin and flat so make sure you have plenty of material.

READ MORE…

SLOW FLOWERS Podcast: A Lavender Farm Wedding with Local Flowers grown by Nancy & Jim Cameron of Destiny Hill Farm (Episode 157)

Tuesday, September 2nd, 2014
A couple poses between the gently curving rows of lavender at Destiny Hill Farm.

A couple poses between the gently curving rows of lavender at Destiny Hill Farm.

In musical theatre the term “triple-threat” is used to describe super-talented individuals who can act, sing – and dance. I’ve been thinking a lot about how triple threat applies to other professions, such as in the floral world, where Destiny Hill Farm is a true triple threat.

Nancy and Jim Cameron of Destiny Hill Farm.

Nancy and Jim Cameron of Destiny Hill Farm.

Today’s podcast episode introduces you to Nancy and Jim Cameron – and the story of how they created Destiny Hill as an agro-tourism destination for growing cut flowers, designing florals and producing weddings & special events.

In the distance, you will see the stables and barn - home to some amazing wedding gatherings.

In the distance, you are the stables and barn – home to some amazing wedding gatherings.

Based in Western Pennsylvania, this 137-acre farmstead and the people who run it do three things very well:

1-flowers are grown here, including 5,000 lavender plants and hundreds of varieties of annuals, perennials, grasses and woody ornamental shrubs.

2-there’s a full-service floral design studio that incorporates those botanical elements into bouquets, boutonnieres, centerpieces, altar pieces and more; and

3- Destiny Hill is a wedding and event destination that hosts and produces between 20 and 25 functions each year, led by event coordinator Mimi York.

I met Nancy earlier this year when Destiny Hill contributed to the Slowflowers.com campaign on Indiegogo, and then this past February when she attended a wedding bouquet workshop I co-hosted with Alicia Schwede of Flirty Fleurs. When I made the connection that Destiny Hill was located about 30 minutes outside of Pittsburgh, we started planning my visit when I was scheduled to attend a Garden Writers conference there last month.

Nancy and I pose with our just-picked and arranged bouquets - all local flowers from her cutting fields.

Nancy and I pose with our just-picked and arranged bouquets – all local flowers from her cutting fields.

Jim and Nancy graciously picked me up in downtown Pittsburgh and drove me out to the farm. It was a rainy summer day – familiar weather to a Seattleite like me. By the time we arrived at the majestic landscape that’s home to the Camerons’  personal residence and business enterprise, we all agreed that the rain wouldn’t stop our fun.

Inside the barn - a beautiful setup for a wedding feast.

Inside the barn – a beautiful setup for a wedding feast.

READ MORE…

SLOW FLOWERS Podcast: Floral and Event designer McKenzie Powell (Episode 150)

Wednesday, July 16th, 2014
A McKenzie Powell floral bouquet, photographed by Jasmine Star.

A McKenzie Powell floral bouquet, photographed by Jasmine Star.

I’ve experienced real joy in producing and hosting the Slow Flowers Podcast this past year.

You could say it’s purely selfish to have a personal, 30-minute conversation with an influential and interesting leader in the American floral industry, right?

Yet I am so happy to invite you to share in our dialogue; doing so has allowed flower farmers, floral designers and flower sellers to reach so many others by simply sharing their personal stories. And I sincerely hope that listeners who care about the source, seasonality and growing methods of the flowers they enjoy in their lives are inspired by the guests I’ve been able to feature this past year.  

MPD-logo-new Today’s delightful guest is McKenzie Powell, a young floral artist and event producer based in Seattle. I’ve been wanting to interview McKenzie for a couple of years. And too often, when we run into one another at the flower market, we promise, “let’s get together for coffee, okay?”  

This past week, we finally made that happen. McKenzie’s star is on the ascent. In just four years since she launched her studio, the work of this talented designer has been showcased twice in Martha Stewart Weddings, as well as in local bridal publications in our area like Seattle Bride and Seattle Met Bride & Groom. After recording our interview, she also sent me this link to a 2013 project of hers that landed on Martha Stewart’s Real Weddings’ blog. 

