Debra Prinzing

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Episode 487: Slow Flowers Floral Insights & Industry Forecast for 2021

Wednesday, January 6th, 2021

The Pursuit of Nature

This Forecast began seven years ago in 2014 when I began documenting shifts and changes in the Slow Flowers Movement. I recently described the origins of this important exercise in my new online course, Taking Stock and Looking Ahead [P.S. follow this link to learn how you can take this free course as my gift to you.]

Here’s how I remember it:
In 2014, when I launched slowflowers.com as an online directory of American flowers and the growers and florists who supplied them, I worked with two talented public relations friends to get the word out to the media. While planning a visit to meet with lifestyle and garden magazine editors in New York, one of the PR experts urged me to create a Power Point slide deck that included an overview of floral trends I associated with the emerging Slow Flowers movement.

In creating that deck, which became my first forecast for 2015 (see above), I learned a few important lessons. I share this in the context of the social media term “impostor syndrome,” because it’s no surprise — we all feel that sometimes. When Lola and Marla encouraged me to write a trend forecast, at first I thought: Who am I to forecast trends? Isn’t that a role only for the experts?

Their response: You have a point of view and it’s based on hundreds of interviews that you conduct for articles and for your Podcast over the course of each year. See what bubbles up from those topics and themes that excites you about the year to come.

I realized that since I was the one who conducted those interviews and wrote those articles, I was viewing trends through my own lens and filter — the Slow Flowers perspective.

When I shared that Power Point deck with editors and had positive responses (as in, they took it seriously during our meetings), I later decided to post the 10 insights on my blog and record a Slow Flowers Podcast episode about it. You can go back and listen to episode 174 from December 31, 2014

The Power Point deck I shared with editors became a blog post and, as I mentioned, the Podcast show notes. Then I shared it with Slow Flowers members in my monthly newsletter. And then a few floral trade publications picked it up.

As a result, I became an “Accidental Forecaster”, and that has elevated Slow Flowers’ unique and relevant viewpoint in the floral marketplace. I’ve learned some valuable lessons. We’re no longer waiting for Martha Stewart or Oprah or Chip and Joanna to tell us what’s on trend. Each of us can speak with an authentic voice about our observations, key cultural shifts and new creative directions in the floral space. In the end, the forecast is a tool; a roadmap that helps me and others consider what is around the bend or across the horizon. It sparks conversation and sometimes, to be honest, it sparks controversy.

The Pursuit of Nature


So let’s get started! I have 10 insights to share with you for the year to come. I’m calling our 2021 Report: “In Pursuit of Nature,” and you can understand why, right?

As we enter 2021, at least in the short term, not much will feel different from the past nine months. And if there is anything we’ve learned since mid-March 2020, it’s the essential and irreplaceable role of flowers and plants for our survival. And that’s why my outlook is deeply connected to humankind’s pursuit of nature — and how floral entrepreneurs like you can and should tap into and enhance that pursuit through your efforts.

I learned about the term “Biophilia” in October 2019 when I interviewed Tom Precht and Sarah Daken of Grateful Gardeners. Tom is a big advocate of Biophilia and he opened my eyes to its relevance as we make personal and business decisions that impact our planet’s survival. He discussed the definition when I interviewed him, but here it is again, according to Merriam Webster:
Biophilia: “a hypothetical human tendency to interact or be closely associated with other forms of life in nature

All you have to do is read the headlines of 2020 to see a collective shift toward nature, plants, the environment – and yes, flowers.

A recent article in the Washington Post caught my attention. The headline reads: The isolation of the pandemic caused her to form a new and intense relationship to nature. She was hardly alone. The benefits of being outdoors for your physical and mental well-being are well documented, but in this coronavirus era, they may be immeasurable.”

A Forbes headline reads: “Nature Is Good For Your Mental Health, Sometimes”

The University of Washington shared this research: “Dose of nature at home could help mental health, well-being during COVID-19” The report stated:

“Studies have proven that even the smallest bit of nature — a single tree, a small patch of flowers, a house plant — can generate health benefits,” said Kathleen Wolf, a UW research social scientist in the School of Environmental and Forest Sciences. “Look closely in your neighborhood, and the bit of nature you may have taken for granted up until now may become the focus of your attention and help you feel better.”


What are we watching for in 2021? The Slow Flowers Community’s experiences of 2020 definitely inform what is top of mind for 2021. Over the past several years, as we’ve devoted considerable time and resources to educate consumers and professionals alike; and thankfully, we are coming off a year when the attention of many turned to the Slow Flowers Movement.

Locally-grown, seasonal and sustainable flowers answer questions about a safe and reliable supply of flowers. Awareness our Movement continues to increased as floral consumers and florists alike shifted their focus to what’s closer to home. Panic over the international floral supply chains has quickly turned to a subtle but significant and newfound understanding that if we don’t nurture and support our local flower supply, there may come a day when farmland has been converted to real estate developments; where commitment to a safer, more sustainable earth has been displaced by convenience.

The anecdotal feedback I’m hearing is heartening. I received an email recently from a leader in, shall I say, “mainstream” floristry, who wrote:

“After two decades of thinking traditional wholesaler connections were the only way to run a floral studio or shop, I’m slowly starting to learn about local flower-farmers and am constantly in awe of their entrepreneurial spirit, and can’t imagine how much hard work goes into what they do. For that, I want to give them as much business as I can! I know that you had a big hand in getting this trend in motion and I thank you for that!”

As we seek new and diverse voices in the Slow Flowers Movement, I believe we will continue to witness a positive shift to a more progressive, inclusive, conscious marketplace for the flowers you grow and design with. And we will continue to document the shift with stories, interviews and resources to encourage you.

I want to thank everyone who took the time to respond to our 2021 Slow Flowers Member Survey, more than 200 of you, who I mentioned during last week’s “Year in Review” report, is triple past year’s participation.

In addition to the Survey, which asked members to share about their floral businesses, including emerging themes and topics important to them, this Forecast is informed by my 2020 storytelling — first-person interviews for print and digital Slow Flowers Journal stories, interviews with more than one-hundred Slow Flowers Podcast guests, and conversations with thought-leaders in floral design, flower farming and related creative professions.

I hope you find these insights and the 2021 forecast valuable to you. You may hear some themes that resonate with you and I’d love to hear your feedback and suggestions about what you agree with and what topics you wish we included.

You can Download a PDF of the 2021 Forecast here:


#1 Floral Wellness

Molly Culver of Molly Oliver Flowers in Brooklyn created the “Seasonal Flower Project” in 2020 — a popular local-flower subscription program that supported her favorite farms and put those flowers in the hands of people eager to connect with nature. Listen to our interview with Molly in Episode 451

The yearning for a connection to nature is truly unprecedented in our society, something many of you witnessed first-hand when Mother’s Day 2020 shattered prior years’ records for floral sales. Demand added up to three words: People. Need. Flowers.

In past Forecasts, I’ve touched on similar themes, including the popularity of Aromatherapy Bars (2018) and the Year of the Houseplant (2019). Floral Wellness is more sweeping in its meaning. More than ever, consumers and their senses are drawn to your blooms. They are drawn for fragrance and scent, for medicinal qualities, for skin and body care benefits, for nutritional meals, palette-satisfying beverages, and for — above all — their mental health.

I define Floral Wellness as
An embrace of the therapeutic importance of flowers, both in our own environments and as a meaningful way to share with others. Floral Wellness nurtures a positive and habitual desire to have flowers in our lives and as an expression of our desire for others to also experience flowers’ emotional, physical, mental and psychic value.

This idea can be manifested in ways both simple and accessible to your clients, as well as more ambitious endeavors. From the rise of flower workshops (in person at a safe distance or in many virtual forms) to the explosion of CSA subscriptions as more consumers desired more flowers, Floral Wellness took root in 2020 and is yours to nurture and enhance with new offerings to your community in 2021.

A few comments bubbled up from our 2021 Member Survey that underscore this idea and I’ll share them here:

“People want more flowers!”
“More local and more of it!”
“I believe local will become more desired.”
“People want to bring more flowers into their homes and are getting into floral design as a hobby.”
“Flowers bring smiles and happiness in times when we need it most.”
“I think people will be more oriented towards decorating their living spaces. Also, gifting flowers to loved ones.”

“Customers may start treating themselves with fresh flowers.”
“As work-from-home becomes normalized, the interest in gardening/flowers/natural world grows.”
“I’m seeing a desire for more beauty and more positivity.”

This insight’s key takeaway for you: Use a megaphone to share your story, your flowers, and your belief that flowers are essential to our wellness and health.


#2 The Virtual Florist

All images from “Designer’s Choice,” a July 2020 Slow Flowers Journal Report in Florists’ Review — featuring (clockwise, from top left): greenSinner, Maple + Mum, Floral Alchemy, Sellwood Flower Co. and Studio Artiflora

What do I mean by the Virtual Florist? We’re living in a world of “virtual” everything, so the term is truly relevant and timely. In the Slow Flowers Community, we spent 2020 covering the ascent of virtual floristry, through our podcast interviews, in Slow Flowers Journal stories, and during our weekly and monthly Slow Flowers member virtual meet-ups. For the Virtual Florist, innovation and creativity meet a marketplaces of Covid-imposed limitations and constraints.

The Virtual Florist
is adaptable, flexible and inventive in finding ways to successfully deliver flowers to his or her community.
The Virtual Florist utilizes technology and serves customers’ needs where they are. The Virtual Florist disrupts “definitions” of what type of florist you may have been in the past.

This means you might own a retail flower store, but you’ve added an online shop; or, you’re studio-based, but you now offer everyday flowers through contact-free curbside delivery; or, you’ve never grown flowers before, but this year you’ve planted thousands of tulip bulbs to sell from your front porch using only your neighborhood’s Facebook page to get out the word (that’s a real story about one of our members!)

The Virtual Florist consults, teaches and inspires in new ways, too. Virtual floristry is more egalitarian and transparent. Anyone can turn on a camera and film a demonstration or tutorial for IGTV, Facebook Live, YouTube and on other platforms — the field is more level than before. It’s not just the “big names” who are attracting audiences, especially because the return to expensive, in-person workshops will be slow and gradual.

This insight’s key takeaway for you: Dial up your imagination. What may have began as a coping mechanism to stay busy or stimulate creativity is now a new business opportunity. Develop and invest time and resources into at least one virtual component of your floral enterprise. Be ready to connect with your community whose shopping habits have dramatically changed, perhaps forever.


#3 Flowers in a Box

Mail-order Floral Offerings from Slow Flowers members, clockwise from top left: Petals by the Shore, Postal Petals, Harmony Harvest Farm and Flora Fun Box

Shipping flowers is nothing new, but until this moment, only a few successful companies were getting it right.

In our 2018 forecast, I identified the early adopters behind this shift with the insight “Flower Farmers Launch Direct-Ship Wholesale Programs,” so what’s new about “Flowers in a Box?”

Now, based on necessity, we are witnessing more models, most consumer-direct, designed to move local and seasonal flowers from point A to point B, with more Slow Flowers members experimenting in the world of boxed and shipped blooms.

Slow Flowers members who had never before shipped flowers began to do so in 2020. The first report we shared about this shift can be heard in early April when I interviewed Mandy O’Shea of 3 Porch Farm about the decision to ship early spring flowers when local farmers’ markets and on-farm sales were impossible. It was a survival strategy that foreshadowed a strategic business shift. You can find a link to that conversation in Episode 448.

Flowers in a Box covers a diversity of methods and formats, from overnight shipping of bulk flowers, arrangements, floral packages for weddings and more.

Members are also experimenting with the shipping of dried flowers and live plants. And others are mixing design tutorials into the mix (a nod to Insight #2 and The Virtual Florist).

This past fall, we published a six-part Slow Flowers Journal series, called New Floral Marketing Models and Platforms. I’ll share the link for you to go back and read the series in case you missed it. One of the series’ most interesting themes – to me – explores how designers and flower farmers are partnering to create boxed floral collections for home-based floral enthusiasts. Check out my stories about Petals by the Shore, Postal Petals and Flora Fun Box as examples.

