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A meadow in a vase

Saturday, August 21st, 2010

The September issue of Better Homes & Gardens features my “Debra’s Garden” column encouraging readers to add ornamental grasses to their seasonal flower arrangements.  

"Meadow in a vase" is the theme of my September column for BH&G

The photo that accompanies the piece depicts a gorgeous autumn bouquet bursting with asters, fall foliage and miscanthus blades.  

Its sultry palette includes dark purple, russet-red, gold and green elements in a clear, glass vase. As a footnote, I promised to show off my favorite grasses for cutting and flower arranging here on this blog.  

As it turns out, I’ve been seeing a lot of wonderful ornamental grasses and grass-like design ingredients lately. These days, I have dreamy plumes of fountain, feather, and silver grasses on my mind.  

There’s something both completely romantic and purely modern about grasses in floral arrangements (or in the landscape, for that matter). Here’s a peek at what’s caught my eye this year, including my favorite grasses for cutting:  

FROM THE FLOWER FARM  

Owned by Diane Szukovathy and Dennis Westphall, Jello Mold Farm is one of my favorite local flower sources here in the Pacific Northwest. Diane and Dennis use sustainable practices and recently they’ve delighted floral design customers with gorgeous late-summer grasses. You can find Jello Mold Farm at the Queen Anne Farmers’ Market every Thursday - be sure to check out the incredible selection of downy and fluid grasses.  

Here are a few show-stoppers included on Diane’s “fresh list” that she emails to customers every Monday. The four images you see here were taken by Diane: 

Jello Mold's RED JEWEL MILLET, with large, elegant, arching, red-toned seed-heads approximately 5 inches long

Jello Mold's GREEN MILLET, with 3-inch-long, fuzzy green seedheads and a wonderful texture

These awesome examples are ornamental millets, not edible ones. 

While actually cultivars of Pennisetum glaucum, you can almost convince yourself that they are relatives of the corn family if you squint. 

When cut for bouquets, the plants yield both the sweet, furry seed-heads, as well as the strapping, wide leaf blades. Both plant elements are useful in an arrangement as beautiful counterpoints to blooms. 

Like many good things, “more is better.” For example,  I like to gather several seed-heads together in a clump and inset them into the arrangement. 

It’s a pretty picture to have three to five seed-heads cascading out of a bountiful grouping of seasonal flowers and foliage.  (more…)

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A true blue garden with a heart of gold

Sunday, August 8th, 2010

Tina sure knows how to enjoy herself in the garden! Here she is, resting on my vintage wicker in my former Seattle garden, 2006.

Great container design paired with whimsical glass art makes this pot a stunning focal point in Tina and Paul's garden.

I first met Tina Dixon in the early 2000′s when I was asked to join her as a judge for the Washington State Nursery & Landscape Association design awards.

Her bubbly personality and welcoming nature included me in the circle of other judges, most of whom had previously served together. Our judging session took place at her home in Bothell, just north of Seattle, allowing me to gain a better sense of just who Tina is. In short, Tina is a connector. She connects colleagues, clients and friends, helping everyone feel part of the Seattle horticultural community. You can’t help but have fun when she’s in the room (or on the tour bus or in the garden).

Through Plants a la Cart, her container design business, Tina creates breathtakingly gorgeous planted pots for some of the Seattle area’s poshest addresses.

Several years ago, she turned her attention to the property she owns with her husband Paul Stredwick. Their hand-crafted garden is a vibrant, color-infused, texture-layered, art-filled spot on the map. And garden tour-goers, if they are lucky, can occasionally get beyond the denim blue-stained gate to see the surprising horticultural world inside.

The photographs shared here are ones I took in 2006 when Tina and Paul opened their Golden Trowel Award-winning garden to the Hardy Plant Study Weekend participants. I served on the event’s planning committee that year, so I knew what a treat was in store for the several hundred participants who flocked there during the Open Garden schedule.

In 2007, Garden Design magazine awarded Tina and landscape designer Mike Jeppesen the Golden Trowel Award for this gorgeous Blue-Themed landscape

Since then, I know that Tina and Paul have received numerous requests to add their garden to area tours. They recently decided to open the property to benefit a cause that they personally support, Hopelink. Hopelink is an United Way agency that offers an array of programs that enable families in crisis to make progress toward and achieve self-sufficiency.

You can see the garden next Sunday, August 15th, at two different events. An evening Garden Party (6-8 p.m.) includes wine, hors d’oeuvres and music by The Chromatics. Knowledgeable docents will be on hand to answer questions during the festivities. Tickets to the private garden gala are $150 with a portion tax-deductible. Register online or call 425-897-3703.

The Dixon-Stredwick garden is also open earlier in the day, Noon-5 p.m. for a $50 donation to Hopelink. You can pre-order tickets for the tour here. Or call the number above.