McKenzie Powell with one of her beautiful arrangements (c) Belathee Photography.

McKenzie Powell with one of her beautiful arrangements (c) Belathee Photography.

She’s also been showcased on a gazillion websites, including but not limited to: Junebug, 100 Layer Cake, Coco & Kelly, Elizabeth Ann Designs, Style me Pretty, Once Wed, Apartment Therapy, Wedding Wire, and others.

McKenzie says this about her business: We are a boutique and floral event design studio located in Seattle, Washington, and available for travel. We bring flair, elegance, and creativity to each and every event – from an intimate dinner party to a grand affair. Our goal is to learn your story, your style, your vision – then design an event unique to you and incredibly beautiful. 

A wedding tablescape, all-white and lovely.

A wedding tablescape, all-white and lovely. (c) Bryce Covey

McKenzie was raised among gardens and trained as a graphic designer. She brings a broad appreciation and knowledge of design to the floral and event industry, a niche that combines so much of what she enjoys and finds inspiring. Interiors, flowers, fashion, food, travel – they all seem to play an important part in a well-crafted and thoughtful event. 

A Summer Bouquet from McKenzie's Seattle Garden.

A Summer Bouquet from McKenzie’s Seattle Garden.

After two years working for an angel investment firm, planning large-scale corporate events, she launched McKenzie Powell Floral & Event Design, quickly earning a reputation for her lush, romantic designs. While her floral work may be what she is most notably known for, she encourages her clients to think beyond the centerpiece. Using an approach that considers the entire table, the entire environment, McKenzie creates truly beautiful events. 

Her perfect lazy day is spent lakeside at her family’s cabin, in the company of a good book, a fresh grapefruit cocktail, and her handsome husband. 

You can find and follow McKenzie at these places:

McKenzie on Facebook

McKenzie on Instagram

McKenzie on Twitter

McKenzie on Pinterest

We are coming up on a one year anniversary next week. I have a very special guest who is going to share a big announcement about American Grown Flowers, so be sure to tune in.

Last week, thanks to listeners like you, this podcast hit the 15,000 download mark and I couldn’t be more grateful. I truly appreciate the guests, listeners and sponsors who have supported the Slow Flowers Podcast with Debra Prinzing!!! Together, we’re changing the broken floral industry for the better!!

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The slow flowers podcast is engineered and edited by Hannah Holtgeerts and Andrew Wheatley. Learn more about their work at hhcreates.net.

SLOW FLOWERS Podcast: A new brand of floral entrepreneur, Bess Wyrick of Celadon & Celery (Episode 149)

Wednesday, July 9th, 2014
Bess Wyrick of Celadon & Celery, wearing one of her beautiful floral crowns (c) Jana Williams

Bess Wyrick of Celadon & Celery, wearing one of her beautiful floral crowns (c) Jana Williams

CC_Logo_final.ai-page-001 Today’s guest is Bess Wyrick, founder and creative director of Celadon & Celery, a floral design and events studio based in New York City and Los Angeles. 

I first learned of Bess when researching florists to possibly feature in The 50 Mile Bouquet – I wanted to document the emerging business model of floral designers who actively promoted green practices, such as using seasonal and local flowers, embracing earth-friendly products and promoting anti-mass market style. 

I later learned that this category is called “eco-couture,” and it’s quite possible that Bess coined the phrase herself.

 

May 5, 2013 cover of New York Magazine, featuring Bess Wyrick's floral crown on the head of artist Jeffrey Koons.

May 5, 2013 cover of New York Magazine, featuring Bess Wyrick’s floral crown on the head of artist Jeffrey Koons.

In 2009, Bess’s Celadon & Celery was featured in a New York Times blog post about “organic flower” sourcing. The writer cited Bess’s policy of sourcing flowers within a 200-mile radius of NYC and also noted that when seasonal flowers aren’t available, she purchased Fair Trade, Veriflora and USDA organic flowers from certified vendors. 

