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A true blue garden with a heart of gold

Sunday, August 8th, 2010

Tina sure knows how to enjoy herself in the garden! Here she is, resting on my vintage wicker in my former Seattle garden, 2006.

Great container design paired with whimsical glass art makes this pot a stunning focal point in Tina and Paul's garden.

I first met Tina Dixon in the early 2000′s when I was asked to join her as a judge for the Washington State Nursery & Landscape Association design awards.

Her bubbly personality and welcoming nature included me in the circle of other judges, most of whom had previously served together. Our judging session took place at her home in Bothell, just north of Seattle, allowing me to gain a better sense of just who Tina is. In short, Tina is a connector. She connects colleagues, clients and friends, helping everyone feel part of the Seattle horticultural community. You can’t help but have fun when she’s in the room (or on the tour bus or in the garden).

Through Plants a la Cart, her container design business, Tina creates breathtakingly gorgeous planted pots for some of the Seattle area’s poshest addresses.

Several years ago, she turned her attention to the property she owns with her husband Paul Stredwick. Their hand-crafted garden is a vibrant, color-infused, texture-layered, art-filled spot on the map. And garden tour-goers, if they are lucky, can occasionally get beyond the denim blue-stained gate to see the surprising horticultural world inside.

The photographs shared here are ones I took in 2006 when Tina and Paul opened their Golden Trowel Award-winning garden to the Hardy Plant Study Weekend participants. I served on the event’s planning committee that year, so I knew what a treat was in store for the several hundred participants who flocked there during the Open Garden schedule.

In 2007, Garden Design magazine awarded Tina and landscape designer Mike Jeppesen the Golden Trowel Award for this gorgeous Blue-Themed landscape

Since then, I know that Tina and Paul have received numerous requests to add their garden to area tours. They recently decided to open the property to benefit a cause that they personally support, Hopelink. Hopelink is an United Way agency that offers an array of programs that enable families in crisis to make progress toward and achieve self-sufficiency.

You can see the garden next Sunday, August 15th, at two different events. An evening Garden Party (6-8 p.m.) includes wine, hors d’oeuvres and music by The Chromatics. Knowledgeable docents will be on hand to answer questions during the festivities. Tickets to the private garden gala are $150 with a portion tax-deductible. Register online or call 425-897-3703.

The Dixon-Stredwick garden is also open earlier in the day, Noon-5 p.m. for a $50 donation to Hopelink. You can pre-order tickets for the tour here. Or call the number above.

For some background on this garden, here is the story I wrote in April 2007, which appeared in Seattle Homes & Lifestyles magazine. Subsequently, their garden has been featured by other publications, so I feel pleased that Tina said “yes” to me first!

True Blue: Designed with a harmonious blue-hued palette, a Bothell garden shows off art, architecture and plants

Written by Debra Prinzing

Painted periwinkle, two concrete pears by Woodinville artist Judy Thomas continue the color story.

If, as color theorists say, blue has therapeutic qualities, then Tina Dixon is a very healthy woman. Whether it’s a bright or subdued blue, Tina thrives on the hue.

Owner of Plants a la Cart, a successful container-garden design service, Tina considers the serene hue her signature color. Although she doesn’t limit clients to her preferred palette, Tina is well known for filling azure- and cobalt-glazed urns with dazzling combinations of leaf shapes, textures and colors.

Her penchant for blue infuses her own landscape, giving it a cohesive theme. “Blue is my favorite color,” she proclaims.  

When they bought a one-third-acre Bothell pasture in 1983 (previously inhabited by a lone calf), Tina and her husband, Paul Stredwick, were in their late 20s and intent on building their first home, a gray, barn-shaped Dutch colonial, trimmed in blue. Landscaping was not on their minds or in their budget.

By 1987, Tina abandoned an office job for a horticultural career. She studied landscape design at Lake Washington Technical College and launched Plants a la Cart. The pasture was by then home to two rambunctious golden retrievers.

Occasionally, Tina and Paul had time to tackle their own backyard. They renovated a deck and planted an 80-foot-long mixed perennial border against the south fence. “Paul and I were trying to pick away at the landscape,” she recalls. “Wherever we stopped one year, we started there the next. It wasn’t quite flowing.”

The blue-stained arbor is supported by DIY columns.

In 2002, knowing they wanted lighting, irrigation and hardscaping in the garden, Tina and Paul agreed to ask a landscape designer for an overall plan.

It was almost inevitable that Mike Jeppesen of Sammamish Landscape would help the couple create their blue-themed dream garden, since he and Tina had collaborated earlier that year on a gold-medal “Blue Garden” for the Northwest Flower & Garden Show. With a blue-stained gate and arbor, Pennsylvania bluestone pavers, blue Asian pots and collections of blue-tinged conifers, the designers made a rare statement with this cool palette. The design also earned them the Pacific Horticulture Award.