For some background on this garden, here is the story I wrote in April 2007, which appeared in Seattle Homes & Lifestyles magazine. Subsequently, their garden has been featured by other publications, so I feel pleased that Tina said “yes” to me first!

True Blue: Designed with a harmonious blue-hued palette, a Bothell garden shows off art, architecture and plants

Written by Debra Prinzing

Painted periwinkle, two concrete pears by Woodinville artist Judy Thomas continue the color story.

If, as color theorists say, blue has therapeutic qualities, then Tina Dixon is a very healthy woman. Whether it’s a bright or subdued blue, Tina thrives on the hue.

Owner of Plants a la Cart, a successful container-garden design service, Tina considers the serene hue her signature color. Although she doesn’t limit clients to her preferred palette, Tina is well known for filling azure- and cobalt-glazed urns with dazzling combinations of leaf shapes, textures and colors.

Her penchant for blue infuses her own landscape, giving it a cohesive theme. “Blue is my favorite color,” she proclaims.  

When they bought a one-third-acre Bothell pasture in 1983 (previously inhabited by a lone calf), Tina and her husband, Paul Stredwick, were in their late 20s and intent on building their first home, a gray, barn-shaped Dutch colonial, trimmed in blue. Landscaping was not on their minds or in their budget.

By 1987, Tina abandoned an office job for a horticultural career. She studied landscape design at Lake Washington Technical College and launched Plants a la Cart. The pasture was by then home to two rambunctious golden retrievers.

Occasionally, Tina and Paul had time to tackle their own backyard. They renovated a deck and planted an 80-foot-long mixed perennial border against the south fence. “Paul and I were trying to pick away at the landscape,” she recalls. “Wherever we stopped one year, we started there the next. It wasn’t quite flowing.”

The blue-stained arbor is supported by DIY columns.

In 2002, knowing they wanted lighting, irrigation and hardscaping in the garden, Tina and Paul agreed to ask a landscape designer for an overall plan.

It was almost inevitable that Mike Jeppesen of Sammamish Landscape would help the couple create their blue-themed dream garden, since he and Tina had collaborated earlier that year on a gold-medal “Blue Garden” for the Northwest Flower & Garden Show. With a blue-stained gate and arbor, Pennsylvania bluestone pavers, blue Asian pots and collections of blue-tinged conifers, the designers made a rare statement with this cool palette. The design also earned them the Pacific Horticulture Award.

“Like Tina, I prefer to deal with foliage—this garden is virtually a tapestry of texture and leaf color,” Jeppesen says. “I also knew that even though Tina and Paul and the dogs needed to enjoy the garden, it also had to be a space for her to show off what she does best—it’s a garden that people will visit.”   

Tina and Paul’s garden invites visitors to enter along a charming walkway, pass through an oversize blue gate and pause at a dramatic “foyer” where one of eight ochre-stained concrete columns appears as a focal point.

From here, a 4-foot-wide strolling path meanders clockwise around the garden’s perimeter. An irregular section of lawn is reserved at the center for playing ball with the dogs. More free-standing columns punctuate the heavily planted borders, drawing the eye through the landscape to a four-column pergola in the distance.

A grouping of blue Asian pots presents Tina’s favorite container designs, incorporating bear’s breech (Acanthus mollis), golden smoke bush (Cotinus coggygria ‘Golden Spirit’) and Canna ‘Tropicanna’.

“Columns were on my wish list but were killing the budget,” Tina admits. Jeppesen suggested using concrete waste-water pipes, set on end, to serve as columns. At $80 each, the 8-foot-long pipes were a perfect solution. Tina asked artist Johnny Ward to transform the ordinary concrete with a rich gold-brown patina. Blue-stained lattice boards and rafters form the pergola, complementing a Pennsylvania bluestone terrace beneath.

To give the landscape the feeling of maturity, Jeppesen and his crew placed boulders, large rocks and stone steps throughout the landscape. He also encouraged Tina and Paul to incorporate large trees and shrubs into the design. “Even though Tina deals more with perennial-style plants, I wanted her to use trees and shrubs to provide interest when there are no flowers in bloom,” he says. “They give substance to this landscape.”

Tina and Paul agreed and headed to Oregon, where they used Tina’s wholesale connections with a tree farm. They selected trees to complement the scale of their house, including several hinoki false cypress (Chamaecyparis obtusa>‘Gracilis’), plume cryptomeria (Cryptomeria japonica ‘Elegans’), weeping copper European beech (Fagus sylvatica ‘Purpurea Pendula’) and a flowering dogwood (Cornus x rutgersensis ‘Constellation’).

Wine, burgundy and maroon foliage are great complements to blue tones.