The following year, in 2010, BizBash, a web site devoted to event planning, published a piece about Celadon & Celery that stated: “. . . sustainability is important to Wyrick. She composts, grows many of her own plants in her Chelsea studio, sources flowers from local growers or certified organic suppliers, and scavenges for materials to repurpose.” 

Bess shared this photo of a floral teepee, a recent installation.

Bess shared this photo of a floral teepee, a recent installation.

To read about that philosophy today – in 2015 – doesn’t seem all that unusual. But five years ago, it was rare. Believe me, I counted on one hand the number of designers proactively taking the green approach. I saved that article in my folder of inspiring designers. 

So how cool was it that when Celadon & Celery brought its floral design workshop series to Los Angeles, Bess’s publicist pitched me to write the story. 

Local flowers in a beautiful palette, designed by Celadon & Celery

Local flowers in a beautiful palette, designed by Celadon & Celery 

I was definitely intrigued. Intimate hands-on floral design workshops had hit the East Coast, and the New York Times had run a piece in 2010 about The Little Flower School of Brooklyn (and owners Sarah Ryhanen and Nicolette Owen, two recent guests of this podcast). I’d even led a few seasonal floral workshops for Ravenna Gardens in Seattle in 2010, but I hadn’t seen much like this happening elsewhere on the West Coast. 

My editor at the Los Angeles Times agreed, and I did a short Q&A interview with Bess about the workshop series in fall 2011. At the time, Celadon & Celery was charging $300 for its two-hour sustainable-design workshops at Bess’s loft-studio in New York’s Chelsea Flower District. For the Los Angeles expansion, she dropped the tuition to $125 and used social media channels to promote the classes. 

Overwhelmed by the positive response, Bess rented a photography studio in downtown Los Angeles and turned it into a classroom. She hired a few local freelancers to help and ran three classes a day for three weeks. “In that time we taught floral design to more than 800 people,” Bess marvels.

bliss! a Celadon & Celery seasonal creation

bliss! a Celadon & Celery seasonal creation

50MileBouquet_book I was able to witness the excitement in person and cover it for a chapter in The 50 Mile Bouquet. In the book’s pages, you can read about the explosion of DIY interest in floral design.

In that piece, Bess offered this observation: “The word ‘eco’ has a bad reputation implying something weedy,” Bess says. “But we’re creating flowers that are sophisticated, chic and tailored. ” You can read the entire chapter by clicking this link.

I’ve connected with Bess many times since the publication of The 50 Mile Bouquet, in both New York and Los Angeles, depending on where our travels intersect. She is a generous supporter of the new Slowflowers.com and you can find Celadon & Celery featured in the online directory under studio florists and weddings/events.

I’ve been wanting to have her on as a guest and I’m delighted to include our conversation here today. Please enjoy our discussion about how floral design – and this designer in particular – has evolved to encompass event production, conceptual storytelling and artistic installations.

a singular bouquet.

a singular bouquet.

You’ll learn that floral design can be as multidisciplinary and multidimensional as you choose it to be. And, according to Bess, florists who advocate for their vendors, the family flower farm in particular, have an edge. She says: “I like to sell the fact that I’m a luxury brand and luxury brands work with really small artisans and that’s really important because you want to make sure that your flower farm vendors keep doing what they’re doing and creating unique and unusual flowers that the higher luxury market will pay for.”

(c) Jana WIlliams

(c) Jana WIlliams

I love how generous and frank she is and a few more of her interview comments really resonated:

For one thing, volunteering on flower farms has educated Bess to understand that “it’s not okay for clients to negotiate the cost of flowers because it is back-breaking work and there aren’t enough people who know how to grow flowers.”

And second: This quote is powerful and I hope it more than a few people in the floral industry to rethink their practices: “I don’t think that any florist in California should be importing flowers at all. That’s just being lazy.”

(c) Jana Williams

(c) Jana Williams

Ahem. Thank you, Bess, for stating the obvious. You’ve lent a lot of credibility to the Slow Flowers Movement with that proclamation!