We will be tracking more of this “Flowers in a Box” phenomenon moving into 2021, relying on our membership in CalFlowers, the only national trade group that offers flower farmers and floral designers access to deep discounts on overnight shipping rates. CalFlowers has joined the upcoming Slow Flowers Summit 2021 as a Supporting Sponsor, and we will be sharing more about this organization in future programs.

This insight’s key takeaway for you: Ask yourself: What can you put in a box — perishable or non-perishable — and offer to customers who are not in your physical market, but who want to share and experience your brand?


#4 Botanical Activism

Scenes from Slow Flowers initiatives around the U.S., clockwise from top left: Portland, Maine, installation; Milwaukee, Wisconsin, installation; Slow Flowers’ social media badge; Detroit, Michigan, installation; and Say Their Names Memorial in Kirkland, Washington

2020 was a year in which I stepped back to evaluate whether my beliefs and values were in alignment with our brand. And I know this was the case for many of you, as well.

We highlighted “Cause-Related Flowers” in our 2018 Forecast, citing the news that more flower farmers and florists were investing their talents to help nonprofits and others in their communities through floral philanthropy efforts.

The contributions of so many of our members – growers and designers alike – continue to impact our communities. It began with the simple question: Did you donate your flowers to any causes or charities this past year? So many of you can answer in the affirmative.

But something is different now. We’ve all been touched by the awareness that the social and environmental landscape is dramatically changing. And if we do not step up to walk the talk in our own floral enterprises, I believe we are only deceiving ourselves.

I define Botanical Activism as one expression of social enterprise.
For Slow Flowers members, this takes shape in many ways:

Writing a statement of purpose for
your brand
Committing resources to racial equity, inclusion and representation in your business practice

Using your flowers to speak volumes about the issues you care about, from climate change to human rights.

And yes, you may occasionally feel the sting of criticism. I’ve seen it in social media posts, along the lines of this comment: “I just want to see beautiful flowers and I come here for a respite away from the conflict and disagreements I watch or hear on the news. Why do you have to be so political here on a floral feed?”

I believe we can no longer stay comfortable in our safe flower worlds when others are suffering discrimination or injustice. I’m not saying we need to become full-time activists. We have businesses to run, bills to pay, households to support, of course. But even in small and subtle ways, we can be Botanical Activists to signal our values and beliefs.

Your answers in the 2021 Slow Flowers Member Survey revealed your beliefs and passion for causes important to your brands:

  • 61% of our Members say they are taking steps to create Inclusion, Representation and Equity policies for their businesses
  • 53% of our Members are aligning their brands with human rights and social justice messaging/activities
  • 46% of our Members’ businesses have participated in cause-related activities to support Black Lives Matter and antiracism campaigns

In 2020, I witnessed the manifestation of these values across the Slow Flowers membership, inspired by so many of you, your efforts to take a stand for social justice, and to show positive support through your flowers.

Moving forward, this isn’t optional. It’s essential. For Slow Flowers, we are adding a sixth statement to the Slow Flowers Manifesto, originally written in 2017 and published on Slow Flowers Journal. Every one of the five original statements in our Manifesto could be considered by some to be radical and norm-busting in the conventional sense. They include:

Slow Flowers commits to the following practices:

  • To recognize and respect the seasons by celebrating and designing with flowers when they naturally bloom
  • To reduce the transportation footprint of the flowers and foliage consumed in the marketplace by sourcing as locally as possible
  • To support flower farmers small and large by crediting them when possible through proper labeling at the wholesale and consumer level
  • To encourage sustainable and organic farming practices that respect people and the environment
  • To eliminate waste and the use of chemical products in the floral industry

Today I am adding a sixth statement, long in coming and inspired by the actions of many of our members and colleagues in the green profession:

To proactively pursue equity, inclusion and representation in the floral marketplace, intentionally valuing
Black floral professionals
(farmers, floral designers and vendors) in our business practice with as much support as we give to environmental sustainability.

I recently came across a wonderful affirmation from SF-based diversity and inclusion expert Arthur Chan of Arthur Chan Consulting and it resonates with this new addition to our Manifesto.

This insight’s key takeaway for you: Belonging implies community and my pledge to each of you is to model this value in all of Slow Flowers’ actions, programs, content and investments, not just for 2021 but beyond. As I said last week in our year-in-review, until the Slow Flowers Society looks more like the communities we live and work in, more needs to be done. So, in the coming year, we will be highlighting your Botanical Activism — what causes are your flowers supporting? How are you enhancing your community and sharing your values? Please keep me posted as I seek stories of equity and inclusion, and continue the conversation.


# 5 Theatre of the Tabletop

Designs from left: Tobey Nelson, Tobey Nelson Weddings & Events; Susan Chambers, BloominCouture; Dawn Clark and Mary Coombs, A Garden Party LLC; Beth Syphers, Crowley House Flower Farm; and Kelli Galloway, Hops Petunia Floral

The inspiration for this insight arrived in my in-box in October, when a college friend of mine sent a link from The Guardian, a UK daily newspaper. The headline read: “‘Napkins are the new fashion’: the improbable rise of tablescaping”

Written by lifestyle reporter Hannah Marriott, the article captured my imagination, as she likens tabletops to our own personal stage for artistic expression.

She wrote: ” . . . it was in lockdown, perhaps inevitably, that tablescaping became a phenomenon. With so many of us working from home, our social lives disappearing and desperate for some comfort, our focus on our homes was never sharper.

The article continues: “Tablescaping, a small joy that can take a few minutes or a few hours, and makes dinnertime instantly prettier, is part of this national self soothing.”

Gate Cottage Garden botanical tabletop collection @scottwittmanartsculpture

The person who shared this article with me, my friend Scott Wittman, is a creative director who has spent his own COVID year exiled in the Kent countryside away from his London office. He has invested all of his free time photographing the blooms in his garden to document the passing of time, season by season. It helps that his pre-Georgian cottage is surrounded by an acre of a traditional English garden planted about 40 years ago — that’s priceless inspiration!

Scott’s garden and his photography project led him to produce an entire product line for the table, including dishes and linen tablecloths and napkins adorned with his graphic and polychromatic botanical photography. He plans on debuting the “Gate Cottage Garden” collection at the 2021 Chelsea Flower Show and I’ve been urging Scott to figure out distribution in the U.S. For now, check out images of his garden-inspired table accessories in our show notes and follow him on IG at @scottwittmanartsculpture

As I pulled together insights for 2021, I couldn’t forget this old-new idea of tablescaping and it came up again in several conversations, including, most recently with Susan Chambers, Slow Flowers florist based in San Francisco. She described to me how her business BloominCouture has changed in 2020, with more residential floristry accounts than ever.

“It goes beyond flowers,,” Susan says. “So much of what I’m hearing my clients say (is) that they want to understand, not just the floristry, but creating that moment at the table. They want me to create the vision, the pomegranates down the table, the privet berries dripping out of the arrangement. They’re wanting that me to come in and create that moment for them before the dinner party.”

Tablescaping can be the ultimate Slow Flowers expression, as your florals enhance human interactions, mark occasions both special and ordinary, and celebrate the art of dining. Many of you design tablescapes for styled shoots — some of the most adventurous and theatrical meals imaginable. Let’s celebrate the objects we cherish, and create palettes that honor both how food is grown and the origin of the floral decor. I view the theatre of the tabletop as a way to honor the gift of time.

Tablescape designed by Rayne Grace Hoke of Flora’s Muse and Laura W. Tibbitts of Midcoast Blooms

This insight’s key takeaway for you: How can you combine your flowers and floral designs into a full package? Hannah Marriott’s article in The Guardian triggers so many ideas that you’ll want to explore in 2021. She writes: “Thanks to social distancing and unbridled screen time, the ‘tablescapes’ hashtag now has 455,000 Instagram posts and counting, and it is lifting sales during the crisis. In lockdown, with the hospitality industry on pause, tablescaping took a different direction. For one thing, it provided an income stream – or at least a trickle – to companies whose businesses might have capsized in the crisis.”


#6 Reversing Climate Change

Slow Flowers’ member farms, from left Seattle Wholesale Growers Market dahlia farm shown against the September 2020 wildfire smoke; Stacey Denton of Flora Farm in Ashland, Oregon, using high tunnels to grow sweet peas; at Red Twig Farms in Johnstown, Ohio, low-tunnels for crop protection

Last year, in the 2020 Floral Insights & Industry Forecast, I featured Climate Change for the first time with an insight titled “Responding to Climate Change.” The urgency felt by the Slow Flowers Community is heightened as we move into 2021. Your responses to Climate Change questions in the Slow Flowers Survey reveal that urgency. It can seem overwhelming, but our individual actions and the policies we collectively support are powerful tools to employ as a community.

Last year, Forty-four percent of our survey respondents said they were adjusting growing practices to adapt to climate change. In this year’s Survey, 54% of Members say they are aligning their brands with climate change messaging/activities.

We also asked you to share about How Has Climate Change Affected You and Your Business? Here is a recap:

  • Nearly 60% of you cite weather irregularities (too much or too little rain)
  • 30% say abnormally warm OR abnormally cold spring seasons
  • 25% cite early frost arrival
  • Nearly 20% blame disaster-related damage (wildfire, flooding, hurricane, hailstorms, tornados and other weather tragedies)
  • Another reason cited includes extended hot periods with no precipitation. 

One respondent put it this way: “Weather seems more extreme and unpredictable.”

Another wrote: “It’s not at disaster level yet, but the damaging winds and rains devastated my cosmos and the smoke from the fires sullied my white roses and strawflowers.”

What can we do? What active steps are you taking to address Climate Change in your farm, shop or studio? We know about and have covered the importance of No-Till Farming Methods, Cover Crops, Crop Rotation, Raised Beds, Water efficient irrigation. We know florists are more actively than ever rejecting single-use plastics and other chemical-based products in their designs.

What else? In the coming year, Slow Flowers commits to more reporting on your efforts to reverse climate change, efforts that will inspire others and will empower our members to take positive action in small and large ways.

For now, this insight’s Key takeaway for you: Educate yourself. Join me in seeking meaningful change as we strive to protect our climate, environment, communities and planet.


#7 Beyond the Hobbyist

Deeper Learning, clockwise from top left: Farmer-Florist workshop taught by Niki Irving of Flourish Flower Farm; a similar workshop taught by Liz Kreig of Maple Flower Farm; Cutting Garden Design with Longfield Gardens & Slow Flowers; wreath design workshops taught by Sarah Nixon of My Luscious Backyard; and Debra Prinzing floral design to fellow Garden Writers

The DIY trend has been with us for a decade, and according to my friend and publishing partner Robin Avni, after that length of time a trend that was once new, such as do-it-yourself, folds into the broader culture and becomes mainstream. Originally, I wanted to call this insight “Beyond DIY: Figure it Out” and I turned to Robin to help me flesh it out. My idea was that since more consumers than ever are seeking new knowledge, floral enterprises need to be attuned to this reality in order to offer them what they’re seeking.

But a conversation with Robin gave me a new term: Beyond the Hobbyist. Robin is my go-to expert when I want to understand what’s happening in the consumer marketplace; she spent many years working in consumer research managing a portfolio of Fortune 500 clients as a Senior Director and Lead Consumer Strategist at Iconoculture, and as a Senior Ethnographer at The Hartman Group, where she engaged in primary consumer qualitative research. And those of you who have a copy of my new book Slow Flowers Journal-volume one will know of Robin’s influence as a visual designer — she is the creative director for that publication and my partner in the BLOOM Imprint, the new book-publishing arm of Slow Flowers.

According to Robin, DIY is everywhere, and thus, no longer new. “People feel they can access information on YouTube and figure things out themselves, from painting their walls to building a deck to designing an outdoor space,” she explains.