One-color gardens are appealing because of their simplicity, allowing plants and constructed elements to speak a common design language. Tina recognized that gold, lime, wine and silver foliage plants gain a visual boost when placed near blue pots and architecture.

She adapted container design techniques when planting the landscape. “Because I work on such a small scale, it was an overwhelming thought at first,” she says, “but you just have to take the principles of putting the right leaf shapes and textures together and use them in the larger context.”

Blue-glazed Vietnamese pots hold everything from gold-leafed ornamental trees and striped tropical plants to exuberant vines and silvery succulents. Tina’s adventurous designs rely on attention-grabbing plants that look even better when paired with blue. “I’ve been really tempted to use other container colors,” she says. “But that would feel like a mixed jar of jelly beans. Instead, I decided to be bold and consistent. The blue pots make sense and tell a story.”

Landscape designer-contractor: Mike Jeppesen, Sammamish Landscape, (360) 435-3769 or amjeppesen@earthlink.net

Container designer: Tina Dixon, Plants a la Cart, (425) 481-2194 or stredson@aol.com

Carpenter (pergola, entry arbor and fence): Cliff Chatel, Woodmark Construction, (425) 827-5242

More photos to delight – and tempt you to attend next Sunday’s tour and garden party:

There is a small patch of dog-friendly lawn in this garden, yet Tina can't resist placing sculptural black crows on its surface.

Another detail shot revealing Tina's incredible container design talent and her color sensibility.

A brilliant, blue-glazed urn is a delightful counterpoint to trees, shrubs and rock.

Playful “hopscotch” pavers guide visitors to the blue-stained entry gate (a hand-painted sign nearby reads “All who enter must hop” and another, inside the garden, asks “Did you hop?”).

Here's a cool detail showing how Tina and her landscape cohort Mike Jeppesen carved the decking around a piece of basalt - just like a puzzle piece.

Not much to say but: "Feast your eyes on this tapestry of texture and color"

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A horticultural “welcome home”

Saturday, August 7th, 2010

The view from our rental house in West Seattle at sunset. It reveals the purplish silhouette of the Olympic Mountains and a peek of Puget Sound.

I drove into Seattle on Monday, July 19th after spending three days on the road from Ventura County. My husband and two sons were already settling into our new rental home in West Seattle while I hung out with the (not fun) packers and movers in Southern California.

FINALLY – the house was emptied, cleaned and ready to wow potential buyers. And it was time for my return to Seattle. With the Volvo station wagon crammed to the brim with breakable garden sculpture and pottery, the many plants I couldn’t say good-bye to, a few pieces of clothing and my faithful Lab, Zanny, I left for my Pacific Northwest destination. I hit the road Friday evening with four books on tape and a tank full of gas. One night bunking at the borrowed home of Palo Alto friends who left me a key, followed by one night in an artist’s rental apartment that Amy Stewart found for me in Eureka, Calif., and a third overnight at a dog-friendly hotel in Portland . . . and we got here by noon on Monday.

I was happy to unload the car, although with 20-plus steps from sidewalk to house, I burned quite a few calories doing so. It took nearly 2 hours to unload properly and check that my mostly succulent menagerie was unbruised and that nothing was damaged due to my occasional need to slam on the brakes!

But there really wasn’t time to dawdle because I had to get cleaned up and dressed for my friend Stacie’s garden gal’s soiree, the second annual event. While vacationing in Seattle last summer, I was able to attend Stacie’s delightful summer garden party in her highly-published North Seattle landscape. Earlier this year, way back in February, Stacie asked me to let her know when I might be back in Seattle so she could work around my travel schedule for her 2010 soiree plans.

The garden gals, from left: Me, Kathy Fries, Deborah Cheadle, Stacie Crooks, Marty Wingate, Wendy Welch, Lorene Edwards Forkner, Nita-Jo Rountree, Gillian Mathews, Janet Endsley and Tina Dixon (kneeling)

I was greeted by a charming stone duck - peeking from a hedge at the Bloedel Reserve.

As it turns out, I anticipated being at a family wedding in mid-July so I assured her that something around July 19th would be ideal. Little did I know that (a) the bride and groom would skip the formal wedding for a simple civil ceremony (and three-week honeymoon in Mexico) and (b) that I would not be vacationing here in July but MOVING HERE!! Life occasionally throws us some very wonderful surprises and this one came courtesy of the company my husband works for deciding quite recently to relocate its corporate headquarters from Pittsburgh to Seattle.

Back to Stacie’s party. This one was scheduled for late afternoon-early evening when the light is quite delicious and the day’s temperatures begin to cool. A gifted landscape designer and sustainable gardening educator, Stacie recently joined the board of trustees for the Bloedel Reserve on Bainbridge Island.

For some magical reason, she obtained permission to host a private gathering on a day when the garden isn’t normally open.