Here are links to all of Bess’s social outlets:

Life with Bess Blog

Facebook

Twitter

Pinterest

Flickr

Instagram

And Thanks to listeners like you, this podcast has been downloaded nearly 15,000 times.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers podcast is engineered and edited by Hannah Holtgeerts and Andrew Wheatley. Learn more about their work at hhcreates.net.

Make a Bouquet: Step-by-Step

Wednesday, June 25th, 2014
June Bouquet with ornamentals and edibles.

June Bouquet with ornamentals and edibles.

Last weekend I was involved with the Hardy Plant Study Weekend as a speaker and a participant. This is an annual event, held every June. I rotates between Washington, Oregon and British Columbia, and this year was hosted and produced by the Northwest Perennial Alliance.

I was asked to present a floral design demonstration at Saturday night’s gala, held at Wells Medina Nursery. What could be better than attending a fun dress-up party with the theme “50 Shades of Green” (get it?). Surrounded by horticulture friends old and new, many of them who wore awesome green outfits, I demonstrated “The Marriage of Ornamentals and Edibles in the Vase.”

Here is a recreation of that arrangement, using most of the same flowers that I included in the first arrangement. I used a sizeable cast-iron urn (7 inches wide x 9 inches high) and filled it with a 5-inch vintage flower frog (cage style). NO FOAM, people! It’s not necessary and it actually shortens the vase life of flowers like these.

Step One: Choose an awesome container. This image gives you a good idea of the vessel's shape and scale.

Step One: Choose an awesome container. This image gives you a good idea of the vessel’s shape and scale.

 

Gather together your foliage. Start with something large and dramatic.  Artichoke/Cardoon foliage is a great summer element- straight from the veggie garden.

Gather together your foliage. Start with something large and dramatic. Artichoke/Cardoon foliage is a great summer element- straight from the veggie garden.

 

Step Two: Add the largest foliage first. I placed three leaves asymmetrically.

Step Two: Add the largest foliage first. I placed three leaves asymmetrically.

 

Step Three: Add the larger textural elements, like hydrangeas - straight from my garden.

Step Three: Add the larger textural elements, like hydrangeas – straight from my garden.

 

Step Four: Add more texture for contrast. Here, I added ladies mantle - lime green and super fluffy. Also straight from my garden.

Step Four: Add more texture for contrast. Here, I added ladies mantle – lime green and super fluffy. Also straight from my garden.

 

Step Five: Add smaller, darker, glossier foliage. Like sprigs of mint. They smell fantastic!

Step Five: Add smaller, darker, glossier foliage. Like sprigs of mint. They smell fantastic!

 

Step Six: Now, the diva flowers. Like these locally-grown garden roses.

Step Six: Now, the diva flowers. Like these locally-grown garden roses.

 

Step Seven: The final "viney" elements! Love the nasturtium. It lasts surprisingly long in the vase. PS, one vivid yellow poppy!

Step Seven: The final “viney” elements! Love the nasturtium. It lasts surprisingly long in the vase. PS, one vivid yellow poppy!

How do you keep this looking fresh for an entire week? Place this urn down inside the sink and run water inside (using the nozzle on the sink faucet). Give this vase a drink for 2-3 minutes and let the excess water spill over the edge. You’ll basically replace old, clouded water with fresh, clean water!

SLOW FLOWERS Podcast: Media entrepreneur Margot Shaw, creator of flower magazine (Episode 147)

Wednesday, June 25th, 2014

Before we get started with today’s awesome guest, I’ve got a little self-promotion to share. The Slow Flowers “brand” is a lovely bouquet with several unique blooms in the vase.

PodcastLogo There is this podcast, of course, and we’re coming up on our one-year anniversary on July 23rd (we’ll have an exciting announcement from a special guest to celebrate our 52nd episode!).

  Web

And there is the Slowflowers.com online directory, which is growing every day – up to 325 vendors on the site as of this week.