“Like Tina, I prefer to deal with foliage—this garden is virtually a tapestry of texture and leaf color,” Jeppesen says. “I also knew that even though Tina and Paul and the dogs needed to enjoy the garden, it also had to be a space for her to show off what she does best—it’s a garden that people will visit.”   

Tina and Paul’s garden invites visitors to enter along a charming walkway, pass through an oversize blue gate and pause at a dramatic “foyer” where one of eight ochre-stained concrete columns appears as a focal point.

From here, a 4-foot-wide strolling path meanders clockwise around the garden’s perimeter. An irregular section of lawn is reserved at the center for playing ball with the dogs. More free-standing columns punctuate the heavily planted borders, drawing the eye through the landscape to a four-column pergola in the distance.

A grouping of blue Asian pots presents Tina’s favorite container designs, incorporating bear’s breech (Acanthus mollis), golden smoke bush (Cotinus coggygria ‘Golden Spirit’) and Canna ‘Tropicanna’.

“Columns were on my wish list but were killing the budget,” Tina admits. Jeppesen suggested using concrete waste-water pipes, set on end, to serve as columns. At $80 each, the 8-foot-long pipes were a perfect solution. Tina asked artist Johnny Ward to transform the ordinary concrete with a rich gold-brown patina. Blue-stained lattice boards and rafters form the pergola, complementing a Pennsylvania bluestone terrace beneath.

To give the landscape the feeling of maturity, Jeppesen and his crew placed boulders, large rocks and stone steps throughout the landscape. He also encouraged Tina and Paul to incorporate large trees and shrubs into the design. “Even though Tina deals more with perennial-style plants, I wanted her to use trees and shrubs to provide interest when there are no flowers in bloom,” he says. “They give substance to this landscape.”

Tina and Paul agreed and headed to Oregon, where they used Tina’s wholesale connections with a tree farm. They selected trees to complement the scale of their house, including several hinoki false cypress (Chamaecyparis obtusa>‘Gracilis’), plume cryptomeria (Cryptomeria japonica ‘Elegans’), weeping copper European beech (Fagus sylvatica ‘Purpurea Pendula’) and a flowering dogwood (Cornus x rutgersensis ‘Constellation’).

Wine, burgundy and maroon foliage are great complements to blue tones.

One-color gardens are appealing because of their simplicity, allowing plants and constructed elements to speak a common design language. Tina recognized that gold, lime, wine and silver foliage plants gain a visual boost when placed near blue pots and architecture.

She adapted container design techniques when planting the landscape. “Because I work on such a small scale, it was an overwhelming thought at first,” she says, “but you just have to take the principles of putting the right leaf shapes and textures together and use them in the larger context.”

Blue-glazed Vietnamese pots hold everything from gold-leafed ornamental trees and striped tropical plants to exuberant vines and silvery succulents. Tina’s adventurous designs rely on attention-grabbing plants that look even better when paired with blue. “I’ve been really tempted to use other container colors,” she says. “But that would feel like a mixed jar of jelly beans. Instead, I decided to be bold and consistent. The blue pots make sense and tell a story.”

Landscape designer-contractor: Mike Jeppesen, Sammamish Landscape, (360) 435-3769 or amjeppesen@earthlink.net

Container designer: Tina Dixon, Plants a la Cart, (425) 481-2194 or stredson@aol.com

Carpenter (pergola, entry arbor and fence): Cliff Chatel, Woodmark Construction, (425) 827-5242

More photos to delight – and tempt you to attend next Sunday’s tour and garden party:

There is a small patch of dog-friendly lawn in this garden, yet Tina can't resist placing sculptural black crows on its surface.

Another detail shot revealing Tina's incredible container design talent and her color sensibility.

A brilliant, blue-glazed urn is a delightful counterpoint to trees, shrubs and rock.

Playful “hopscotch” pavers guide visitors to the blue-stained entry gate (a hand-painted sign nearby reads “All who enter must hop” and another, inside the garden, asks “Did you hop?”).

Here's a cool detail showing how Tina and her landscape cohort Mike Jeppesen carved the decking around a piece of basalt - just like a puzzle piece.

Not much to say but: "Feast your eyes on this tapestry of texture and color"

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A horticultural “welcome home”

Saturday, August 7th, 2010

The view from our rental house in West Seattle at sunset. It reveals the purplish silhouette of the Olympic Mountains and a peek of Puget Sound.

I drove into Seattle on Monday, July 19th after spending three days on the road from Ventura County. My husband and two sons were already settling into our new rental home in West Seattle while I hung out with the (not fun) packers and movers in Southern California.

FINALLY – the house was emptied, cleaned and ready to wow potential buyers. And it was time for my return to Seattle. With the Volvo station wagon crammed to the brim with breakable garden sculpture and pottery, the many plants I couldn’t say good-bye to, a few pieces of clothing and my faithful Lab, Zanny, I left for my Pacific Northwest destination. I hit the road Friday evening with four books on tape and a tank full of gas. One night bunking at the borrowed home of Palo Alto friends who left me a key, followed by one night in an artist’s rental apartment that Amy Stewart found for me in Eureka, Calif., and a third overnight at a dog-friendly hotel in Portland . . . and we got here by noon on Monday.