As an insight, though, Beyond the Hobbyist embodies so much more than DIY, more than saving money or exploring a hobby, Robin explains. “It’s about embracing a skill that gives you a sense of pride and feeds your soul. It’s about having a deeper, long-lasting connection to a skill, such as flower gardening and floral design.”

She continues: “People want to learn new skills, but then, they want to fold it into their lifestyle. They want to go beyond something superficial. They want to know that when they gather flowers from the farm-stand they can replicate at home what they learned in your design class; thanks to your class, they understand why it’s important to support the stems and change the water regularly.”

Easy, mechanics from the professional to Beyond the Hobbyist

I suspect this sentiment is a driving force behind the popularity of product lines like Holly x Syndicate’s egg and pillow mechanics, available not just to the trade, but to the enlightened floral enthusiast who wants to use the same tools and supplies that the pros use. Similarly, having the ability to order single units of the Floral Genius pin-frogs means these professional tools are getting into the hands of anyone who wants to elevate their floral design practice.

Beyond the Hobbyist is all about intentionality rather than a random DIY experience.

We will continue to witness this urge to both know a skill AND understand the why and how behind it, Robin explains. “For example, once a customer experiences a flower farm, they want more. They don’t necessarily want to be a flower farmer, but they want to understand how to grow their own cut flowers, and nurture that practice through the seasons for their own enjoyment and to share with friends and family.”

A polychromatic series: Seeing Color in the Garden @gardenercook

We talked about this further and what came to mind is the desire among many consumers to have a “Daily Practice.” And that led to my friend Lorene Edwards Forkner, Seattle Times gardening columnist, author and artist. Lorene’s Instagram feed @gardenercook features her daily practice called #seeingcolorinthegarden. Lorene is a past guest of this podcast and she will share her story and talents at the 2021 Slow Flowers Summit, leading participants in her mindful practice of painting small watercolor studies of plants and other items she collects from nature. You can see more in our Slow Flowers Mercantile, where we have a digital download gallery of Lorene’s work.

While learning a new skill and adopting a practice is useful for all floral professionals, the key takeaway from this insight is actually a challenge question to you: How do you help your customers and clients embrace a more meaningful connection to flowers? How can you create and nurture opportunities that go beyond DIY hobbies and convert your customers into floral practitioners?

When you draw back the curtain and share insider knowledge that your clients and customers can incorporate into their lifestyles, you build deeper engagements. People want to know the professional skills of growing and design; they don’t necessarily want to adopt a new profession, but you can interpret and empower them with skills, knowledge and confidence.

Learning and gathering knowledge is more important than ever. What services, products and experiences can you offer to your marketplace in 2021? What are you teaching and sharing? A final thought, one that I learned while developing online courses for the Slow Flowers Creative Workshop. Teach what you know. Nothing is more authentic.


#8 Marketplace Inclusion & Farmland Equity

Top Row: Slow Flowers Members who recently presented at the Young Farmers & Cooks Conference: Julius Tillery, Black Cotton U.S.; Taij & VC Cotten, Perry-winkle Farm; Aishah Lurry, Patagonia Flower Farm; and Julio Freitas, The Flower Hat
Bottom Row: #BlackFloristFriday social media campaign, created by Talia Boone of Postal Petals and Quote from Leah Penniman of Soul Fire Farm

This insight is closely connected to Insight #4 – Botanical Activism, while also addressing two themes essential to the future survival of the floral economy.

The first topic – Marketplace Inclusion — speaks to the importance of proactively changing our business practices to support floral enterprises owned by the BIPOC community, (that’s Black, indigenous and people of color). For so long, I focused my energies on the belief that our floral profession would survive if only consumers learned to ask “where were these flowers grown” and “what growing practices were used to grow them?”

If there is one important lesson from the racial awareness and awakening of 2020, it’s that my values demand that I ask a different set of questions, such as: “how can I support and shine a light on florists, flower farmers, vendors and customers who look different than me, a middle-aged white woman?” “How can I invest in the success of underrepresented and overlooked talent, and in doing so, ensure their success and my success are equally valued?”

At Slow Flowers, we enter 2021 with an embrace of inclusivity, representation and equity in our profession. As I discussed last week, our Professional Development Fund devotes resources to invite Black farmers and florists to join the Slow Flowers Society. YOU are encouraged to participate in this endeavor by nominating Black farmers and florists in your community to be part of our efforts — please reach out with your suggestions!

Until the Slow Flowers Society looks more like the communities we live and work in, we will not be sustainable.

I have learned much from garden designer and Slow Flowers advocate Leslie Bennett, who earlier this year joined me as a return podcast guest. Leslie owns Pine House Edible Gardens, an Oakland-based design-build landscaping studio. She is the creator of Black Sanctuary Gardens, which believes that gardens are places that provide respite and restoration; healing and inspiration. The Black Sanctuary Gardens project creates and documents garden sites where Black women’s creativity, spirituality, and human experience can be cultivated and nurtured. 

Slow Flowers donated to the Black Sanctuary Gardens project in 2020 and we feel grateful to learn from the example Leslie is modeling — using her talents and resources to design and build gardens where transformative change can take place, and where we can work to grow the world we want for ourselves and for our communities. 

Leslie and the team behind the Black Sanctuary Gardens project are curating their time and talent to create safe and beautiful garden spaces that celebrate Black women’s humanity and the communities they hold dear within the Oakland, California area. Financial contributions allow them to provide their gifts at low to no-cost to these valued community members. This is a model I’d love to see replicated across the community in other regions.

Soul Fire Farm – a life-giving hub for education, advocacy and activism

The second theme included in Insight # 7 is Land Equity. Joining progressive voices in domestic agriculture to advocate for land equity is a cause I believe will benefit the Slow Flowers community as we see much-needed diversity and representation in flower farming.

In 2020, we financially supported Soul Fire Farm. Based in Grafton, New York, Soul Fire Farm was co-founded by past Podcast guest Leah Penniman, author of Farming While Black. She is a Black Kreyol educator, farmer, author, and food justice activist whose mission is to end racism in the food system and reclaim an ancestral connection to land. As co-Executive Director of Soul Fire Farm, Leah is part of a team that facilitates food sovereignty programs – including farmer trainings for Black and Brown people, a subsidized farm food distribution program for people living under food apartheid, and domestic and international organizing toward equity in the food system.

Soul Fire Farm recently provided us with a list of well-established Black-led farming organizations and I’ll share it in today’s show notes for you to check out. Please consider following and supporting the farming organizations in your community as we move into 2021, while seeking a more diverse Slow Flowers community that benefits all.


#9 Opposite Palettes

Contrasting and Complementary Palettes from the Slow Flowers Cutting Garden

Last year, 24% of our Slow Flowers Survey respondents cited YELLOW as their top color prediction for 2020. Yellow edged out all other colors by single-digit percentages, but there was still no clear standout, leading me to predict a Polychromatic Palette for 2020.

Here we are in January 2021, and Pantone already has declared “Illuminating,” a glowing shade of yellow, as one of two colors for 2021.

For the 2021 survey, both Yellow and Orange topped your list. Specific percentages break out as follows:

Shades of Yellow (23%) “Yellow for optimism.” Mustards and mauves.” “From rich masala yellow in curries to lavish buttercream yellow on cupcakes, the comfort of food will translate to floral expressions.”

Shades of Orange (19.5%) “I think we are seeing hints of orange, and yellow with pinks and blush.” “Everything across the range of citrus tones to fruity apricot.”

Shades of Green (14%) “The clean feeling of green, with foliage in an array of green tones and various shapes.”

Shades of Purple & Violet (13%) “I think we will see a trend towards subdued jewel tones that play off of each other.” “I find the possibilities with purple are both complimentary and contrasting and love finding those matches. People also seem to really gravitate to the purple tones, or at least, that’s what I think, maybe because I like purple flowers so much!”

Shades of Red (4.5%) “Reds, burgundy, pinks monochromatic.”

Shades of Blue (3%) “Mellow, soft blues — the world needs calming tones in these crazy times.”

So what notable color palette do we predict will influence flower farming and floral design in the coming year?

I flipped to the color section of my book Slow Flowers to see what I wrote back in 2013. I quoted Harold Piercy, former principal of the Constance Spry Flower School in England, who wrote this in 1983: ” . . . in flower arranging, I have always found it advisable to discard any prconceptions about colours.” He went on to write: “Keep an open mind and do not be ruled by the colour wheel. You may hit upon unexpected satisfactory results during your experiments.”

Yellow Roses from the Slow Flowers Cutting Garden

I dove deep into the comments that you shared in response to the survey’s Question#23 — Describe in more Detail Your Floral Palette Prediction.

I have to give a huge congratulations to the many Slow Flowers Survey responses that were spot on about YELLOW. In 2017, Slow Flowers’ Floral Forecast predicted soft yellows in an insight titled: “Beyond Blush.” It has taken four years since then for Pantone to agree! Let me include a few of your comments here so you can congratulate yourself on nailing Pantone’s color declaration for 2021 — an important emerging floral palette we forecasted here years ago!

(c) Missy Palacol Photography

“I’m only wishing. I have lemon chiffon peonies that I would love to see a bump in desire for.”
“Into yellow lately.”
“Cream-mustard; pale yellow. Happy shades.”
“More sunny, happy color.”
“Bright, positive, with an endless summer-like feeling.”
“Pale yellows to golden tones.”
“Yellow is inherently cheery and I think people will want more good cheer. Also, floral designers have been trying to sell clients on yellow and mustard forever — maybe this is our year that clients will finally go for it!”
“Orange or yellow. We need some brightness in 2021!”
“Soft, buttery yellows.”
“Yellow is building momentum! And there are so many shades that blend well with the popular muddy/neutral palettes.”
“Soft, light, buttery yellow.”
“Seeing more demand for yellow flowers.”
“2020 has been a dark year and I think we could all use a little sunshine in our future.”
“Warm yellows — amber, mustard, butter – seen alone or with accents in deeper shades.”
“After the Pandemic, we want LIFE! We will want color and variety. Yellow was a very big color in fashion just before the Pandemic and I think it will be picked up again after.”
“I think the soft yellows and warm golden colors are what we need for 2021! We need a soft glowing hug after 2020!”

Orange & Blue(ish) dial up the palette contrast! (c) Debra Prinzing design and photograph

Clearly, we all love yellow. But of course, we do not want to follow Pantone. Let’s move beyond a single hue and explore what’s coming next:

I predict the most exciting floral palettes will feature Complementary or Contrasting Colors. With color pairs that reside opposite each other on the color wheel — combinations and variations of of course Yellow + Purple, but also interpretations of Red + Green; Orange + Blue.

What do you think of “Opposite Palettes”? A few survey comments jumped out to me in agreement:

“Oranges reaching out in different directions — yellow, reds, or complementary purple.”
“Purples combined with pale yellows, oranges and whites.”
“I find the possibilities with purple are both complimentary and contrasting and love finding those matches.”
“Pink, peach, coral, orange, yellow and then contrasting with blue.”

Red & Green Complements (c) Debra Prinzing design and photograph

What is the key insight here?
Simply, that we live in a colorful floral world and we need to experiment more! And find ways to excite customers and clients with new, shall we say, contrasts and complements, on the horizon!

At the core of it, this insight reinforces the importance of selling color as a much-desired product. Remember, you and your flowers are ready to meet consumers’ hunger for more color in their lives.


#10 Star Quality

From Left: Fleurs de Villes designs by Tobey Nelson and Thomasi Boselawa; Kristen Griffith VanderYacht of Big Flower Fight; Ace Berry, AIFD, PFCI – a finalist on Full Bloom; the Full Bloom judging panel

All of a sudden, miraculously in 2020, celebrity florists are taking center stage alongside chefs and fashion designers!

Whatever you think about floral competition television, seeing flowers and plants in the hands of professional designers on programs like Netflix’s “Big Flower Fight” and HBO’s “Full Bloom” definitely felt validating. We are witnessing flowers – elevated — in mainstream TV programming! That’s news worth celebrating!