Let me tell you, the prospect of joining Stacie and some of my very favorite Seattle women friends kept my eyes on the road and my foot on the pedal while I drove from LA to Seattle over that long weekend.

Here’s some background on Bloedel Reserve, excerpted from the 9th edition of the Northwest Gardener’s Resource Directory(Sasquatch Books, 2002), my very first book project that I inherited from the wonderful, late Stephanie Feeney:

The most massive Katsura tree I've ever seen.

From the time Prentice and Virginia Bloedel acquired this 150-acre property in 1951, they began a sensitive courtship aimed at marrying the designing hand of man with the natural attributes of the woodland setting. Over a period of 30 years, and with the commissioned partnerships of wisely selected professionals (Fujitaro Kubota, for help with the Japanese Garden, and landscape architects Thomas Church, Richard Haag, and the firm Environmental Planning and Design), Prentice Bloedel orchestrated the development of many garden rooms set in the varied landscape of second-growth hardwood and conifers, meadow and wetlands, glens and gullies.

While incorporating influences from the Japanese and the European gardening traditions, a respect for the natural attributes of the land prevailed and pervaded. There are now 84 acres of second-growth forest and 66 acres of altered landscapes. The result: a native woodland crisscrossed with shady paths, meadows, and a broad selection of formal and informal gardens.

So here is a selection of photos taken that lovely day, including a group shot that we staged by placing self-timing cameras on the bench perfectly aligned with the reflection pool (above). At the bottom of this post, I have included details on visiting Bloedel. The garden is more accessible to the public than ever and offers some delightful summer concerts, guided tours, classes and other events. It is worth a visit and you’ll want to set aside a full day to do so.

This is the quintessential photograph often captured by amateurs and professionals alike. The perspective is elegant and inviting, with the Bird Refuge and pond in the foreground; the original estate framed by native northwest conifers, in the distance.

On the east side of the estate, there are brilliant views of Puget Sound facing Seattle. The massive planting of Hakonechloa macra in the foreground emulates soft ripples of the water.

A view through the towering trees and sun-dappled understory, taken from the deck outside the Japanese-inspired tea house where we gathered

The Reflecting Pool mirrors the sky and treetops.

The Reflecting Pool is contained by a wall of green hedging, making it separate from the semiwild woodland.

Fujitaro Kubota's Japanese garden, a quiet, contemplative space.

One of my favorite design details at Bloedel is this alternating turf-and-stone pattern next to the Japanese gravel garden.

Observe and appreciate the hand-raked lines in the gravel.

Dapple light plays on stone, gravel and moss of the Japanese garden.

The cobbled walkway leads toward the Japanese teahouse. Note the attractive low fencing on either side, made from lashed bamboo poles.

I think this is a golden form of black locust (Robinia pseudoacacia), glowing against the darker evergreens.

Bloedel Reserve, 7571 NE Dolphin Drive., Bainbridge Island, WA 98110-1097

phone: 206-842-7631

Open: 10 a.m.-4 p.m. Wednesday-Saturday (summer hours – open 10 a.m.-7 p.m., Wednesday-Friday); Sunday 10 a.m-4 p.m. (open Memorial Day, July 4th and Labor Day).

Admission: $12 (discounts for seniors, military and children 5-12; children under 5 are free).

Membership info: At $55, the basic annual membership is a great bargain because a single membership entitles you to bring a total of 4 people each visit.

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Chocolate flowers for your garden

Tuesday, August 3rd, 2010

 

BH&G's August issue features my "Debra's Garden" column about "hot chocolate" plants

Chocolate flower and plant update:

Better Homes & Gardens readers who see this month’s “Debra’s Garden” piece on cocoa-colored and chocolate-scented plants might be interested in reading my post from last July. You can find it below.
Just last summer, I visited the famed Chocolate Flower Farm in Langley, Wash., on Whidbey Island – and wrote about my tour of the charming and inspiring nursery with owner Marie Lincoln.
Several readers have already contacted me to mention Chocolate Flower Farm as a great source for dark-colored and sweet-fragranced plants, including the chocolate cosmos, featured above right.
 
In fact, if you turn to the Resource section in the August issue, you’ll discover that we did indeed feature this great resource for all things chocolatey. The web site is: www.chocolateflowerfarm.com.
As with the edible kind of chocolate, one can never have too many yummy, delicious chocolate plants. Enjoy – and please let me know how you are using this sultry color in your own garden.
Dark chocolate brushes the tips of this multi-petaled dahlia called 'Karma Choc'

Dark chocolate brushes the tips of this multi-petaled dahlia called 'Karma Choc'

chocolategardenThe flowers that Marie Lincoln and Bill Schlicht cultivate at their Whidbey Island nursery specialty nursery are good enough to eat. That’s because Chocolate Flower Farm’s mocha, bittersweet chocolate, cinnamon, cocoa and espresso-hued blooms and foliage plants are as satisfying to the senses as a Fran’s caramel-filled chocolate sprinkled with grey sea salt (well, almost).