I was happy to unload the car, although with 20-plus steps from sidewalk to house, I burned quite a few calories doing so. It took nearly 2 hours to unload properly and check that my mostly succulent menagerie was unbruised and that nothing was damaged due to my occasional need to slam on the brakes!

But there really wasn’t time to dawdle because I had to get cleaned up and dressed for my friend Stacie’s garden gal’s soiree, the second annual event. While vacationing in Seattle last summer, I was able to attend Stacie’s delightful summer garden party in her highly-published North Seattle landscape. Earlier this year, way back in February, Stacie asked me to let her know when I might be back in Seattle so she could work around my travel schedule for her 2010 soiree plans.

The garden gals, from left: Me, Kathy Fries, Deborah Cheadle, Stacie Crooks, Marty Wingate, Wendy Welch, Lorene Edwards Forkner, Nita-Jo Rountree, Gillian Mathews, Janet Endsley and Tina Dixon (kneeling)

I was greeted by a charming stone duck - peeking from a hedge at the Bloedel Reserve.

As it turns out, I anticipated being at a family wedding in mid-July so I assured her that something around July 19th would be ideal. Little did I know that (a) the bride and groom would skip the formal wedding for a simple civil ceremony (and three-week honeymoon in Mexico) and (b) that I would not be vacationing here in July but MOVING HERE!! Life occasionally throws us some very wonderful surprises and this one came courtesy of the company my husband works for deciding quite recently to relocate its corporate headquarters from Pittsburgh to Seattle.

Back to Stacie’s party. This one was scheduled for late afternoon-early evening when the light is quite delicious and the day’s temperatures begin to cool. A gifted landscape designer and sustainable gardening educator, Stacie recently joined the board of trustees for the Bloedel Reserve on Bainbridge Island.

For some magical reason, she obtained permission to host a private gathering on a day when the garden isn’t normally open.

Let me tell you, the prospect of joining Stacie and some of my very favorite Seattle women friends kept my eyes on the road and my foot on the pedal while I drove from LA to Seattle over that long weekend.

Here’s some background on Bloedel Reserve, excerpted from the 9th edition of the Northwest Gardener’s Resource Directory(Sasquatch Books, 2002), my very first book project that I inherited from the wonderful, late Stephanie Feeney:

The most massive Katsura tree I've ever seen.

From the time Prentice and Virginia Bloedel acquired this 150-acre property in 1951, they began a sensitive courtship aimed at marrying the designing hand of man with the natural attributes of the woodland setting. Over a period of 30 years, and with the commissioned partnerships of wisely selected professionals (Fujitaro Kubota, for help with the Japanese Garden, and landscape architects Thomas Church, Richard Haag, and the firm Environmental Planning and Design), Prentice Bloedel orchestrated the development of many garden rooms set in the varied landscape of second-growth hardwood and conifers, meadow and wetlands, glens and gullies.

While incorporating influences from the Japanese and the European gardening traditions, a respect for the natural attributes of the land prevailed and pervaded. There are now 84 acres of second-growth forest and 66 acres of altered landscapes. The result: a native woodland crisscrossed with shady paths, meadows, and a broad selection of formal and informal gardens.

So here is a selection of photos taken that lovely day, including a group shot that we staged by placing self-timing cameras on the bench perfectly aligned with the reflection pool (above). At the bottom of this post, I have included details on visiting Bloedel. The garden is more accessible to the public than ever and offers some delightful summer concerts, guided tours, classes and other events. It is worth a visit and you’ll want to set aside a full day to do so.

This is the quintessential photograph often captured by amateurs and professionals alike. The perspective is elegant and inviting, with the Bird Refuge and pond in the foreground; the original estate framed by native northwest conifers, in the distance.

On the east side of the estate, there are brilliant views of Puget Sound facing Seattle. The massive planting of Hakonechloa macra in the foreground emulates soft ripples of the water.

A view through the towering trees and sun-dappled understory, taken from the deck outside the Japanese-inspired tea house where we gathered

The Reflecting Pool mirrors the sky and treetops.

The Reflecting Pool is contained by a wall of green hedging, making it separate from the semiwild woodland.

Fujitaro Kubota's Japanese garden, a quiet, contemplative space.

One of my favorite design details at Bloedel is this alternating turf-and-stone pattern next to the Japanese gravel garden.

Observe and appreciate the hand-raked lines in the gravel.

Dapple light plays on stone, gravel and moss of the Japanese garden.

The cobbled walkway leads toward the Japanese teahouse. Note the attractive low fencing on either side, made from lashed bamboo poles.

I think this is a golden form of black locust (Robinia pseudoacacia), glowing against the darker evergreens.