I lived vicariously through both programs and was honored to host Big Flower Fight’s head judge Kristen Griffith-VanderYacht as a guest on the Slow Flowers Podcast and profile him for a Florists’ Review cover story earlier this year.

I also enthusiatically rooted for Ace Berry, AIFD, PFCI, another past guest of this podcast, who competed in HBO’s “Full Bloom.” I won’t spoil it for you if you haven’t watched to the finale, but you can learn much more about Ace in Episode 421, originally aired in October 2019.

Nine Slow Flowers members designed floral fashions for the 2020 Fleurs de Villes Exhibit at the Northwest Flower & Garden Festival
DESIGN CREDITS (c) samanthasmith.photo for Fleurs de Villes
Top row, from left: Casablanca Floral, Flirty Fleurs and Garden Party Design
Center row, from left: Hazel Landscapes & Design, LORA Bloom, Smashing Petals
Bottom row, from left: Terra Bella Flowers & Mercantile, Tiare Floral Design, Tobey Nelson Weddings & Events

I felt quite the same sense of pride earlier this year when the popular Fleurs de Villes exhibition came to Seattle’s Northwest Flower & Garden Festival. With flowers transformed into wearable fashions displayed on a parade of mannequins — it clearly was the most popular feature of the flower and garden festival. The success of Fleurs de Villes is similar to the buzz created by the two floral competition shows I just mentioned.

I was delighted to interview Karen Marshall and Tina Barkley, the creatives behind Fleurs de Villes – which I called a Bespoke Floral Phenomenon, on the Slow Flowers Podcast this past February.  Much like the response people have when they see the photo shoots of real models wearing botanical couture for our American Flowers Week campaigns that Slow Flowers began commissioning in 2016, the botanical couture on Fleurs de Villes’ three-dimensional mannequins takes floral fashion to a new level. 

What is the magic? I believe that seeing flowers used as an artistic expression ignites the imagination of those who view them. Beyond the sheer scale and beauty of floral installations, massive topiary and botanically-dressed mannequins, flowers are the starting point that connect many consumers with the natural world. And who can argue with that?

For Fleurs de Villes, show-goers were invited to vote for their favorite design. For Big Flower Fight and Full Bloom, viewers rooted for their favorite contestants. There’s buy-in when the audience has a stake in the outcome, and ultimately, more people know more about flowers, which takes us full circle to our Insight #1 — Floral Wellness.

I hope to see all of these floral celebrity projects return to our lives in 2021, but I will offer a vocal plea for one change: Please, No FLORAL FOAM. As we’ve urged the mainstream floral profession for years: please wean yourself from a dependence on foam. Be truly creative and find alternative mechanics to express your art!

It can be done; believe me, we’ve consistently documented no-foam mechanic strategies on this podcast and in our other Slow Flowers channels. For goodness sake’s, even the famed Chelsea Flower Show has declared future exhibitions to be foam-free.


If you’re interested in showing off your own Star Quality, I invite you to join the 2021 American Flowers Week botanical couture creative team. Our creators are Slow Flowers member florists and flower farmers who and produce wearable botanical couture photographed on live models for publication.

On Friday, January 15th, you’re invited to join me for a free webinar and Learn how YOU can participate in American Flowers Week 2021

Hear advice and tips from Slow Flowers member designers and growers! We will discuss how each created an iconic botanical couture look for American Flowers Week, including flower sourcing, model selection and photography. You can join the Webinar to learn whether this opportunity is right for you! The Webinar takes place 9am Pacific/Noon Eastern on Friday, January 15, 2021.


Okay, what an inspiring list of 10 insights! Thank you for reviewing this list with me today. I  want to pause here to marvel at what has happened since I began writing down what I viewed on the horizon for the Slow Flowers movement and its followers and members.

The simple act of speaking, writing and sharing one’s perspective is a personal superpower, one you can also claim, because each of us has an utterly unique world view. While it seems trite to seek out COVID’s “silver linings,” you may find meaningful truths to interpret from the past year’s chaos. Use them as a foundation for your 2021 planning. Yes, you want to make resolutions and set goals. You can also set your Intention. And intention can be our rudder to guide us through choppy waters and uncertain times. That’s clearly what we need in this moment.


Thank you to our Sponsors

This podcast is brought to you by Slowflowers.com, the free, online directory to more than 800 florists, shops, and studios who design with local, seasonal and sustainable flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to our lead sponsor for 2021, Farmgirl Flowers. Farmgirl Flowers delivers iconic burlap-wrapped bouquets and lush, abundant arrangements to customers across the U.S., supporting more than 20 U.S. flower farms by purchasing more than $9 million dollars of U.S.-grown fresh and seasonal flowers and foliage annually, and providing competitive salaries and benefits to 240 team members based in Watsonville, California and Miami, Florida. Discover more at farmgirlflowers.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Find the full catalog of flower seeds and bulbs at johnnysseeds.com.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

The Gardener’s Workshop, which offers a full curriculum of online education for flower farmers and farmer-florists. Online education is more important this year than ever, and you’ll want to check out the course offerings at thegardenersworkshop.com.

The Slow Flowers Podcast has been downloaded more than 675,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of our domestic cut flower industry, the momentum is contagious. I know you feel it, too.

I value your support and invite you to show your thanks to support Slow Flowers’ ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right at debraprinzing.com

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Heliotrope; Vittoro; Open Flames; Shift of Currents; Surly Bonds; Gaenaby Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 482: All about the 2020 Young Farmers & Cooks Conference and Stone Barns Center for Food & Agriculture

Wednesday, December 2nd, 2020
Jessica Galen (left) and Shannon Algiere (right) – two of the leaders at Stone Barns Center for Food and Agriculture

I’m really excited for this week’s episode – and happy to introduce you to my two guests, Shannon Algiere co-founder of the farm at Stone Barns Center for Food and Agriculture and currently the Farm Liaison manager, and Jessica Galen, Stone Barn’s Communications Manager.

I’ve invited them to give us a snapshot of the history and work of Stone Barns Center and then we’ll preview the upcoming Young Farmers & Cooks Conference, a three-day, all-virtual event produced and hosted by Stone Barns Center for Food & Agriculture and Blue Hill at Stone Barns Restaurant on December 8-10. That’s coming right up next week and you’ll want to take advantage of the extremely affordable pricing to register. 

This is an important conference about sustainable farming and food systems, and yes, the subject of Floral and Fiber Agriculture has a role.

Our fabulous Slow Flowers panel, clockwise from top left: Julius Tillery, Taij & VC Cotten, Julio Frietas and Aishah Lurry

On Wednesday, December 9th (8:30 am Pacific/11:30 am Eastern), I’ll be moderating a panel called  The Regional Flower Economy: Flower Farming as a Viable and Profitable Facet of Agriculture, featuring a fantastic lineup of Slow Flowers members. They include Aishah Lurry, Patagonia Flower Farm, Julio Freitas, The Flower Hat, Taij Cotton and VC (Victoria) Edwards-Cotten, Perry-winkle Farm, and Julius Tillery, Black Cotton U.S.

Whether you’re a farmer, cook, butcher, miller, preservationist, processor, or anyone else in the food (and floral) chain, this conference is for you. 

Here’s a bit more about Jessica and Shannon ~

Jessica Galen is the communications director at Stone Barns Center. In this role she manages relationships with the media and partner organizations, and provides editorial support for programming for young farmers and other key audiences.

She launched her career in branding and communications at a nonprofit consulting firm and an education reform organization. While in graduate school at NYU for a M.A. in Food Studies she worked in the cheese caves at Murray’s Cheese as well as for an organic produce farm and a raw farmstead cheesemaker. She served as the general manager at Lucy’s Whey, then the Upper East Side’s largest artisanal cheese shop, and as wholesale director at New York Shuk, a small-batch producer of Israeli and North African pantry items.

Jessica published an article in the Graduate Journal of Food Studies based on her Master’s thesis entitled “Cheesemongers Over Fearmongers: Toward Data-Driven Cheese Recommendations for Pregnant Women” and was a contributor to the James Beard Award-winning “Oxford Companion to Cheese.” She is on the Advisory Board of Equity Advocates, which provides policy education, advocacy training, and coalition building services to improve healthy food access in urban communities. In addition to her Master’s degree, she has a B.A. From Harvard University in Yiddish and Latin American Studies.

Shannon Algiere, a co-founder of the farm at Stone Barns Center for Food and Agriculture brings over 20 years of experience in holistic farm design, crops production, garden and greenhouse management and farm-based education. Alongside her husband Jack Algiere, Shannon has served many roles at Stone Barns Center in its development.

Most recently as Farm Liaison Manager, Shannon partnered with the center’s farm and programs staff to oversee farmer training, internships and volunteer programming.

She attended University of Rhode Island, was an outdoor educator at the Denison Pequotsepos Nature Center, Greenhouse Manager at Meadowbrook Biodynamic Herb Farm and White Gate Farm, and a volunteer for the Costa Rican National Park Service.

In 2017 Shannon started a floral design and horticultural services business, Potter & Prune, promoting sustainable models in the floral design industry by celebrating the elegance and ecology of connecting regional grower economies with event design. She has taught workshops on growing and marketing cut flowers at NOFA, SBC’s Young Farmer’s Conference, and Oregon State University Small Farms conference. She has also written articles and been interviewed for her work at the intersection of farming and health and wellness. Along with her husband Jack, Shannon is raising two boys and serves on the board of Hearthfire and  Ayer’s Foundation.

Find and follow Shannon on Instagram here

Find and follow Stone Barns Center for Food & Agriculture on Instagram here

I hope you’re inspired to register and join the Young Farmers and Cooks Conference, taking place next week, December 8-10th. You can attend the conference for just $25 and you’ll be wowed by the program offerings and speakers.

UPDATE: We’ve just received a $10 off coupon code from Young Farmers and Cooks Conference! When you register, use: YFCCPROMO

You may have heard Jessica mention that the conference is being built around an anti-racist frame, and we fully support these values. When Shannon and her colleagues first approached me to curate a Slow Flowers panel, they explained that sessions are designed in a way that will honor the contributions of Black, Indigenous, and other communities of color throughout history who have shaped the agricultural and culinary topic the program addresses. Programs within the Young Farmers and Cooks Conference are designed to acknowledge the historical and cultural significance of topics; acknowledge and serve the diverse, international audience that will participate; and give space for voices and perspectives that have often been overlooked or underrepresented, especially in the realm of sustainable agriculture. Additionally, no panel will feature only white or male presenters.

And speaking of panels, in addition to our panel on the Regional Flower Economy, here are some of the other presentations I’m excited about:
Beauty in Food: Incorporating Edible Flowers in the Kitchen
Over time, the farm at Stone Barns Center has developed a robust flow of floral materials from greenhouse, fields, pastures and gardens into the creative hands of artisan chefs at the on-site Blue Hill Restaurant. This panel features demonstrations and encouragement on incorporating the beauty of flowers into dishes, beverages and cakes, presented by growers and artisan makers as they share tips, variety suggestions and artistic technique.
Bones, Pigments, Paper and Process
This panel introduces three artists applying ecological consciousness to their work and craft. They will take us through their process of land acknowledgement and working with land based materials as well as the steps that transform those materials into cultural objects. 
Natural Dyes for Farmers and Cooks
How can natural dyes both connect us to our complicated histories and serve as a teaching tool? From the blemish of African enslavement to grow both cotton and indigo in the United States to modern textile practices that demand speed and slave wages, we have never gotten textiles right for people and planet. So what are we going to do about it and what are the most logical, equitable and environmental next steps? Join us for a discussion with four leading voices in the natural dye world.
Seed Companies, COVID-19, and Our Fragile Foodshed   
Seeds are a critical first node in every food supply chain, so the people who run seed companies have a unique vantage point when major disruptions occur. The COVID-19 shutdowns led to the same sort of panic buying of seeds as happened in supermarkets with food. This huge increase in demand forced some seed companies to temporarily shut down or curtail operations as seed stocks diminished and experienced workers became harder to muster (with fears of the virus keeping many workers home). Now seed inventories are depleted, demand is higher than ever, and companies are struggling to maintain the diversity and quality of seed their customers expect. At the same time, most companies sold much more seed in 2020 than anticipated, leading to unexpected financial windfalls that allow for expansion, growth, and special projects. This panel features seed luminaries from a range of different companies, each offering their particular perspective and plans for moving forward into an uncertain future.  