My friend Stacie Crooks, of Seattle-based Crooks Garden Design, was my escort to Whidbey last Tuesday. We’d only slightly recovered from our late night festivities in her superb, often-photographed drought-tolerant  garden, where a gaggle of garden gals gathered (isn’t that alliterative?) for a lovely sunset soiree.  I spent the night at Stacie’s and we set off the next morning for the ferry from Mukilteo to Clinton on Whidbey Island.

The ferry crossing was short – 20 minutes – but beautiful in its grey-blueness with sunlight pushing through the morning haze. I breathed Seattle’s maritime air and that made me happy.

I had a lovely visit to Marie Lincoln of Chocolate Flower Farm on Whidbey Island outside Seattle

I had a lovely visit to Marie Lincoln of Chocolate Flower Farm on Whidbey Island outside Seattle

After visiting one of Stacie’s inspiring and impressive design projects, the subject of which I hope will soon appear in one or two of my articles, we drove to Chocolate Flower Farm to meet Marie. I first met this dark-plant purveyor by telephone when I called her last December to request an interview. I wanted to include her “sweet” plant passion in my February “In the Garden” column for 805 Living.

Like most of my writing efforts, there’s a back story on the piece, entitled “Brown is Beautiful: Sweet Tips for Growing a Chocolate Garden.”  Last fall, my editor Lynne Andujar made an off-the-cuff comment to me: “Oh, our February issue is going to be the CHOCOLATE issue, but I’m not really sure if there’s a fit for the gardening column,” she said.

“You bet there’s an angle,” I replied. “We’re going to feature chocolate-scented and chocolate colored plants!”

A little shed houses the nursery sales area

A little shed houses the nursery sales area

Marie Lincoln shows off her plants to garden designer Stacie Crooks

Marie Lincoln shows off her plants to garden designer Stacie Crooks

Marie and Bill started the Chocolate Flower Farm in 2005 to grow and promote dark-colored plants. 

The display beds and nursery area have expanded around their 1923 farmhouse and outbuildings (sheds!) to the former horse pasture.

As the “hot chocolate” trend grew, the couple searched for even more plants on the dark end of the spectrum, selecting unusual sports to propagate and sell as exclusive named cultivars. Marie jokes that her nursery reflects “a collision of two passions,” as it introduces new and veteran gardeners to the beauty of chocolatey colors in the landscape (not to mention a few very special chocolate-scented plants that invoke memories of grandmother’s Nestle Toll House cookies coming out of the oven). (more…)

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Good-bye my sweet garden

Wednesday, July 7th, 2010

The move from Southern California to Seattle is underway.

We are up to our ears in boxes, cleaning supplies, disassembled X-box game systems, piles of things to take to the Goodwill, and four years of memories.

Today, for a moment, I decided to hit the pause button and enjoy my backyard. I discovered that watching pollinators move from nectar source to nectar source is the very best therapy for an overly-tired body and soul.

Here is a little show, from me to you:

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In Bloom Today

Monday, July 5th, 2010

This is a sign that brings joy to my heart!

Here’s the sign that welcomed me as I arrived at the regional meeting for the Association of Specialty Cut Flower Growers in Eugene last Monday. Fields and fields of beautiful blooms grow here at Charles Little & Co., a 35-acre flower farm.

Grower Charles Little led about 60 of us through the flower fields, sharing his wisdom and knowledge about specialty crops.

I flew to Eugene last week to spend a day attending the ASCFG regional meeting, where I met up with photographer David Perry. We were excited to participate for the first time as members. An association of 450-plus flower producers across the country, ASCFG brings together specialty growers who raise all sorts of floral ingredients, including annuals, perennials, flowering ornamental shrubs, vines, edibles and grasses.

Cap on head; cameras over his shoulder, Dave Perry had lots to photograph.

This was a chance for us to hear from a diverse cross-section of growers. Each small business is carving out its own niche in the marketplace, from the grower with just one acre who sells most of her blooms at a local farmer’s market to a couple whose cutting garden has become a popular place for weddings (complete with fresh-cut blooms for the bridal bouquet).

Then there is a young, hardworking farmer who delivers his Oregon calla lilies and hydrangeas by the truckload, direct to the Los Angeles Flower Market and a floral designer who has decided to diversify by growing her own floral ingredients in her parents’ small acreage. We listened and learned and soaked it all up.

It was a treat to meet so many awesome, passionate individuals who work on the land and who want to connect with each customer who buys and enjoys the flowers they grow. We got caught up in the passion and the stories – stories we will continue to document with photography, video and the written word.