Bloedel Reserve, 7571 NE Dolphin Drive., Bainbridge Island, WA 98110-1097

phone: 206-842-7631

Open: 10 a.m.-4 p.m. Wednesday-Saturday (summer hours – open 10 a.m.-7 p.m., Wednesday-Friday); Sunday 10 a.m-4 p.m. (open Memorial Day, July 4th and Labor Day).

Admission: $12 (discounts for seniors, military and children 5-12; children under 5 are free).

Membership info: At $55, the basic annual membership is a great bargain because a single membership entitles you to bring a total of 4 people each visit.

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Chocolate flowers for your garden

Tuesday, August 3rd, 2010

 

BH&G's August issue features my "Debra's Garden" column about "hot chocolate" plants

Chocolate flower and plant update:

Better Homes & Gardens readers who see this month’s “Debra’s Garden” piece on cocoa-colored and chocolate-scented plants might be interested in reading my post from last July. You can find it below.
Just last summer, I visited the famed Chocolate Flower Farm in Langley, Wash., on Whidbey Island – and wrote about my tour of the charming and inspiring nursery with owner Marie Lincoln.
Several readers have already contacted me to mention Chocolate Flower Farm as a great source for dark-colored and sweet-fragranced plants, including the chocolate cosmos, featured above right.
 
In fact, if you turn to the Resource section in the August issue, you’ll discover that we did indeed feature this great resource for all things chocolatey. The web site is: www.chocolateflowerfarm.com.
As with the edible kind of chocolate, one can never have too many yummy, delicious chocolate plants. Enjoy – and please let me know how you are using this sultry color in your own garden.
Dark chocolate brushes the tips of this multi-petaled dahlia called 'Karma Choc'

Dark chocolate brushes the tips of this multi-petaled dahlia called 'Karma Choc'

chocolategardenThe flowers that Marie Lincoln and Bill Schlicht cultivate at their Whidbey Island nursery specialty nursery are good enough to eat. That’s because Chocolate Flower Farm’s mocha, bittersweet chocolate, cinnamon, cocoa and espresso-hued blooms and foliage plants are as satisfying to the senses as a Fran’s caramel-filled chocolate sprinkled with grey sea salt (well, almost).

My friend Stacie Crooks, of Seattle-based Crooks Garden Design, was my escort to Whidbey last Tuesday. We’d only slightly recovered from our late night festivities in her superb, often-photographed drought-tolerant  garden, where a gaggle of garden gals gathered (isn’t that alliterative?) for a lovely sunset soiree.  I spent the night at Stacie’s and we set off the next morning for the ferry from Mukilteo to Clinton on Whidbey Island.

The ferry crossing was short – 20 minutes – but beautiful in its grey-blueness with sunlight pushing through the morning haze. I breathed Seattle’s maritime air and that made me happy.

I had a lovely visit to Marie Lincoln of Chocolate Flower Farm on Whidbey Island outside Seattle

I had a lovely visit to Marie Lincoln of Chocolate Flower Farm on Whidbey Island outside Seattle

After visiting one of Stacie’s inspiring and impressive design projects, the subject of which I hope will soon appear in one or two of my articles, we drove to Chocolate Flower Farm to meet Marie. I first met this dark-plant purveyor by telephone when I called her last December to request an interview. I wanted to include her “sweet” plant passion in my February “In the Garden” column for 805 Living.

Like most of my writing efforts, there’s a back story on the piece, entitled “Brown is Beautiful: Sweet Tips for Growing a Chocolate Garden.”  Last fall, my editor Lynne Andujar made an off-the-cuff comment to me: “Oh, our February issue is going to be the CHOCOLATE issue, but I’m not really sure if there’s a fit for the gardening column,” she said.

“You bet there’s an angle,” I replied. “We’re going to feature chocolate-scented and chocolate colored plants!”

A little shed houses the nursery sales area

A little shed houses the nursery sales area

Marie Lincoln shows off her plants to garden designer Stacie Crooks

Marie Lincoln shows off her plants to garden designer Stacie Crooks

Marie and Bill started the Chocolate Flower Farm in 2005 to grow and promote dark-colored plants. 

The display beds and nursery area have expanded around their 1923 farmhouse and outbuildings (sheds!) to the former horse pasture.

As the “hot chocolate” trend grew, the couple searched for even more plants on the dark end of the spectrum, selecting unusual sports to propagate and sell as exclusive named cultivars. Marie jokes that her nursery reflects “a collision of two passions,” as it introduces new and veteran gardeners to the beauty of chocolatey colors in the landscape (not to mention a few very special chocolate-scented plants that invoke memories of grandmother’s Nestle Toll House cookies coming out of the oven). (more…)

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Good-bye my sweet garden

Wednesday, July 7th, 2010

The move from Southern California to Seattle is underway.

We are up to our ears in boxes, cleaning supplies, disassembled X-box game systems, piles of things to take to the Goodwill, and four years of memories.

Today, for a moment, I decided to hit the pause button and enjoy my backyard. I discovered that watching pollinators move from nectar source to nectar source is the very best therapy for an overly-tired body and soul.