I hope you’re as inspired as I am. What a great opportunity to expand our understanding  of sustainable agriculture at the intersection of art and design! Let’s all strive to be Food AND Flower System Changemakers!

Thank you to our sponsors

As our movement gains more supporters and more passionate participants who believe in the importance of the Slow Flowers Movement, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

This podcast is brought to you by Slowflowers.com, the free, nationwide online directory to florists, shops, and studios who design with local, seasonal and sustainable flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Visit them at seattlewholesalegrowersmarket.com.

Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.

Rooted Farmers works exclusively with local growers to put the highest-quality specialty cut flowers in floral customers’ hands. When you partner with Rooted Farmers, you are investing in your community, and you can expect a commitment to excellence in return. Learn more at RootedFarmers.com.

The Slow Flowers Podcast has been downloaded more than 664,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Glass Beads; Gaena
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 471: Lisa Fiore of Landscape Hub on the digital plant-selling platform that opens new sales channels for Slow Flowers growers

Wednesday, September 16th, 2020

As many of you know, I was very active in horticulture circles as a home, garden and landscaping writer for nearly 20 years, long before I became obsessed with flower farming and floral design. Over the past decade, I have been completely immersed in founding, developing and nurturing the Slow Flowers Movement, which has been the most professionally rewarding experience of my life. And yet, I continue to take side trips back into horticulture. I met today’s guest, Lisa Fiore, CEO of Landscape Hub, on one of those excursions.

We were introduced by a mutual friend, Clint Albin, a nursery industry marketing strategist, who, like me, has an extensive personal network of business contacts who become friends.

Clint attended the 2018 Slow Flowers Summit in Washington, D.C., where he lives, and since then, he has been determined to find a way for us to collaborate as we once did when I was so deeply involved in the horticulture world.

Landscape Hub is proving to be that reason for us to collaborate. Clint introduced me to Lisa Fiore and as I learned what she created with Landscape Hub, I started to understand that there is potential for Slow Flowers members, especially farms and growers, to take advantage of this plant-selling platform.

Here’s the deal: If you are already growing plants for the floral trade, you can potentially use your expertise to also grow plants for the nursery and landscape industry.

We announced a pilot program between Slow Flowers and Landscape Hub and promoted it in our August Slow Flowers newsletter. I’m not sure how many people have even checked out the opportunity that I outlined — to become a grower & wholesale supplier of potted plants through Landscape Hub.

When you listen to my conversation with Lisa, I think it will begin to make sense. Hearing from the person who created a new selling platform for live plants (versus plants cut for the floral trade) may open up your own imagination to a new business channel.

Before we jump into the conversation, here’s a bit more about Lisa Fiore:

Lisa Fiore is Founder & CEO of LandscapeHub, a B2B online marketplace she created and launched in July 2017. A fourth-generation nursery professional, Ms. Fiore realized there was an opportunity to digitize the entire procurement process for the green industry.

Lisa was previously President of Fiore Landscape and Nursery Supply (FLNS), a century-old nursery company. During her sixteen-year tenure, she was responsible for identifying new business opportunities and in leading the company forward during the recession. FNLS significantly grew in revenue and expanded to multiple locations under her leadership.

Lisa holds a Bachelor of Arts degree in English Literature from University of Montana and a Master of Business Administration from Lake Forest Graduate School of Management. She currently serves on the board of directors for the National Association of Landscape Professionals, (NALP); is an advisor to the Women in Landscape Network, (WILN); a member of the Economic Club of Chicago; and a former board director for the Illinois Landscape Contractors Association, (ILCA).

Thanks so much for joining me today for my conversation with Lisa. We know that now, more than ever, our members are seeking new customer channels during the COVID-19 pandemic. I believe that one of those perhaps overlooked or ignored opportunities is to use your farming skills to sell plants (including potted and bare root) into the nursery marketplace, to both trade and retail buyers.

You know how to grow plants – there is no doubt! But have you explored selling plants? I know that some of our members are growing and marketing cutting garden annuals and perennials, vegetable starts, bulb packs and other horticultural products to their customers. Those customers may find you through a grocery store program, farmers’ market, on-farm or pop-up plant sales or through your own retail channel.

As Lisa and I discussed LandscapeHub offers you a potential new channel to sell on this nationwide platform which supplies commercial nurseries and landscapers. LandscapeHub is expanding its online marketplace for the nursery and green industry growers — and you’re invited to participate.

Stay tuned for an upcoming session when I will host Landscape Hub’s team to discuss and demonstrate the platform. I’ll announce a date next week.

Before we wrap up, I want to invite you to join the Fire Relief for Flower Farms effort. During the past 10 days, I’m sure you’ve watched the horrifying images and read devastating reports about wildfires threatening farmland  across the West. This is not the first climate crisis to affect the Slow Flowers community in the past few years — season by season, it seems as if every farm is faced with one of them: floods, hailstorms, tornados, hurricanes and wild fires are on the rise seemingly everywhere.

But I can’t help but focus right now on what’s happening in the west — from provinces like British Columbia and Alberta in Canada to states including Washington, Oregon and California in the U.S. It’s so frightening on top of everything else 2020 has thrown our way. Seeing individual Slow Flowers members’ social media posts also makes it highly personal. While it may be weeks or months before the destruction, damage or loss has been calculated, many of you want to help NOW.

Like me, you may be asking: “What Can I Do?”
We are an action-oriented community, right?! Farmers and florists are generous people who readily share their knowledge and resources. So here’s one thing you can do in response to news about the recent wildfire threat to farms in the west. Join Slow Flowers as we support the Fire Relief for Flower Farms effort. This is a farmer-to-farmer show of support created by last week’s podcast guest Tonneli Grutter of Salty Acres Farm.

Now might be the time to assess what you have to share with another farm. Seeds can be collected, tubers, rhizomes and bulbs can be dug and divided, cuttings can be taken. Or, maybe you have an excess inventory of drip irrigation or useful supplies you know another farm might be able to use.

Click here to add your information

Tonneli has volunteered to collect input from those who wish to receive help, register to donate and show support in other ways. With her big heart, tech talents and savvy marketing skills, Tonneli has created a database for collecting information from those of us who want to share support on an in-kind basis. Just days ago, she texted me with an idea: “is there a way we could make a registry or exchange to donate tubers, bulbs, seeds, etc., in response to farms who may have lost it all?” Tonneli continued: “Flower farmers have already had the toughest year (with) no money left to give, but maybe we can help others rebuild in other ways.”

Thank you to our Sponsors

This podcast is brought to you by Slowflowers.com, the free, nationwide online directory to florists, shops, and studios who design with American-grown flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Read our stories at slowflowersjournal.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Visit them at seattlewholesalegrowersmarket.com.

Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.

The Slow Flowers Podcast has been downloaded more than 642,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

(c) Heather Saunders Photography

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Brass Buttons; Fervent; Gaena
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 466: Black Sanctuary Gardens with Leslie Bennett of Oakland-based Pine House Edible Gardens

Wednesday, August 12th, 2020
Left: Leslie Bennett in her Pine House Edible Gardens-designed Oakland backyard
(c) Rachel Weill

Today’s special guest returns to the Slow Flowers Podcast after her 2017 appearance. Leslie Bennett is an award-winning garden creator whose Pine House Edible Gardens designs and installs beautiful, productive edible landscapes that provide bountiful harvests of organic fruits, vegetables, cutting flowers and herbs — and that create space for more beauty, peace and connection in clients’ lives. Pine House also maintain gardens, harvests and processes garden-grown food, and teaches clients the skills to do it themselves.

Edibles and cut flowers (citrus, blueberries, fig, protea, poppies) flourish in anAlameda front yard (c) Caitlin Atkinson

As a Black woman owned business and multi-racial, queer inclusive, majority female team, Pine House Edible Gardens stands for more than just healthy food and beautiful landscapes, and this is one reason I invited Leslie back to the show — to discuss her firm’s commitment to making gardens accessible to all through its equity pricing program and the Black Sanctuary Gardens project. As Leslie writes on the company’s web site: “We believe an edible garden can be a transformative space to grow and practice the better ways and world we want for ourselves and for our communities.”

The 2017 Slow Flowers Summit presentation features (from left): Chantal Aida Gordon, Leslie Bennett, Riz Reyes and Nicole Cordier
The speaker lineup at our first Slow Flowers Summit, including Leslie Bennett (far right)

In 2017, Leslie joined the first Slow Flowers Summit in Seattle as a speaker on the topic of inclusion and representation in floriculture and horticulture. She is definitely a mentor of mine as I strive to make the Slow Flowers community an inclusive, supportive and accessible place for Black flower farmers and Black floral professionals.

The first Black Sanctuary Garden project, created for a community leader in East Oakland
(c) Rachel Weill

Slow Flowers has had the privilege of sharing our resources to support anti-racist programs and to support new members through our Professional Development Fund for Black Farmers and Florists. One of the programs we were moved to support financially is the Black Sanctuary Gardens program that Leslie began a few years ago through Pine House Edible Gardens. I wanted you to learn more about this program because I believe it is a model that anyone who wants their creative enterprise to be guided by values- and mission-. As I watch how Leslie uses her talents and resources to support her beliefs, it inspires me to want to do the same with Slow Flowers.

A front garden landscaped with edible plants in Atherton, Calif. (c) David Fenton

Thanks so much for joining my conversations with Leslie — our most recent one and the replay of Episode 302.

One thing Leslie said that struck me so powerfully and it needs to be restated: This is not charity. This is giving back what has been taken. Land, generational wealth, historic and systemic racism. Operating very humbly will take us forward.

The 2020 campaign page . . . with donations soon reaching the $30k goal!

The current Go Fund Me Campaign for Black Sanctuary Gardens is close to reaching its 2020 campaign goal of $30,000, but the fundraising continues because this will be an ongoing design/installation series. You can read more about Black Sanctuary Gardens at Pine House Edible Gardens’ web site, but I’d like to highlight a few details. Leslie writes:

“Inspired in part by Alice Walker’s naming of the garden as a site for black women’s spirituality, creativity and artistic work, landscape designer Leslie Bennett and her team work to design, install and care for a series of low to no-cost Black Sanctuary Gardens for Black women and Black communities. Visual curation and photographic documentation of the women and communities in their garden spaces is a secondary, integral part of the project as we create imagery that more accurately and inclusively reflects the relationship of Black women and communities with their gardens.

An entry garden in Los Altos, Calif., features low-water, edible and native California plantings (c) Caitlin Atkinson
Edible garden in Hillsborough, Calif. (c) David Fenton

The primary goal of Black Sanctuary Gardens is to create garden spaces for Black women to rest and be restored. This space is so needed, given the racism and sexism that Black women experience as part of daily American life. A further goal is to define, uphold and celebrate Black community spaces, amidst gentrification and displacement of historically Black communities in Oakland. 

Black Sanctuary Gardens is an exciting opportunity to develop gardens that are reflective of our brilliant Black community and supportive of our specific cultural experiences, while offering real sanctuary for Black people to commune, converse, collaborate, heal, rest, and be nourished.

Left: An enclosed kitchen garden with fruit trees and vegetable beds in Oakland Hills (c) Caitlin Atkinson; A bountiful planting from Pine House Edible Gardens

After we recorded today’s interview, Leslie and I continued to discuss the many important reasons for centering a business around Black wellness, creativity and community. It has inspired me to find words to state the importance of these values in the Slow Flowers movement. While I’m proud that our stated Manifesto values sustainability, local sourcing of flowers, and supporting family farms, I realize I want to more explicitly and actively support equity in our Black farming and floristry community. Look for an update to the Slow Flowers Manifesto in the coming days — as we put values and beliefs into words.  