We are well along on this journey, but there is so much more to document for you as we create A Fresh Bouquet: Seasonal, Local and Sustainable Flowers. As David has written, please ” . . . follow along on this unfolding ‘cut-flower’ book project . . . as we continue to build it.” 

Here are some photos of the day’s highlights:

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Fancy foliage in a vase – lessons from Better Homes & Gardens

Friday, June 25th, 2010

Here is my trio of vases inspired by my "Leaf it up" story in the June issue of Better Homes & Gardens. Each tiny arrangement features at least one cut succulent paired with foliage from a similarly-colored perennial.

Sometimes all you need are a few pretty leaves to conjure up a gorgeous tabletop arrangement or centerpiece. I have my talented friend Susan Appleget-Hurst, former senior associate garden editor for Better Homes & Gardens, to thank for producing a story that illustrates this idea (with several cool designs).

Susan, who now blogs at Cake in the Garden (check it out!) designed the lovely, leafy bouquets and co-produced the story with art director Scott Johnson. Then I was lucky enough to be asked to create the accompanying text. Pick up this month’s BH&G or click here for a peek at the story.

A turquoise vase gets the cool touch from lemon-lime and chartreuse ingredients.

The idea of using leaves as cut flower ingredients is nothing new. But it’s always nice to see someone else’s twist on the technique. One of the things I love about Susan’s designs is her use of white vases in several different sizes. The white really offsets the leaves and focuses the viewer’s interest on the form, texture and scale of the various cut foliage. I also loved the monochromatic and contrasting combinations of leaves.

After writing the text, I kind of forgot about this story until I opened up the June issue and saw how beautifully it turned out. I decided to try my own version of this floral design project (I can’t get more “seasonal, local and sustainable” than my own backyard!).

Looking around my landscape, I realized how many awesome succulent plants grow here. Even when a sedum, aeonium or crassula stem breaks off of the plant or gets bumped when someone pushes a chair out from the patio table, I try to “rescue” the severed piece and put it in water. Inevitably, a few roots will emerge and I can plant that cutting. So clipping a few succulent pieces for the designs you see above didn’t kill me. Once these pieces root, in water, they will be returned to the potting soil or garden bed.

My idea: To showcase the amazing color diversity of succulents. For each of three color schemes – silver-blue, maroon, and lime green – I looked for perennial foliage to match with the companion succulent. Unlike Susan’s white vases, I tried to pair the foliage hues with my slender colored-glass bud vases. I have owned this trio in green, tangerine and turquoise glass for several years. I think they came from IKEA.

These designs look sweet displayed on my block-printed cotton table cloth (it’s nice that each picks up on the botanical pattern and palette).

Here is what I included in each:

Orange vase with silver-blue ingredients.

Deep purple-maroon ingredients look dramatic against the vibrant green vase.

The Orange Glass contrasts beautifully with three silvery-blue ingredients. The succulent element is called Senecio mandraliscae. Here in Southern California, people grow this shrubby, South African succulent as a groundcover. I actually have some in a pot and I love its slightly curved blue-gray leaves. Softer textures come from my other fave silvery garden plants. First is Artemisia ‘Powis Castle’, which has lacy foliage. I clipped the taller stems from Westringia fruticosa, also called coast rosemary. It’s from Australia, has a rosemary-like texture, and looks just gorgeous growing at the base of my fruitless olive tree.  

The Green Glass is a perfect foil for the deep purple-maroon ingredients. My succulent starting point was to add two small Aeonium rosettes. Not sure of the cultivar because I inherited this plant when we moved here in 2006.  Almost like a touch of embroidery, the dark plum version of sweet potato vine (Ipomoea batatas) spills from the neck of the slender vase.

The Turquoise Glass gets a fresh accent from lime green and chartreuse stems. I started with an un-named lemon-lime sempervivum that has pretty pointed leaves. These bold forms have a fluffy collar of chartreuse dead nettle (Lamium galeobdolon).

My challenge to you is to walk outside, clippers in hand, and create a foliage bouquet with what you have growing in your garden. Don’t overlook the unexpected ingredients. Hey – maybe that awesome artichoke leaf in the vegetable patch is worthy of a starring role in a vase. Or perhaps the conifers could stand in for my succulent ingredients. Have some fun! The best part? It means you have a lovely centerpiece for free!

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Behind the scenes with Garden Design

Wednesday, June 23rd, 2010

A pretty stunning aloe-as-sculpture in one of Joseph Marek's gardens.

Scott Shrader turned an ancient millstone into a succulent planter

Garden Scouting: It sounds so luxurious, doesn’t it?

Spending four days scouting some of the most beautiful and unique residential landscapes in and around Los Angeles! 