Here is a little show, from me to you:

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Behind the scenes with Garden Design

Wednesday, June 23rd, 2010

A pretty stunning aloe-as-sculpture in one of Joseph Marek's gardens.

Scott Shrader turned an ancient millstone into a succulent planter

Garden Scouting: It sounds so luxurious, doesn’t it?

Spending four days scouting some of the most beautiful and unique residential landscapes in and around Los Angeles! 

I do it all the time – visit and tour gardens that might just make it onto the pages of the magazines and newspapers to which I contribute. And yet, achieving the “get” is not always that luxurious. It’s fun and rewarding. But also hard work. 

Successful garden scouting requires lots of telephone calls to set up appointments. It means I have to lean on my personal connections to cajole invitations from reclusive garden owners or rock star designers. And it demands that I put way too many miles on my Volvo odometer. A lot! (Thank goodness for NPR.) 

Most of all, this job means being extremely open to everything I see, while also keeping out a discerning eye for that magical glimpse of a perfect story. 

It’s alot like being on a treasure hunt when you don’t know the ending, but I wouldn’t have it any other way! 

Jenny Andrews, executive editor for Garden Design, one of the magazines for which I am contributing editor, was in Los Angeles a few weeks ago for a four-day scouting marathon. As she put it, it felt like we were college roommates for four days . . . probably because Jenny ended up staying with me for most of the time. She got to experience the craziness of the Prinzing-Brooks household with kids, dog, schedules, and more. And, we put 700 miles on my car in four days. We were both exhausted by the end.  (more…)

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More spheres in my garden

Saturday, June 19th, 2010

Tempest holds a stainless-steel Mesh orb in its arms. The piece measures 70 inches tall.

As a follow-up to my last post about round objects in the landscape, I thought I’d show off a few more of my spherical works of art, from my backyard. You can see how appealing it is to start with a shape and then repeat it often. Some of the orbs in my garden are more obvious than others. One of the round forms is quite subtle. It is part of a sculpture called “Tempest” by my friend Jennifer Asher and her collaborator-fabricator Mario Lopez.

Jennifer owns TerraSculpture with Karen Neill Tarnowski  and the two women never cease to amaze me at their innovation and talent. These pieces fill a void in the outdoor sculpture world – bringing contemporary sculpture to the residential setting at far below the huge price tags you usually see.

Tempest, closer up

TerraSculpture originally created Tempest in a powder-coated bright orange finish. My husband Bruce was interested in the piece but suggested that we have Jennifer and Mario make the base in weathered steel, which somehow fits our style better.

I love the shape of the base – three “arms” join together and then gradually open to cradle a stainless steel mesh ball. The weathered steel (some might call it “rust”) echoes the dark burgundy-rust blades of my garden’s New Zealand flax and Cordyline plants. There’s something really wonderful about the piece’s see-through quality, too. Upon seeing “Tempest” standing in our garden, visitors are likely to utter a gasp of delight, followed by the immediate question: Where did you find that awesome piece?

My weathered steel orb - a pretty object in the garden.

More steel – also rusted – appears in the 24-inch orb I purchased from my friends Annette Gutierrez and Mary Gray of Pot-ted in Los Angeles. I’ve shown earlier pics of their tangerine and aqua-finished objects.

For me, the weathered steel works well with everything else in my garden. See how pretty this piece looks on the “California Gold” crushed gravel? On the other hand, if Annette and Mary ever decide to make their metal orb series in lime green, I will be the first in line to snag a small-medium-large trio!

The perennial bed is dotted with orbs, from Bauer Pottery

And what about those awesome Bauer balls? I think I have six of them (it’s an ever-changing number). Here are two of them, looking nice and settled-in at the base of a New Zealand flax. These Bauer glazes are called Lime Green (15 inch size) and French Blue (8-inch size).

The glossy finish and classic round forms add up to nothing short of stunning, especially when surrounded by foliage, flowers and ornamental grass plumes.

Colorful glass floats add a lot of character to this fountain.

I have a thing for floating glass balls, too. Here is a little cluster of them, floating in the fountain on our entry porch. There are several glass artists who make these decorative balls. You can usually find the artists and their wares at major flower shows.

One of my favorite sources is Glass Gardens NW. Owner-artist Barbara Sanderson makes a rainbow of glass floats and orbs, as well as larger sculpture pieces for the garden. Check her out!

Finally, the garden has curves of a more organic nature – and that is in the outline of two crescent-shaped perennial beds. With so much linear geometry in my backyard (the horizontal lines of the house, patio, pergola, wall and pathways) it’s nice to visually break up these forms with sinuous curves.

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Food for the Wild: best plants for hummingbirds & butterflies

Wednesday, June 16th, 2010

ATTENTION Better Homes & Gardens readers! Thank you for visiting! Click here to see my gallery of circles, orbs, spheres, and globes in the garden. 