Here’s how you can find and follow Leslie Bennett and Pine House Edible Gardens:

Pine House Edible Gardens on Facebook

Pine House Edible Gardens on Instagram

More about Black Sanctuary Gardens

Now, more than ever, your Slow Flowers Membership gives you an important story to share with your community and your customers.

Our monthly Slow Flowers Meet-Ups continue this Friday on August 14th (9 am PT/Noon ET) and you’re invited to join us – virtually – via Zoom.

If you missed last month’s Meet-Up, you can find  video from our July 10th Slow Flowers Member Virtual Meet-Up with featured guests wedding designer and stylist Joy Proctor, founder and creative director of Joy Proctor Design and Slow Flowers members and wedding and event designers Adam Rico and Alicia Rico of Dallas-based Bows and Arrows Flowers. Learn about the first @saytheirnamesmemorial in Portland, Oregon, installed on Juneteenth (June 19th) by Joy and a group of friends, artists, designers and craftspeople, and created in several other cities including Dallas and Atlanta by Bows and Arrows Flowers.

Gina Thresher (left) and Tonneli Gruetter (right)

This week’s guests include Gina Thresher of From the Ground Up Floral and Tonneli Gruetter of Salty Acres Farm — they’re among the instructors in a new virtual floral conference taking place in late August called Fleurvana Virtual Summit. You’ll hear more from Gina and Tonneli and learn how you can grab a free registration for the four-day conference August 23-26 — I’ll be speaking at Fleurvana, too. You’re invited to join us on Friday!

The Slow Flowers Podcast has been downloaded more than 632,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

Thank you to our Sponsors!

This podcast is brought to you by Slowflowers.com, the free, nationwide online directory to florists, shops, and studios who design with American-grown flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Read our stories at slowflowersjournal.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.

Rooted Farmers works exclusively with local growers to put the highest-quality specialty cut flowers in floral customers’ hands. When you partner with Rooted Farmers, you are investing in your community, and you can expect a commitment to excellence in return. Learn more at RootedFarmers.com.

(c) Mary Grace Long photography

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Homegrown; Turning on the Lights; Gaena
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 460: Meet The Big Flower Fight’s head judge Kristen Griffith-VanderYacht, owner of Seattle-based design studio Wild Bloom

Wednesday, July 1st, 2020
Kristen Griffith-VanderYacht on the set of “The Big Flower Fight” (c) Netflix

I’m so thrilled to introduce you to floral celebrity Kristen Griffith-VanderYacht, the savvy and charismatic head judge on Netflix’s The Big Flower Fight and owner of Seattle-based design studio Wild Bloom.

After binging on all eight episodes of The Big Flower Fight when it debuted in late May, I have to say that Kristen is the heartbeat of this fun, new reality floral and garden design competition. He sets the tone for “friendly” competition by offering each design team his advice, guidance and sometimes painful but necessary reality-checks.

On location with Kristen Griffith-VanderYacht, floral influencer and head judge of “The Big Flower Fight”

I really enjoyed Kristen’s presence on The Big Flower Fight. He served as the resident floral design expert, as well as the show’s stylish personality whose commentary moved things along during each one-hour episode. When the show launched I didn’t know much about Kristen, although I had been following his Wild Blume Instagram account once I discovered him through other Seattle florists I followed.

Watch Kristen Griffith-VanderYacht on Mornings with Mayesh

Several weeks ago, Mayesh Wholesale’s Yvonne Ashton invited Kristen to be her guest on her Facebook show, Mornings with Mayesh. It was so great to virtually meet Kristen during that interview. You can watch the Facebook Live replay above.

Florist to the Stars, Kristen Griffith-VanderYacht (photo, courtesy of KGV)

I appreciated Kristen’s transparency and authenticity as a black floral professional, especially since that interview took place right after George Floyd’s death at the hands of Minneapolis police. It was and is such an emotionally wrought time, and Kristen didn’t deflect any questions from Yvonne and those posed by the Mornings with Mayesh audience. He gained my immense regard and respect by speaking directly to these issues.

Later, I messaged Kristen and asked if he would be open to my interviewing him for a Florists’ Review article. Look for my profile and Q&A with Kristen, coming up in the August issue, which you can find online at floristsreview.com. Please enjoy our extended conversation, recorded via Zoom last month.

Episode Two of Netflix’s “The Big Flower Fight,” featured botanical fashion.

First, here’s a bit more about Kristen Griffith-VanderYacht of Wild Bloom:

Kristen Griffith-VanderYacht specializes in the creation of unique floral arrangements that celebrate enchanting flowers and natural beauty. He is the owner and creative director of Wild Bloom by Kristen Griffith-VanderYacht. His career began in New York City where he worked for some of the top designers in the industry. Since opening his own studio, Kristen’s flowers have been in major publications across the US, including Martha Stewart Weddings, Traditional Home Magazine, and The Knot, and seen on Good Morning America and E! Network. His flowers for actress Julianne Hough were featured on the front cover of People Magazine.

Kristen describes his design philosophy as a combination of editorial with a sensibility for distinctive and organic perspectives. He has an exquisite and rich design eye which has helped to transform the role that florals play in weddings and events. In addition to his extensive portfolio, his studio also provides private classes and workshops for emerging floral artists and enthusiasts.

Kristen views floristry as a gateway to a happier more sustainable life that focuses on bridging the gap between nature and modern living. He continues his work towards elevating the artistry of floral design as a fine art while expanding his design portfolio to include gardening, house plants and home decor. 

Wild Bloom design services are available worldwide for weddings, events, workshops, private classes, advertising campaigns, product shoots and fashion featured in print and digital publications.

Season One Trailer of “The Big Flower Fight”

Thanks so much for joining today’s conversation. You can follow Kristen Griffith-VanderYacht on Instagram.

If you’re as eager as I am to see The Big Flower Fight “season two,” be sure to post your favorite photos from the show and tag Netflix, Kristen, and use the hashtag #thebigflowerfight. Let’s do what we can to ensure that the mainstream media continues to provides programming for people like us: lovers of flowers and plants!

The sixth annual American Flowers Week is underway and we have lots of fun content to share with you, socially distanced, of course.

Kim’s peony gown for American Flowers Week 2020

Earlier this week, on Sunday, June 28th, I went LIVE on Facebook to visit Kim Herning of Northern Lights Peonies in Fairbanks, Alaska, as we toured her peony fields and learned more about Kim’s botanical couture peony gown, created for American Flowers Week.

Watch Part One of our Live Interview Here

Watch Part Two of our Live Interview Here

On Monday, June 29th, our social media manager Niesha Blancas brought Filoli Historic Home & Garden to us LIVE via Instagram. That was just one of the stories and videos Niesha captured as our field correspondent. She was at Filoli to commemorate what was to be the 4th annual Slow Flowers Summit. With concerns over travel and large group gatherings due to the COVID-19 pandemic, we rescheduled the Slow Flowers Summit to June 28-30, 2021 — the exact same dates one year from now. But thanks to Niesha only living a few hours away from Filoli, she drove to this beautiful location just for us. . . and you can find links to her posts in today’s show notes.

On Tuesday, June 30th, I hosted a group conversation with Tammy Myers of LORA Bloom and her collective of Seattle area florists who collaborated on an American Flowers Week promotion. It was so fun to hear from several of LORA Bloom florists who, like Tammy, are Slow Flowers members. They created this promotion to help raise awareness about the importance of domestic flowers, and to raise funds for important charities — including the Seattle nonprofit Solid Ground.

Watch the LORA Bloom-Slow Flowers LIVE segment here

And more great things continue through July 4th.

You can find the full schedule of activities at americanflowersweek.com. Please join me in sharing your seasonal and local flowers to elevate awareness about domestic flowers. Get involved and support this initiative to promote and educate consumers about the source of their flowers. Download free American Flowers Week graphics, badges and other resources at americanflowersweek.com.

Thank you to our Sponsors

This podcast is brought to you by Slowflowers.com, the free, nationwide online directory to florists, shops, and studios who design with American-grown flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Read our stories at slowflowersjournal.com.

More thanks goes to Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

The Gardener’s Workshop, which offers a full curriculum of online education for flower farmers and farmer-florists. Online education is more important this year than ever, and you’ll want to check out the course offerings at thegardenersworkshop.com.

The Slow Flowers Podcast has been downloaded more than 620,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Turning on the Lights; Pinky; Gaena
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Revisiting our Stylish Sheds

Thursday, June 11th, 2020

Published in 2008, Stylish Sheds and Elegant Hideaways is more relevant than ever!

In 2008, after a year of scouting the country for “stylish sheds” with my wonderful collaborator, Seattle photographer Bill Wright, and after months of interviewing shed owners, designers and builders, then writing 50k words or some ridiculous amount of text, Clarkson Potter (Random House) published Stylish Sheds and Elegant Hideaways.

We loved that book so much. We loved how beautiful Bill’s photography was, capturing the personalities and stories of each shed owner, not to mention unique geographical and architectural characteristics of each shed. We loved storytelling through my interviews, conversations that dug deep into the psyche of hideaways, retreats and shelters.

Bill and I were truly ahead of our time. We saw around the corner and we believe that Stylish Sheds captured a shift in how people viewed their gardens and the once-neglected huts or sheds that stood there.

Our book documented that lovely shift toward viewing sanctuary not as somewhere you have to travel to, but somewhere that exists just steps away from your backdoor.

Stylish Sheds Well, 2008 was a financial disaster and the bottom fell out of the real estate market. Our timing could not have been predicted. Ten years later, a number of copycat books emerged on the marketplace. And Bill and I just sat their and thought: Wow, we were visionaries! The promotional machine we needed in the lifestyle media marketplace was in its own crisis when Stylish Sheds was published. That was the era when magazines like House & Garden, Cottage Living, Domino and others suddenly folded.

Eventually, nearly 20k copies of Stylish Sheds were shipped to booksellers, more than any other book I ever wrote. But then, it went out of print a few years later. You can still find this special title on your library shelf and through online sellers of used books.

We were quite suprised recently when Lyda Kay Ferree, a lifestyle writer for a group of magazines in the South, contacted us to see if she could excerpt a few of Bill’s photos and interview me for an April 2020 Home & Garden feature for VIP Jackson Magazine and one of its sister publications.

Lyda Kay definitely “gets” this book. When she contacted me to set up the phone interview, she wrote: “I am fortunate to live in an historic district in a 100-year-old home, complete with the original potting shed with brick walls. (It has electricity but no running water.) I had saved an article about your book as I am getting ideas for my potting shed.”

Well, we had a lovely conversation about Stylish Sheds, and Lyda Kay’s article appears here, with photography graciously provided by Bill. Seeing those beautiful and diminutive structures we documented brings back a flood of memories of that year — between summer of 2006 and summer of 2007 — when Bill and I produced 35 photo shoots in 52 weeks.

Itinerant seekers of inspiration, we felt like we were on a treasure hunt, gathering the best tiny architecture and design ideas to share in our book’s pages.

Lyda Kay has shared the PDF of her article and you can download or read it here. We’re so pleased that she reached out and helped to remind us of this special book and the memories of creating it. Thank you, Lyda Kay!

Episode 453: Returning to St. Louis, Missouri, (Virtually) with Jessica Douglass of Flowers & Weeds

Wednesday, May 13th, 2020
Jessica at The Planting Bar at Flowers and Weeds (c) Jordan Bauer

If you’re listening on Wednesday, May 13th, the date this Episode 453 was released, picture me in St. Louis, where I was scheduled to be the luncheon speaker at the annual “Flower Power at Tower Grove Park” event. One of seven National Historic Landmark Parks, Tower Grove  is a 289-acre Victorian park that serves as the backyard of St. Louis’ most diverse and densely populated urban neighborhoods and draws 2.5 million annual visitors.