600_600_SLOWFLOWERSFrtCvrrev But it all started with the book: Slow Flowers, four seasons of locally-grown bouquets, from the garden, meadow and farm. St. Lynn’s Press published this little gem in early 2013 and it has been the creative inspiration to launch the Slow Flowers Movement.

14-silver-logo We just got word that Garden Writers Association has awarded Slow Flowers with one of two Silver Medals of Achievement for Overall Book product this year. I couldn’t be happier and I’m so pleased to receive the recognition because it reflects what together our American grown floral community has achieved in changing the dialogue and changing the relationship consumers have with their flowers. Congratulations to the entire St. Lynn’s Press creative team for making my words and images into such a beautiful little book: Paul Kelly (Publisher), Catherine Dees (Editor) and Holly Rosborough (Art Director). They are the dream team! 

TODAY’S GUEST: MARGOT SHAW, flower magazine

Margot Shaw, "flower magazine" founder and editor-in-chief

Margot Shaw, “flower magazine” founder and editor-in-chief  


"To Flower" ~ the definition embodies the spirit of this magazine.

“To Flower” ~ the definition embodies the spirit of this magazine.

Now, it is entirely fitting that I introduce you to Margot Shaw of flower magazine, my interview subject today. Margot has coined the phrase “a floral lifestyle,” a term I thoroughly embrace – and I know you will, too.

 

Margot calls herself a “late bloomer” when it comes to the art of floral design. A self-proclaimed “call-and-order-flowers girl,” Margot’s “a ha moment,” her view of flowers, changed when planning her daughter’s at-home wedding.

Working alongside the floral and event designer, she recognized the artistry and inspiration involved in “flowering” and soon began apprenticing with that same designer.

After a few years, enamored with all things floral but unable to locate a publication that spoke to her passion, she set about creating one. 

With a clear vision, a deep appreciation for beauty, a facility with words, a hometown uniquely geared towards publishing, and the advice and counsel of generous industry professionals, Margot launched flower in March of 2007. 

I snapped this photo of the flower magazine staff back in January 2011 when I visited Birmingham, Alabama, for a get-to-know meeting. That's Margot, second from the left.

I snapped this photo of the flower magazine staff back in January 2011 when I visited Birmingham, Alabama, for a get-to-know meeting. That’s Margot, second from the left.

Originally filled with floral, garden, and event design, the niche publication has gradually broadened to include content that trumpets a floral lifestyle—interiors, art, travel, fashion, jewelry, and entertaining.

“It has something for everyone who likes flowers—and who doesn’t like flowers?!” Shaw proclaims.

Since its debut, flower has continued to grow at a steady pace, recently moving from quarterly to bimonthly, and available in all 50 U.S. states and 17 countries.

Here’s some more information on the publication and its influence on our floral community:

Here's what you'll find on the pages of flower magazine ~

Here’s what you’ll find on the pages of flower magazine ~

 

Here's who reads the magazine.

Here’s who reads the magazine.

 

Here's more about the circulation and geographic distribution.

Here’s more about the circulation and geographic distribution.

Want to check out the current issue of flower magazine? Margot has generously shared the “secret” log-in password with listeners of the SLOW FLOWERS Podcast. Click here to read the digital edition and use TUBEROSE as the password. 

Next week’s guests are Heidi Joynt and Molly Kobelt, partners in Field & Florist of Chicago. You won’t want to miss it!

Thanks to listeners like you, this podcast has been downloaded 13,700 times.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The slow flowers podcast is engineered and edited by Hannah Holtgeerts and Andrew Wheatley. Learn more about their work at hhcreates.net.

A (American Grown) Flower-filled April, Part Two. OR: Adventures with Sharon Lovejoy

Sunday, May 11th, 2014

I’ve been home for a few weeks from my 11-day road trip that took me by plane to Southern California and back home again behind the wheel of a rental car. I have many fond memories (as well as the photographs that I collected), while stopping along U.S. Hwy. 101 on my way north to Seattle.