The Summer 2010 issue of Nature’s Garden (a Better Homes & Gardens title edited by the very talented Jane Austin McKeon) features two articles by me. Here’s a sneak peek at those stories. 

The fist one, titled “Got Nectar?”, is about naturalists and nursery owners Steve and Donna Brigham

The story, produced by Andrea Caughey and photographed by Ed Gohlich, describes how the Brighams created a 1/4-acre Hummingbird and Butterfly Garden at their former nursery in the San Diego area. 

Buena Creek Gardens is now owned by Steve and Shari Matteson, and you can visit year-round for a great selection of native and wildlife-friendly plants. You can read the full article, here. 

If you’re inspired to attract more hummingbirds and butterflies to your backyard, take a gander down these two lists, shared by Steve Brigham. 

You can meet Steve and hear him lecture in Pasadena on Septemer 25th, as part of Pacific Horticulture’s symposium, “Style and Whimsy in the Sustainable Garden.” Steve will speak on “Attracting Birds & Butterflies to Your Garden and Keeping Them There.”  

“]

A family of Anna's Hummingbirds, including just-hatched babies, resides at Buena Creek Gardens. [Ed Gohlich photo

Top Nectar Plants for Hummers 

Brazilian verbena (Verbena bonariensis); 3-6 ft., summer 

*Butterfly bush (Buddleja davidii and hybrids); 3-10 ft., spring and summer 

Bottlebrush (Callistemon citrinus and hybrids); 10-15 ft., spring and summer 

Coral bell (Heuchera sp.); 1-2 ft., spring to fall 

Firecracker flower or cigar plant (Cuphea ignea or C. llavea); 1-3 ft., spring and summer 

*Flowering sage (Salvia sp.); countless varieties in perennial (1-3 ft.) and shrub (2-5 ft.) forms, spring to fall 

Fuchsia (Fuchsia x hybrida), 3-6 ft. or trailing type for hanging basket, summer 

Grevillea (Grevillea sp.), shrub form (3-8 ft.), summer 

*Milkweed (Asclepias tuberosa), 3 ft., summer 

Penstemon (Penstemon sp. and hybrids), 1-2 ft., spring to fall 

Peruvian lily (Alstroemeria hybrids), 1-2 ft., summer 

Torch lily (Kniphofia hybrids), 2-5 ft., summer to fall 

Butterflies and lavender - a scene from Epcot's International Flower & Garden Festival

Top Nectar Plants for Butterflies 

Butterfly flower (Gaura lindheimeri), 2-4 ft, spring to fall 

Gloriosa daisy (Rudbeckia hirta), 3-4 ft., summer 

Heliotrope (Heliotropium arborescens), 3-4 ft., summer 

Jupiter’s beard (Centranthus ruber), 3 ft., summer and fall 

Lantana (Lantana hybrids), 2-5 ft., summer 

Marigold (Tagetescultivars), 2-4 ft., spring and summer 

Mexican sunflower (Tithonia rotundifolia), 2-3 ft., summer 

Pincushion flower (Scabiosa columbaria), 2 ft., summer 

Purple coneflower (Echinacea purpurea), 3-4 ft., summer 

Shasta daisy (Chrysanthemum maximum), 2-4 ft., summer and fall 

Tickseed (Coreopsis grandiflora and cultivars), 1-2 ft., summer 

Yarrow (Achillea millefolium and hybrids), 2 ft., summer 

Here’s how to find Buena Creek Gardens: 418 Buena Creek Rd., San Marcos, California, 760-744-2810; www.buenacreekgardens.com 

Three native plants + one terra cotta pot to satisfy hummingbirds

My second story is part of the magazine’s “Weekend Project” – an easy-to-accomplish design idea created by Patty Roess of the Tree of Life Nursery in San Juan Capistrano, California.

“Sweeten the Pot” includes all the steps you need to attract hummingbirds to your patio or deck with a container full of nectar-rich native plants. 

Here are the ingredients: 

  • a decorative container, at least 18 inches in diameter, to accomodate three plants
  • broken pottery shards
  • good-quality (organic) potting soil
  • native plants with features hummingbirds appreciate (tubular blooms, hot or bright colors, lots of nectar); Tree of Life suggests Dudleya edulis, Mimulus aurantiacus and Salvia clevelandii.
  • natural accents, such as stones and branches

1. Use one or more pieces of broken pottery to cover the drainage hole. 

2. Fill approximately 1/4 to 1/3 of the container with high-quality potting soil. Tree of Life Nursery uses a special fast-draining mix developed for native plants. To make your own mix, combine equal parts regular potting soil and commercial potting mix formulated for desert or cactus plants. 

3. Arrange plants in the container, placing the tallest plant toward the back. Add soil until it reaches 1/2- to 1-inch below the pot’s rim. Add decorative accents, such as mementos you have gathered in nature. Water thoroughly. In warm climates, you can transplant these California natives to a sunny garden as soon as they finish blooming.

Enjoy!