I do it all the time – visit and tour gardens that might just make it onto the pages of the magazines and newspapers to which I contribute. And yet, achieving the “get” is not always that luxurious. It’s fun and rewarding. But also hard work. 

Successful garden scouting requires lots of telephone calls to set up appointments. It means I have to lean on my personal connections to cajole invitations from reclusive garden owners or rock star designers. And it demands that I put way too many miles on my Volvo odometer. A lot! (Thank goodness for NPR.) 

Most of all, this job means being extremely open to everything I see, while also keeping out a discerning eye for that magical glimpse of a perfect story. 

It’s alot like being on a treasure hunt when you don’t know the ending, but I wouldn’t have it any other way! 

Jenny Andrews, executive editor for Garden Design, one of the magazines for which I am contributing editor, was in Los Angeles a few weeks ago for a four-day scouting marathon. As she put it, it felt like we were college roommates for four days . . . probably because Jenny ended up staying with me for most of the time. She got to experience the craziness of the Prinzing-Brooks household with kids, dog, schedules, and more. And, we put 700 miles on my car in four days. We were both exhausted by the end.  (more…)

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A charming necklace and a gesture of friendship

Sunday, June 20th, 2010

The back story

The cake says it all. Good-bye again.

My nearly four years in Los Angeles have been quite amazing. We arrived here in late August, 2006, not really excited about leaving our beloved Seattle, but trying hard to embrace our “new” life here in SoCal. 

The mood around our household has changed dramatically in 2010. The boy who was entering high school when we moved here has just graduated and is college-bound. The child who came here as a 4th grader is now a teenager, ready for 8th grade. The husband who came here for a pretty great job lost it during the financial meltdown. But in the interim, he earned an MBA from UCLA and joined an amazing new company NOT in financial services – one that uses his combination of legal and business talents for a compelling new business strategy.  

Happy in LA

 As for me, well, this four-year California chapter has been quite an adventure. I have grown professionally, honed my design sensibilities and in many ways gained more confidence (guess that comes with turn 50 anyway, right?). I have met and interviewed incredible people – designers of homes and gardens, artists, actors, directors, producers, animators – famous people and unusual characters alike, all of whom embody this beautiful spot on the planet. Writing about the homes and gardens they possess has been a privilege. Seeing those stories appear in some of the most well-respected publications has been quite satisfying. 

So now, we are moving again. And while I have alluded for months to our plans to relocate to Pittsburgh, the surprise ending of our California chapter is that we are actually returning to Seattle

Bruce’s company – at what feels like the eleventh hour – has shifted strategy and is moving its corporate HQ to Seattle. Manna from heaven, I say. A small part of me thought the Pittsburgh thing would be a fun adventure (actually, after what we’ve been through on the unemployment front, I would have willingly moved to Siberia). I have a few acquaintances in Pittsburgh – through Garden Writers Association – and I was interested in spending more time there getting to know them better. That optimism was combined with anxiety about having to garden in Zone 4 or 5; whatever low temperatures Pittsburgh experiences in the winter, at the very least I know it has snow – lots of it.  

So here we are, on the threshold of yet another move. But one that brings us full-circle back to the city where Bruce and I first met, lived as were newlyweds, gave birth to and raised two wonderful sons, became first-time homeowners, and even built our dream house, living a life surrounded by so many cherished family and friends.   (more…)

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Circles, spheres, orbs, and globes in my garden

Monday, June 14th, 2010

In the July 2010 issue of Better Homes & Gardens, I wrote a short item for my ”Debra’s Garden” column called “Curves Ahead.” It could also have been titled “Three Cheers for the Circle.”

I am obsessed with round shapes – balls, spheres and orbs — and I love to dot the garden with these forms. This design trick relates to one of those basic lessons anyone who studies the art of landscape design is taught: Choose an idea and repeat it frequently.

My eye is naturally drawn to orbs and globes. They are so pleasing to me – in fact, I wrote about this passion previously - in an earlier blog post, “Zen of the Circle.”

Ornamental globes, obelisks and balls have taken up residence here in my Southern California backyard — check out the photograph below.

And it’s not just the three-dimensional geometry that puts a smile on my face. Curved outlines, such as the edge of a perennial border, patch of lawn or a turn in the path echo the orbs and reappear as arcs or crescents in the garden.

My interest in the sexy, organic globe shape has come “full circle” (pun intended) from a single idea to a cohesive design theme and a nice way to use ornamentation. Look around your own garden. Wherever you see a bare spot, perhaps it’s calling out for an orb or two.

I included a post-script note in my BH&G piece, promising to share my gallery of rounded and curved design ideas with our readers. Here it is – enjoy! Please send me your own photos and I’ll include the best ideas here, too. Check the bottom of this post for some of my favorite shopping resources.