So here is a second travelogue, which I think many will enjoy.

I stopped at the home and garden of fellow writer and sweet friend Sharon Lovejoy and her partner in all, Jeff Prostivitch. They live in San Luis Obispo, a stunning area of coastal California, in a cozy bungalow surrounded by an oft-photographed and published garden.

There are several highlights from this short visit that I want to share.

running-out-of-night First of all, I got to hold in my hands the advanced readers’ copy of Sharon’s debut novel, Running Out of Night, which will be published in November.

On an earlier visit to Sharon and Jeff’s (I think it was in the fall of 2009), I tagged along with Sharon to a regular session with her writer’s group. This is the small gathering of writers in her area who have faithfully met with one another for years as they’ve read given both encouragement and critiques of each other’s writing projects. It was on that visit that I heard Sharon read aloud one of the chapters of her novel-in-progress. 

So you can only imagine how thrilling it was to sit for a while on the sofa in their living room and read the first few chapters in the REAL book! If you have a young person in your life (ages 7-12), I urge you to order this book or ask your librarian to order it. It is an adventure that involves two young girls who are equally enslaved, despite the difference in their skin color. I thoroughly love the characters, the plot – and the dialogue! Sharon is a masterful storyteller and I can’t wait to get this book into the hands of my niece (a 4th grade teacher) and her students.

A bud vase displays charming nasturtium flowers and foliage, on the edge of the kitchen's vintage farm sink.

A bud vase displays charming nasturtium flowers and foliage, on the edge of the kitchen’s vintage farm sink.

I also experienced a treat that anyone who visits this abode is bound to see. This is the home of gardeners, naturalists and amateur botanists. Every single thing that grows in the Lovejoy-Prostovitch garden is a gift from the earth. And they cherish those gifts with fervor.

The simplest tendril, sprig or pod is elevated with love and affection by Sharon and Jeff. Their home is filled with tiny bouquets and posies. The whole idea of “bringing the garden indoors” takes on new meaning when jam jars, bottles and shot glasses are filled with minature floral arrangements. A delight for the eyes. Here is a peek at some of the ones I noticed (I’m sure there were more!):

Geraniums (pelargoniums) in a bottle; citrus on a cake plate.

Geraniums (pelargoniums) in a bottle; citrus on a cake plate.

 

The posy by my bedside table. With the sweet William tucked inside, you can only imagine how it scented my dreams that night!

The posy by my bedside table. With the sweet William and sprigs of herbs tucked inside, you can only imagine how it scented my dreams that night!

 

Cheery golden-yellow columbine in the bathroom.

Cheery golden-yellow columbine in the bathroom. Is that parsley as the greenery?

 

Vases of flowers even appear in the garden, like this display of bird-of-paradise, collected with the potted succulents.

Vases of flowers even appear in the garden, like this display of bird-of-paradise, collected with the potted succulents.

 

Mr. Owl, with the moon, spotted on that magical night at Old Edna.

Mr. Owl, with the moon, spotted on that magical night at Old Edna.

That evening, Sharon and Jeff brought me along as their guest to a party given by their friends Aline and Frank.

This lovely couple lives in New England but spends part of the winter months staying in the San Luis Obispo area to be closer to some of their grandchildren.

While they have rented many types of houses for their winter interludes, this year found them settled in at a place outside SLO called Old Edna

Sharon promised: “Oh, Deb, you’re going to love it!”

And she was right.

Seen from the back, through the trees, the two-story tin mercantile building, circa 1908.

Seen from the back, through the trees, the two-story tin mercantile building, circa 1908.

Old Edna has an amazing history, and I hope to do it justice with this brief summary (please follow all the links to read more). Today, Old Edna is the creation of a dreamy artist named Pattea Torrence.

Pattea's office, in a charming garden shed on the Old Edna grounds.

Pattea’s office, in a charming garden shed on the Old Edna grounds.

 

Love how an old branch becomes a "trellis" under the eaves.