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Circles, spheres, orbs, and globes in my garden

Monday, June 14th, 2010

In the July 2010 issue of Better Homes & Gardens, I wrote a short item for my ”Debra’s Garden” column called “Curves Ahead.” It could also have been titled “Three Cheers for the Circle.”

I am obsessed with round shapes – balls, spheres and orbs — and I love to dot the garden with these forms. This design trick relates to one of those basic lessons anyone who studies the art of landscape design is taught: Choose an idea and repeat it frequently.

My eye is naturally drawn to orbs and globes. They are so pleasing to me – in fact, I wrote about this passion previously - in an earlier blog post, “Zen of the Circle.”

Ornamental globes, obelisks and balls have taken up residence here in my Southern California backyard — check out the photograph below.

And it’s not just the three-dimensional geometry that puts a smile on my face. Curved outlines, such as the edge of a perennial border, patch of lawn or a turn in the path echo the orbs and reappear as arcs or crescents in the garden.

My interest in the sexy, organic globe shape has come “full circle” (pun intended) from a single idea to a cohesive design theme and a nice way to use ornamentation. Look around your own garden. Wherever you see a bare spot, perhaps it’s calling out for an orb or two.

I included a post-script note in my BH&G piece, promising to share my gallery of rounded and curved design ideas with our readers. Here it is – enjoy! Please send me your own photos and I’ll include the best ideas here, too. Check the bottom of this post for some of my favorite shopping resources.

My cluster of orbs in a dreamy palette of green, blue, and teal - with a wonderful mosaic orb by Vashon Island, Wash., artist Clare Dohna

A stunning, cool blue ceramic globe in a Yakima, Wash., garden. You can tell it is mounted on a pedestal to elevate it above the foliage.

Yes, these awesome orbs are actually vintage bowling balls. Each one rests on a painted flowerpot and is stair-stepped outside the porch of Berkeley, Calif., artist Marcia Donohue.

A finely-carved spiral woodworking detail appears at the end of a beam that forms the roof of a dining pavilion in our book, Stylish Sheds and Elegant Hideaways.

The open circle - a "moon window" or "dreamcatcher" - provides a beautiful perspective in my friend Mary-Kate Mackey's Eugene, Ore., garden. It is mounted beneath an arbor where a hard kiwi grows.

My friend Kathy Fries designed a square-in-a-circle knot garden in her Seattle area landscape.

Plants like these golden barrel cactuses are naturally orb-like. You can see these at Lotusland, an estate garden in the Santa Barbara area.

This graduated set of concrete orbs just knocked me out when I first saw it in Sun Valley, Idaho a few summer's back. Thanks to my friend Mary Ann Newcomer, I got to visit some pretty amazing landscapes there.

A visit to any well-stocked garden center is likely to showcase the myriad choices of balls. I spotted a rainbow of gazing balls at Green Thumb Nursery in Ventura, Calif.

Restful, zen-like. Three types of moss are sculpted into a gravel garden display designed by Southern California landscape architect Graham Stanley.

Look for circular forms in public gardens - you'll find them. The arches of a lovely stone bridge are reflected in this pond to create an almost perfect circle. This bridge is at the classical Chinese Garden, recently opened at the Huntington Library, Art Collection and Botanical Garden in San Marino, Calif.

Artist Robert Irwin sculpted flowering azalea shrubs into a circular maze at the Getty Center in Los Angeles. The clipped, concentric circles bloom in white, pink and magenta flowers.

The pebbles in a path detail, arranged on edge and curved into an eye-pleasing pattern.

A round "carpet" laid with sand-set concrete cobble-style pavers. Designed for my Seattle friends Rand Babcock and Tony Nahra by Daniel Lowery of Queen Anne Gardens.

If stone isn't your thing, try turf. This tiny grass "throw-rug" appears in the Seattle backyard of landscape architect Erik Wood and designer Carina Langstraat

Wow! Metal obelisks - powdercoated in orange (or turquoise), designed by Annette Guttierez and Mary Gray from Potted, in Los Angeles (see ordering details below)

Best resources for spherical garden ornamentation:

Pot-ted Store: Three graduated sizes of balls made from steel strapping will lend a lovely moment of architecture to the landscape. I have the medium-sized one in weathered steel (my preferred material). Annette and Mary, owners of Los Angeles-based Pot-ted, now sell a series finished with bright orange and turquoise powder-coating - their fav hues. Oops – I mean “aqua” and “tangerine.” Inquire about custom colors! Prices: $98 (18-inches); $139 (24-inches); and $169 (30 inches). Shipping available.

Bauer Pottery Garden Orbs: My friend Janek Boniecki has revived the classic California earthenware known as Bauer Pottery. In addition to making reproduction urns, dishes and serving pieces (in that awesome, sun-drenched palette), Janek and crew also create ceramic garden orbs glazed in Bauer colors. Yellow, dove gray, French blue, Federal blue, chartreuse, lime green, midnight blue, parrot green, turquoise, white, black and aqua (for some reason, the Bauer orange pieces are slightly more expensive, perhaps because of the glazing involved).