The annual luncheon is a rite of spring. I’m pretty impressed that Tower Grove asked me to share the Slow Flowers story with its patrons and members, considering that last year’s luncheon speakers were NYC’s Putnam & Putnam rock stars. I was especially excited about the organizers’ plan to invite four St. Louis area Slow Flowers members to provide the luncheon centerpieces, including Mimo Davis and Miranda Duschack of Urban Buds, Kate Estwing of City House Country Mouse, Rebecca Bodicky of Alice Blue Collective and today’s guest, Jessica Douglass of Flowers & Weeds.

The good news is that Tower Grove has rescheduled the Flower Power event for September 30th and I very much look forward to my future visit to St. Louis and this botanical celebration.

The vintage sign at Flowers & Weeds is mounted on the original pole that once stood in front the building when it was a St. Louis ice cream shop (c) Virginia Harold

In the meantime, I wanted to bring you this conversation with Jessica. I interviewed her in 2016 when I traveled to St. Louis for the first time to lecture at St. Louis Art Museum’s Art in Bloom – which was an unforgettable experience. You can listen to that interview, which I paired with a lovely conversation with Vicki Lander of Flower Hill Farm, a Slow Flowers member and talented cut flower grower in the area – one who supplied me with her flowers for that Art in Bloom demonstration and who continually supplies florists like Jessica.

Jessica Douglass (c) Virginia Harold
“Guess this is QUARANSPRING” — local photographer Nate Burrell documented Flowers and Weeds’ curbside plant pickup in his St. Louis COVID Days series

For now, I’ll jump right in and introduce Jessica Douglass. I’ve been reporting almost exclusively on “Stories of Resilience” as our floral community adapts and adjusts creatively to the COVID-19 pandemic. And you’ll hear that theme continue in my interview with Jessica.

The Garden Center at Flowers and Weeds (c) Virginia Harold
A screen shot of the online store at flowersandweeds.com

Find and follow Flowers and Weeds at these social places:

Flowers and Weeds on Facebook

Flowers and Weeds on Instagram

Flowers (left) and Plants (right) at Flowers and Weeds, the cool flower & plant shop in downtown St. Louis, founded by today’s guest Jessica Douglass

Thanks so much for listening in on my virtual visit to St. Louis and Flowers and Weeds. The local connections being made are so important and are deepening ties between where flowers are grown and the ways floral consumers can enjoy them while supporting floral agriculture.

These indeed are Stories of Resilience. I mentioned that there are three other florists or farmer-florists whose designs are part of the now-rescheduled Tower Grove “Flower Power” event. I’m hopeful that I can record an update with each of them in the coming months, as well.

Replay of our May 8th Meet-Up

Our Slow Flowers Member Virtual Meet-Ups continue to provide value and support as a member benefit. Last Friday on May 8th, we welcomed Rita Jo Shoultz of Alaska Perfect Peony and the Certified American Grown Council as our Zoom “virtual”meet-up guest.

Please join me at the next Slow Flowers Virtual Meet-Up, this Friday, May 15th —  9 am Pacific/Noon Eastern. Can’t wait to see you there!

Yoni Levenbach (left) and Bethany Little (right)

Our special guests include Yoni Levenbach of Flowers Without Borders, and Bethany Little of Charles Little & Co. They both work in the wholesale arena, although with very different models. I am excited for you to hear from Yoni about what he calls being a “Flower Hunter,” who works from his base in Los Angeles to custom source from farms across the U.S. for a diverse customer base. And I’m thrilled that Bethany will have news to share from Eugene Oregon, where she and her husband Charles Little are veteran cut flower farmers who have seen it all. Everything old might be new again for Bethany and Charles, but they are elevating and expanding their flower business in exciting new ways, which will inspire you.

Follow this link to join us on May 15th. We will also share the link on our Slow Flowers FB Page and in the Slow Flowers Community on FB.

Thank You to our Sponsors

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Read our stories at slowflowersjournal.com.

The Gardener’s Workshop, which offers a full curriculum of online education for flower farmers and farmer-florists. Online education is more important this year than ever, and you’ll want to check out the course offerings at thegardenersworkshop.com

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

(c) Missy Palacol Photography

The Slow Flowers Podcast has been downloaded more than 604,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Turning On The Lights; Heartland Flyer; Gaena; Glass Beads
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 444: Ingrid Koivukangas of Alchemy Farm Flowers on diversifying into agrotourism, and our first ASCFG leadership guest, Erin McMullen of Rain Drop Farms

Wednesday, March 11th, 2020
Ingrid Koivukangas of Alchemy Farm Flowers
Ingrid Koivukangas of Alchemy Farm Flowers

Today’s first guest has been on my “wish list” for a few years, basically since she joined Slow Flowers and I became familiar with her business Alchemy Farm Flowers. I’m so happy today to introduce you to Ingrid Koivukangas, environmental artist, flower farmer, floral designer, educator and innovator.

Alchemy Farm on Salt Spring Island, B.C.

As you will hear in our conversation, Alchemy Farm Flowers is based on Salt Spring Island in British Columbia, a destination that’s sandwiched between Vancouver Island to the west and the U.S. San Juan Islands to the east. It’s reached via car ferry or float plane and I am mesmerized by the videos and photographs I’ve seen on Salt Spring Tourism‘s web site. Meeting Ingrid “virtually” only makes me more eager to visit her in person.

welcome sign
Welcome to Alchemy Farm

Here’s more about Alchemy Farm and its owner:

Alchemy Farm is situated on ten acres in the beautiful Burgoyne Fulford Valley on Salt Spring Island. The property was once part of the historic 200-acre George and Kate Furness homestead, first settled in the 1880s. 

Alchemy Farm is owned by award-winning environmental artist, Ingrid Koivukangas, and Robin Logan, a retired UK Homeopath and woodsmith. Both are creatives, healers and dreamers. The couple married on the Winter Solstice and they believe in love and magic – hence their chosen farm name: Alchemy Farm. Ingrid and Robin’s stewardship of this magical property is rooted in their deep love for the Earth and Nature, of becoming self-sufficient, living in harmony with all beings and providing safe habitat for bees and pollinators.

The studio at Alchemy Farm where Ingrid hosts classes and workshops.

From the Alchemy Farm fields there is a spectacular view of Mount Maxwell towering over the Fulford Valley. Eagles circle overhead. Choruses of frogs serenade from the many ponds. The original hedgerows, planted by early settlers, still mark the boundaries of the property along the eastern and western edges. The orchard is rich with apple, pear, plum and cherry trees. Blackberries drape over decaying fences. The land is awake with potential as its stewards continue to create a sustainable flower farm, an oasis of healing.

The farm produces gorgeous flowers in tune with the seasons, grown without chemicals or pesticides to provide safe homes and food for pollinators—plus flowers for humans to enjoy. 

Young visitors are enchanted by the Music Garden at Alchemy Farm, where they can listen to the bioenergy of flowers (note the earbuds!)

Ingrid teaches flower workshops to businesses, groups and private students, incorporating botanicals harvested directly from her gardens. She created the Alchemy Flower Music Garden Tour as an environmental art exhibit that connects visitors to the music created from the bioenergy of flowers! It’s a magical experience. Those who visit the seasonal Farm Stand can shop for flowers, jams, fruits and veggies, from May to September. Alchemy Farm’s online shop offers dahlia tubers, seeds and other products.

Florals grown and designed by Ingrid Koivukangas of Alchemy Farm
Enjoy this tour of Alchemy Farm’s Sound & Music Garden

Find and follow Alchemy Farm at these social place:

Alchemy Farm Flowers on Facebook

Alchemy Farm Flowers on Instagram

Alchemy Farm Flowers’ new Bee Garden School

Erin McMullen of Rain Drop Farms.

Next up, our first interview with one of seven regional directors who are part of the ASCFG leadership — we’ll be recording conversations with all of these folks throughout the coming year. I hope to record as many as possible in person, but we’ll have to see how and where my travels in 2020 take me.

Please meet return guest Erin McMullen of Rain Drop Farms. Erin and her husband Aaron Gaskey are veteran flower farmers in Philomath, Oregon, near Corvallis. Rain Drop Farms was established in 1999 on a one acre plot in their backyard.  They had every intention of growing vegetables, and threw in a few dahlia tubers that grandma gave them. Later, after a long search, Erin and Aaron were finally able to purchase their own piece of paradise and move to the farm’s current location, at the base of Oregon’s Mary’s Peak.

Those dahlia tubers made the move with them and before long they had more flowers than potatoes and the beginning of a dream. Rain Drop Farm grows flowers in a way that benefits not only flower-loving customers, but also their natural neighbors.  This means avoiding using harsh chemicals or insecticides and opting for natural and organic solutions to any pest problems. This all supports their belief that the flowers that grace our tables should be as healthy as the food we feed our bodies. 

Erin is entering her second year as the West & Northwest regional director, representing the Association of Specialty Cut Flower Growers in Alaska, California, Hawaii, Idaho, Nevada, Oregon, and Washington.

Before we wrap up, I want to announce the winner of last week’s book giveaway. Last week you heard from Jennifer Jewell, author of the new book, The Earth in Her Hands – 75 extraordinary women working in the world of plants and host of the NPR program Cultivating Place. I am so honored to be included in this book, and last week you heard me as part of Jennifer’s panel at the NW Flower & Garden Festival, where I appeared with two other women featured in its pages: Christin Geall and Lorene Edwards Forkner.

Our book giveaway comes thanks to Jennifer’s publisher Timber Press. Last week, we asked listeners to post a comment about an extraordinary woman who influenced their plant journey. Thank you to all who took the time to comment on our show notes at debraprinzing.com and on Instagram’s @myslowflowers In a random drawing last Sunday, March 8th, I selected the winner: Catharine McCord!

Catherine posted a comment celebrating her friend Shelley who can be found on IG as @artemisiaandrue, as an incredible mentor, herbalist, teacher, and friend, writing: “Shelley has introduced me to many plants, spiritually and medicinally. My life is forever changed as I share this knowledge on how plants can be our emotional, spiritual, and nourishing allies.

Congratulations Catharine — look for a copy of The Earth in Her Hands coming to you soon!

The Slow Flowers Summit takes place in just four months and you’re invited to join the uplifting experience that has been called a Floral Mind Meld. Our first two days will be hosted at Filoli Historic House and Garden in Woodside, California, outside the SF Bay Area, where we will gather on days one and two — June 28-29th.  On day three, June 30th, we will enjoy a special tour of Farmgirl Flowers’ headquarters in San Francisco, hosted by our friend and past Slow Flowers Summit keynote speaker, Christina Stembel. All in all, it will be special and exclusive — and I can’t wait for you to join us!

Many of you have been asking about lodging – and I’m happy to announce that our event manager Karen Thornton has just posted details about room blocks under the Travel & Accommodations tab at Slowflowerssummit.com.

Teresa Sabankaya in her garden in Bonny Doon, California

We’ve also included details about a special, limited, pre-Summit opportunity that’s just been announced. Our co-host Teresa Sabankaya of Bonny Doon Garden Co. in Santa Cruz, and her husband Nezih Sabankaya, are throwing a Speaker Dinner in their private gardens in the Santa Cruz Mountains. The dinner will take place on Saturday, June 27th, the night before the Summit begins, and it is separately priced. The seating is limited, so if you’re interested, follow the link at the Summit website.

It promises to be an intimate evening for anyone who travels to the area early and wants to connect with fellow attendees and speakers. Thank you, Teresa and Nezih Sabankaya for creating this lovely opportunity.

Designed by Nancy Cameron of Destiny Hill Flower Farm.

The Slow Flowers Podcast has been downloaded more than 586,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

Thank you to our sponsors

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

FarmersWeb. FarmersWeb software makes it simple for flower farms to streamline working with their buyers. By lessening the administrative load and increasing efficiency, FarmersWeb helps your farm save time, reduce errors, and work with more buyers overall. Learn more at www.farmersweb.com

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.