Love how an old branch becomes a “trellis” under the eaves.

 

Sharon and Jeff, both taking photos, at Old Edna. They are standing in front of the original Old Edna cottage.

Sharon and Jeff, both taking photos, at Old Edna. They are standing in front of the original Old Edna cottage.

Pattea has saved this elderly hamlet that time almost forgot, turning it into a destination that includes guest cottage farm stays, wine tasting, special events and more.

In 2000, Pattea and her husband Jeff Kocan purchased the two-acre, 100-year-old townsite with its running creek in Edna Valley (a world-class, wine-producing region) and two-story tin building (once a general store, dance hall and post office, dating back to the turn of the century, 1900).

They have salvaged and restored many of the structures and created a magical place for guests who stay for short or extended periods. There are two guest cottage on site, a three-bedroom Suite Edna and a one-bedroom honeymoon cottage called DeSolina. 

Another stunning sight: Birds in flight, in the sky overhead - a perfect V formation.

Another stunning sight: Birds in flight, in the sky overhead – a perfect V formation.

Pattea is affectionately known as “The Mayor” of Old Edna. She was a gracious host, although I have to also thank Aline and Frank for their amazing hospitality!

I hope to return and spend more time, but these photos will give you a glimpse of what I experienced. Up next: A visit to The Sun Valley Group, an unforgettable flower farm in Arcata, California.

A (American Grown) Flower-filled April, Part One

Sunday, April 27th, 2014
Agaves and climbing roses thrive in companionable harmony at Rose Story Farm.

Agaves and climbing roses thrive in companionable harmony at Rose Story Farm. 

My 11-day road trip took me by plane to Southern California and back home again behind the wheel of a rental car as I happily drove north on U.S. Hwy. 101 through a beautiful and ever-changing coastal landscape.

The trip began on April 6th when I landed at Burbank Airport, my favorite airport destination these days. I picked up the rental car and hit Ventura Freeway, passing by scenery so familiar to me from the four years we lived in this area. 

The arbor creates a rose allee that intersects growing fields - with the natural landscape creating a lovely backdrop

The arbor creates a rose allee that intersects growing fields – with the natural landscape creating a lovely backdrop

My destination was Carpinteria and Rose Story Farm. The setting sun ahead of me as I drove northwest, I turned off of the freeway at Casitas Pass Blvd. and headed away from the ocean, toward the foothills.

A humble sign, “Rose Story Farm,” greeted me at the end of a long, one-lane driveway (curses, speed bumps!) that runs along the edge of several acres of farmland. Current crop: sunflowers. Then, up ahead, towering palm trees, their presence here oddly normal, and an iron gate. I rang and heard Danielle Hahn’s voice through the speaker box: “Welcome! We’re just about to eat dinner – meet us in the barn.”

The facade of the old stables is clad in a vigorous climbing rose.

The facade of the old stables is clad in a vigorous climbing rose. 

 

The roses are in the foreground; the stable's rooftop in the background.

The roses are in the foreground; the stable’s rooftop in the background.

I’ve been to Rose Story Farm on three previous occasions (read previous blog posts here and here), and yet the charm and old-Santa-Barbara character still excites. Dani and her husband Bill Hahn have converted the former horse stables into the headquarters for their organic cut rose business. What once was the large tack room is now a grand family room, with a giant stone fireplace, soaring beams, cozy upholstered sofas and a big trestle table where three generations of the family were sharing dinner. I joined them for some of the most delicious Mexican take-out I’ve ever eaten.

I shared that meal with Dani and Bill, their son Will and his girlfriend Anne, and Dani’s lovely mother Patti D’All Armi. The stimulating conversation set the tone for a magical visit surrounded by friendship and fragrant roses. It was just the beginning of my three days in the Carpinteria-Santa Barbara area.  