I am a bit addicted to these “globally admired” orbs, thanks to the company’s occasional factory outlet sales in Los Angeles. I have five or six of these gumball-shaped objects, which look tres-bien in and among foliage, flowers, blades and stems. Prices: $75-$82 (8-inch); $100-$110 (12-inch); and $150-$165 (15-inch). If you think you’ll be in the Los Angeles area sometime, make sure to check the Bauer web site to see the warehouse sale schedule. You will definitely find great prices and maybe even an orb or two (if I don’t get there first!).

Clare Dohna, Mosaic Artist:  Based on Vashon Island, Wash., artist Clare Dohna makes vibrant mosaic tiles in dazzling botanical shapes (flowers, bugs, leaves and more). She uses these tiles to adorn the surfaces of all sorts of wonderful garden sculpture and art, such as bird baths, bird houses, egg shapes and — my favorite – mosaic spheres. You can see one of her pieces at the top of this page; it plays nicely with the solid-colored Bauer orbs. Contact Clare directly (from her web site) to inquire about color schemes and prices.

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A low-water planting recipe

Tuesday, June 1st, 2010

A dreamy landscape in the sky, designed by Lauren Schneider

If you pick up the June issue of Sunset magazine – the one with skewers of salmon on a cobalt blue plate on the cover – turn to pages 51 and 52.

There, you will see a short (and I mean short!) story by moi. It started out much longer, but is now not much more than the length of a photo caption.

As these things go, I can’t complain. Thanks to the way we communicate these days, full-length magazine articles now read like Cliff Notes versions of themselves. The photo tells most of the story and then a few captions and call-outs do the rest of the heavy lifting.

In this case, the story called “Lush Look, Low Water” was inspired by a rooftop garden owned by Mike McDonald and Jill Martenson, a visionary young couple who built Margarido House, the first LEED-H Platinum home in Northern California.

The “green” home and its eco-friendly landscape have received a lot of press, but the Sunset story really gives readers the specifics on designer Lauren Schneider’s approach to the roof garden. A special thank you goes to Sunset’s Julie Chai for shepherding this story from our initial conversation to the final publication.

Check out the attractive clumps of Libertia periginans, a New Zealand iris relative valued for its bronzy-orange blades and vibrant color.

Surprisingly dreamy, soft and fluid, despite its exposure to the harshest of elements (wind, sun, saltwater, for example), Lauren Schneider’s design can be replicated in similar rooftop or in-ground conditions. The photos you see here are mine. I included the original full-length story in my articles section.

Eight hardworking native and Mediterranean plants create the central elements of Lauren’s design:

Echinocactus grusonii, Golden barrel cactus

Lewisia cotyledon ‘Sunset Strain’

Nassella tenuissima, Mexican feather grass

Sedum spathulifolium ‘Cape Blanco’

Lavandula multifida, Fernleaf lavender

Libertia perigrinans

Sedum rupestre ‘Angelina’

Sedum spurium ‘Voodoo’

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A horticultural weekend in Los Angeles

Saturday, May 8th, 2010

Agave attenuata - the most sculptural and simply perfect form in the Southern California garden

Joanne White leads the way along the rose-laden path in Marylyn Ginsberg and Chuck Klaus’s garden

I have spent many moments this past week reliving the wonderful experience of leading the Northwest Horticultural Society’s “LA Garden Tour” last weekend.  

It was a lot of work for the group’s tour co-chairs Gillian Mathews and Renee Montgelas and me, but we agree that the four-day excursion was a huge success (well, we won’t discuss the bus fiasco on Saturday night – no fault of our own!).  

I said “yes” to planning and leading the tour after several years during which Gillian and I fantasized about putting together a weekend trip.  

Gillian and I have known each other since 2000 or 2001 when I was still reporting on retail trends for Puget Sound/Eastside Business Journals in Seattle and she had just launched her garden emporium, Ravenna Gardens. From there, we not only helped each other with our respective auction projects, but we became friends. Gillian, in fact, is responsible for me assuming the editorial duties for the horticultural society’s Garden Notes, a quarterly newsletter that I edited for a few years on two occasions.  

We first worked on a tour together in 2005 when I led an autumn weekend to Eastern Washington/Yakima area. And only three weeks after I first arrived in Southern California in late August 2006, it was serendipitous that Gillian and Renee brought an NHS group to Santa Barbara and Pasadena. I joined them for much of that tour and honestly feel that it was my happy introduction to Southern California horticulture and landscape design. When I visited some of Santa Barbara’s great public and private gardens and nurseries with the group, I thought to myself: “I am going to be okay down here.”  

Gillian may not realize how directly and indirectly she has influenced and encouraged the course of my career to leave business writing and embark on garden and design writing – but she has!  

Fast forward 3-1/2 years and it was my turn to show off LA to many old and several new NHS friends. Here’s a recap and some photos to introduce the awesome design style of LA’s gardens: (more…)

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