My cluster of orbs in a dreamy palette of green, blue, and teal - with a wonderful mosaic orb by Vashon Island, Wash., artist Clare Dohna

A stunning, cool blue ceramic globe in a Yakima, Wash., garden. You can tell it is mounted on a pedestal to elevate it above the foliage.

Yes, these awesome orbs are actually vintage bowling balls. Each one rests on a painted flowerpot and is stair-stepped outside the porch of Berkeley, Calif., artist Marcia Donohue.

A finely-carved spiral woodworking detail appears at the end of a beam that forms the roof of a dining pavilion in our book, Stylish Sheds and Elegant Hideaways.

The open circle - a "moon window" or "dreamcatcher" - provides a beautiful perspective in my friend Mary-Kate Mackey's Eugene, Ore., garden. It is mounted beneath an arbor where a hard kiwi grows.

My friend Kathy Fries designed a square-in-a-circle knot garden in her Seattle area landscape.

Plants like these golden barrel cactuses are naturally orb-like. You can see these at Lotusland, an estate garden in the Santa Barbara area.

This graduated set of concrete orbs just knocked me out when I first saw it in Sun Valley, Idaho a few summer's back. Thanks to my friend Mary Ann Newcomer, I got to visit some pretty amazing landscapes there.

A visit to any well-stocked garden center is likely to showcase the myriad choices of balls. I spotted a rainbow of gazing balls at Green Thumb Nursery in Ventura, Calif.

Restful, zen-like. Three types of moss are sculpted into a gravel garden display designed by Southern California landscape architect Graham Stanley.

Look for circular forms in public gardens - you'll find them. The arches of a lovely stone bridge are reflected in this pond to create an almost perfect circle. This bridge is at the classical Chinese Garden, recently opened at the Huntington Library, Art Collection and Botanical Garden in San Marino, Calif.

Artist Robert Irwin sculpted flowering azalea shrubs into a circular maze at the Getty Center in Los Angeles. The clipped, concentric circles bloom in white, pink and magenta flowers.

The pebbles in a path detail, arranged on edge and curved into an eye-pleasing pattern.

A round "carpet" laid with sand-set concrete cobble-style pavers. Designed for my Seattle friends Rand Babcock and Tony Nahra by Daniel Lowery of Queen Anne Gardens.

If stone isn't your thing, try turf. This tiny grass "throw-rug" appears in the Seattle backyard of landscape architect Erik Wood and designer Carina Langstraat

Wow! Metal obelisks - powdercoated in orange (or turquoise), designed by Annette Guttierez and Mary Gray from Potted, in Los Angeles (see ordering details below)

Best resources for spherical garden ornamentation:

Pot-ted Store: Three graduated sizes of balls made from steel strapping will lend a lovely moment of architecture to the landscape. I have the medium-sized one in weathered steel (my preferred material). Annette and Mary, owners of Los Angeles-based Pot-ted, now sell a series finished with bright orange and turquoise powder-coating - their fav hues. Oops – I mean “aqua” and “tangerine.” Inquire about custom colors! Prices: $98 (18-inches); $139 (24-inches); and $169 (30 inches). Shipping available.

Bauer Pottery Garden Orbs: My friend Janek Boniecki has revived the classic California earthenware known as Bauer Pottery. In addition to making reproduction urns, dishes and serving pieces (in that awesome, sun-drenched palette), Janek and crew also create ceramic garden orbs glazed in Bauer colors. Yellow, dove gray, French blue, Federal blue, chartreuse, lime green, midnight blue, parrot green, turquoise, white, black and aqua (for some reason, the Bauer orange pieces are slightly more expensive, perhaps because of the glazing involved).

I am a bit addicted to these “globally admired” orbs, thanks to the company’s occasional factory outlet sales in Los Angeles. I have five or six of these gumball-shaped objects, which look tres-bien in and among foliage, flowers, blades and stems. Prices: $75-$82 (8-inch); $100-$110 (12-inch); and $150-$165 (15-inch). If you think you’ll be in the Los Angeles area sometime, make sure to check the Bauer web site to see the warehouse sale schedule. You will definitely find great prices and maybe even an orb or two (if I don’t get there first!).

Clare Dohna, Mosaic Artist:  Based on Vashon Island, Wash., artist Clare Dohna makes vibrant mosaic tiles in dazzling botanical shapes (flowers, bugs, leaves and more). She uses these tiles to adorn the surfaces of all sorts of wonderful garden sculpture and art, such as bird baths, bird houses, egg shapes and — my favorite – mosaic spheres. You can see one of her pieces at the top of this page; it plays nicely with the solid-colored Bauer orbs. Contact Clare directly (from her web site) to inquire about color schemes and prices.

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