The gathering location for my Slow Flowers/American Grown lecture to the Garden Club of Santa Barbara

The gathering location for my Slow Flowers/American Grown lecture to the Garden Club of Santa Barbara

The impetus for my arrival was Dani’s invitation a year in advance to speak to the Garden Club of Santa Barbara at one of its monthly meetings. We dreamt up a two-part event, with my Monday morning lecture about the American Grown Flower Movement, followed by a lunch break, leading to a hands-on floral design workshop.

Typically, I like to cap hands-on design workshops at 25 students, maximum. Well, somehow this workshop climbed to 52!!! Yikes, without Dani, Patti and Anne’s help, not to mention a few other people on the Garden Club program committee, we could not have pulled it off.  

Anne Steig saved the day in so many ways - I'm so grateful she was there to help us with the workshop.

Anne Steig saved the day in so many ways – I’m so grateful she was there to help us with the workshop.

Here we were in the “flower basket” of America, the one place in our country where more cut flowers are produced than anywhere else. And while one might worry that I would be “preaching to the choir,” it simply wasn’t the case. The reaction to my lecture was sadly familiar. Comment after comment, as I signed books, visited with the Garden Club members, or helped a student assess her arrangement, went like this: “I had NO idea that so many flowers are imported. I am so glad to learn what I can do to change this practice.” 

Workshop participants were asked to bring their own containers and tools, as well as greenery from their gardens to share. We were able to underscore the message about the benefits and pleasures of local, seasonal flowers with a powerful visual aid: ROSES! Bless her heart, Dani harvested and donated 500 gorgeous roses from her fields. Talk about intoxicating! These old garden roses, David Austins, pre-1950s American hybrid tea roses and European varieties are simply stunning. The colors, forms, petal shapes and fragrances will instantly convert you into a believer in locally-grown flowers.

One of my demonstration arrangements features all California-grown roses, anemones, scented geranium foliage and more.

One of my demonstration arrangements features all California-grown roses, anemones, scented geranium foliage, lilacs, agonis and more.

 

A yummy detail, featuring a dark purple rose that is so gorgeous it made me faint!

A yummy detail, featuring a dark purple rose that is so gorgeous it made me faint!

In addition to using roses and several other cool ingredients from Rose Story Farm (including velvety scented geranium foliage), we procured some donations from other local sources. I want to thank Florabundance, a floral wholesale business owned by Joost and Alex Bongaerts, for their generous donation to match our purchase of a variety of really beautiful, healthy and unique annuals, perennials and foliage – all California grown. And two other flower farms donated interesting varieties for our students to use. Thanks to Marcus Van Wingerden of Pyramid  Flowers Inc., of Oxnard, and Igor Van Wingerden of Ocean Breeze Farms in Carpinteria, for their support.

That evening, after the day-long workout hauling huge buckets of flowers and standing on our feet all day, Dani pulled off yet another classy event. She hosted a garden party for her fellow committee members to celebrate our successful day. It was a delight – and I know you’ll be mesmerized by the enormous arrangements that her staff created for the evening. I certainly was seduced by them, especially in that dewy, coastal air as the sun descended toward the Pacific, illuminating each petal in vivid relief.

sm_yellow_bucket_IMG_9420 sm_wagons_IMG_9433 sm_wagon_roses_IMG_9434 sm_table_IMG_9416 sm_french_bucket_IMG_9421 sm_bouquet_IMG_9418 backlit_IMG_9424 bicolored_IMG_9501 lavender_citrus_IMG_9456 bench_roses_IMG_9540 Rose_Story_IMG_9414

After a late-night gab, Dani’s family long since retired for the night, we finally stopped talking and headed to bed ourselves. My destination: The Hydrangea Cottage. This was my home in the midst of the rose fields. How lucky can one woman be? 

Here's where I stayed for three days . . . a charming vintage cottage, courtesy of the Hahns and Rose Story Farm. Sublime!

Here’s where I stayed for three days . . . a charming vintage cottage, courtesy of the Hahns and Rose Story Farm. Sublime!

Lots more took place during the ensuing days, but I have so many wonderful photos to share from my time at Rose Story Farm that I need to postpone the narrative for subsequent chapters! To be continued . . .