(c) Mary Grace Long photography

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Castor Wheel Pivot; Alustrat; Great Great Lengths; Gaena; Glass Beads
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
audionautix.com

Episode 443: Women at Work: Making a Living While Following Your Plant Passion, with author Jennifer Jewell and three of the 75 women profiled in her new book, “The Earth in Her Hands”

Wednesday, March 4th, 2020
From left: Lorene Edwards Forkner, Christin Geall, moderator Jennifer Jewell and Debra Prinzing at the Northwest Flower & Garden Festival

Jennifer Jewell—Creator and host of the public radio program (and podcast) Cultivating Place, is a past guest of this podcast.

Now, she is also an author and is on tour to promote her book, The Earth in Her Hands, which has the subtitle: 75 Extraordinary Women Working in the World of Plants.

This past week, Jennifer was in Seattle to speak at the Northwest Flower & Garden Festival and, among other appearances, she led a panel discussion that we recorded for today’s episode.

Hot off the Press: Jennifer Jewell’s new book, “The Earth in Her Hands”

In writing The Earth in Her Hands, Jennifer learned how the women profiled creatively navigated the challenging ideal of work-life balance. The main lesson? Balance is not a destination but an ongoing and highly dynamic process.

NWFGF Panel, from left: Lorene Edwards Forkner, Christin Geall, Jennifer Jewell and Debra Prinzing

In the panel, of which I was a part, Jennifer focused our conversation on many common challenges, coping mechanisms, and solutions that follow women through their careers in the plant world.

Along with me, the panel included two other past guests of this podcast, so the voices and personalities may be familiar to you. You’ll also hear designer and author Christin Geall, of Cultivated (who I invited on the podcast just a few weeks ago), and Lorene Edwards Forkner, author, artist, and Seattle Times garden columnist, and creator of the #seeingcolorinthegardenproject.

These women graciously agreed to this recording and I’ll just jump right in and let you listen as if you were in the Northwest Flower & Garden Festival audience last week.

Jennifer Jewell, creator and host of “Cultivating Place: Conversations on the Natural World and the Human Impulse to Garden”

Jennifer Jewell is host of the national award-winning, weekly public radio program and podcast, Cultivating Place: Conversations on Natural History & the Human Impulse to Garden, Jennifer Jewell is a gardener, garden writer, and gardening educator and advocate.

Particularly interested in the intersections between gardens, the native plant environments around them, and human culture, she is the daughter of garden and floral designing mother and a wildlife biologist father. Jennifer has been writing about gardening professionally since 1998, and her work has appeared in Gardens Illustrated, House & Garden, Natural Home, Old House Journal, Colorado Homes & Lifestyles, and Pacific Horticulture. She worked as Native Plant Garden Curator for Gateway Science Museum on the campus of California State University, Chico, and lives and gardens in Butte County, California.

Listen to Jennifer Jewell on the Slow Flowers Podcast (Episode 397) April 2019

Cultivating Place on Facebook

Cultivating Place on Instagram

Christin Geall of Cultivated by Christin, designing with a no-foam method

Christin Geall lives on Vancouver Island, along the western edge of Canada. She is a gardener, designer, writer and teacher who grows flowers and shares her designs through Cultivated by Christin, a creative studio launched in 2015.

Christin’s eclectic background includes pursuits that are equal parts physical and intellectual. She apprenticed on a Martha’s Vineyard herb farm, interned at the Royal Botanic Gardens, Kew, and homesteaded on a remote island in British Columbia. Academic studies in ethnobotany, environmental science and a creative writing MFA led to editorships, university-level teaching and a regular gardening column for local newspapers.

Today, Christin’s artistic focus centers around her urban flower farm-design studio in USDA Zone 8, the tiny hub of a multifaceted floral business.

Listen to Christin Geall on the Slow Flowers Podcast (Episode 440) February 2020

Cultivated on Facebook

Cultivated on Instagram

Lorene Edwards Forkner (c) Missy Palacol Photography

Lorene Edwards Forkner is a columnist for the Seattle Times weekly gardening column called GROW. She is author of five garden books, including The Timber Press Guide to Vegetable Gardening: Pacific Northwest, and Handmade Garden Projects, bestselling titles from Timber Press.

Lorene owned a popular and beloved boutique specialty nursery in Seattle for more than a decade, called Fremont Gardens; she has served on the boards of a number of horticultural organizations, has edited a horticulture journal and is the designer of two gold medal display gardens at the Northwest Flower and Garden Festival.

Most recently, Lorene’s creative life can be found on Instagram, where @gardenercook she shares a series called “Seeing Color in the Garden.” She started this project on April 3, 2018 as part of #the100dayproject as #100DaysofSeeingColorintheGarden. She continued her series with #Another100 DaysofSeeingColorintheGarden.

Listen to Lorene Edwards Forkner on the Slow Flowers Podcast (Episode 409) July 2019

LEF on Facebook

LEF on Instagram

Thank you so much for joining today’s episode featuring Jennifer Jewell and two women, who along with me are featured in The Earth in Her Hands, Christin Geall and Lorene Edwards-Forkner.

As a special bonus, we’re giving away a copy of The Earth in Her Hands, courtesy of Timber Press, Jennifer’s publisher.

To enter, please leave a comment below about an Extraordinary Woman who influenced your personal relationship with plants. We’ll draw one recipient from among the posted comments on Sunday, March 8th and announce the winner in our March 11th episode. Please note: this giveaway is open to U.S. and Canadian entrants.

Clockwise from top, left: Susan Mcleary, Kellee Matsushita-Tseng, Molly Culver, Lorene Edwards Forkner, Debra Prinzing, Jennifer Jewell, Pilar Zuniga and Emily Saeger

If you liked the subject of this episode, you’re invited to dig deeper with two of the panelists  because they are coming to the Slow Flowers Summit in the SF Bay Area at Filoli- the historic garden and home that is hosting us on June 28-29th. Jennifer Jewell will be our Slow Flowers Summit capstone speaker – and she will speak more expansively on women’s role in shaping our plant world and beyond, as well as sign copies of her new book. Lorene Edwards Forkner will also be one of our Slow Flowers Summit presenters and I’m so excited for you to experience seeing color in the garden through her eyes as you develop your own sensibility and observational skills, learning from color in the garden — from the landscape to the centerpiece.

It will be a special experience and I can’t wait for you to join us!

The Slow Flowers Podcast has been downloaded more than 583,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

THANK YOU TO OUR SPONSORS

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at Longfield Gardens at longfield-gardens.com.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I am in love with my greenhouse, designed and built sustainably by Oregon-based NW Green Panels (c) Missy Palacol Photography

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Gaena; Glass Beads by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field; Paper Wings
Music from:
audionautix.com

Meet Karen Marshall and Tina Barkley, the creatives behind Fleurs de Villes – a Bespoke Floral Phenomenon

Wednesday, February 19th, 2020
Karen Marshall and Tina Barkley of Fleurs de Villes
Karen Marshall and Tina Barkley of Fleurs de Villes

In Seattle, we have a rite of springtime called the Northwest Flower & Garden Festival, which always takes place in February when everyone craves the fragrance of flowers (not to mention the scent of potting soil), and the unfurling of foliage, fronds and petals as seen in the excellent garden displays that cover the floor of the Washington State Convention Center.

I’ve been involved in one way or another with this amazing experience for more than two decades. In fact, in 1989 when it was launched by founder Duane Kelly, I covered the story for the local business newspaper where I was a staff reporter. I recall then thinking that I so wanted to join Duane’s world. For years, I covered the Flower and Garden show as a journalist and editor; then, when I made the leap to home and garden writing, I actually spoke at the show in 2002, beginning a recurring gig every year since.

In the past few years, though, instead of speaking, I’ve produced and hosted the Flower Stage at the NWFGF. This role has allowed me to invite Slow Flowers members to participate and engage flower show audiences in the conversation about floral design, local and seasonal botanicals, and more.

Blooms & Bubbles instructors will appear at the Northwest Flowr & Garden Festival’s DIY Floral Stage

This year, we’re again producing Blooms & Bubbles, a daily DIY workshop series with American-grown and locally-grown “blooms” and a glass of champagne aka “bubbles.” Five Slow Flowers members are teaching and I want to give them a shout-out right now so you can follow along on social as we post workshop images of their classes and students.

They include Thomasi Boselawa, CFD, Tiare Floral Design Studio; Erin Shackelford, Camas Designs; Maura Whalen, Casablanca Floral; Carolyn Kulb, Folk Art Flowers; and Teresa Engbretson and Katie Elliott of My Garden Overfloweth. You can find the full schedule here. Tickets are going fast but you might be able to snag a seat to join us! And PS, even if you aren’t able to sign up for the DIY workshop each day at 2 p.m., there is public seating and you’re invited to watch along! The dates: February 26-March 1.

Because I’ve been able to work closely with the management at Marketplace Events, the current owners of the Northwest Flower & Garden Festival, I learned last fall that FLOWERS were taking center stage at the 2020 show. Operations manager Courtney Goetz and I met for lunch and she pulled out a few images to share the secret with me. It’s no secret anymore — and today’s guests will tell you all about the phenomenom called Fleurs de Villes. That’s Fleurs with an “S” and Villes with an “S” – as in “Flowers of the Cities.”

As soon as Courtney showed me photos of flower-clad female mannequins, I knew I had seen the images on my Instagram feed. I soon learned from Courtney that this woman-owned company was based just a few hours to the north of us – in Vancouver, B.C., and that the Northwest Flower & Garden Festival had invited Karen Marshall and Tina Barkley to bring Fleurs de Villes here to Seattle.

I’m so exited to bring you today’s conversation with two event and marketing experts. Karen and Tina are elevating flowers in a way that feels fresh, fashion-forward, and inventive.

Much like the response people have when they see the photo shoots of real models wearing botanical couture for our American Flowers Week campaigns that Slow Flowers began commissioning in 2016, the botanical couture on Fleurs de Villes’ three-dimensional mannequins takes floral fashion to a new level. That level is different in one key way from what I’ve been doing with American Flowers Week. And it is a feat to pull off, I can tell you. That’s because Tina and Karen are gathering more than a dozen mannequins, each designed and created by an area florist, and each on display for the full run of the Northwest Flower & Garden Festival. I am in awe of the theatrical levels achieved by Fleurs de Villes.

I want to jump right into this conversation, but first, a bit more about Fleurs de Villes and its founders:

FLEURS DE VILLES combines the love of flowers, local design talent, and bespoke, utterly unique displays, for experiential events like none other. The name speaks to that – Fleurs de Villes – flowers of the cities. Connecting with each city we launch in, we work with top local florists, designers, growers and nurseries, to showcase that city’s world-class talent and create stunning displays of art. Fleurs de Villes not only showcases artful flower displays, we create engagement – with audiences viewing our events, and with the partners who support us, from leading sponsor brands to local and national media, as well as community-based groups. We believe in the power of partnerships and the amplification of messaging that comes when audiences have an experience of the senses. Our team of highly professional individuals is dedicated to ensuring every touch-point is on brand to deliver an event experience people will be talking about – and sharing – for a long time to come.

Floral mannequins from past Fleurs de Villes events

TINA BARKLEY is one of Vancouver’s best known lifestyle experts regularly working with Chatelaine Magazine, Today’s Parent and appearing on TV cooking, styling, decorating. Tina has also been a serial entrepreneur for over 25 years, researching, structuring and building businesses. Creating a brand and building a solid product, strategic partnerships, operational structure, marketing and sales are all areas Tina thrives in. As an effective event builder and planner, Tina has a ‘knack’ for making it happen, and empowering everyone around her.

KAREN MARSHALL has a long term international career in publishing and the digital space. She is a strategic thinker with a laser focus on partnership cultivation. With a belief that no brand is an island she has put together countless programs bringing key organizations and media together to create outstanding promotions. Working for some of the largest media brands in the world and in Canada and within the luxury space with numerous consumer brands across a broad spectrum, her focus is on quality engagement and experiential offerings for all partners.

Thanks so much for joining me today.  Find and follow Fleurs de Villes at these links below:

Fleurs de Villes on Facebook

Fleurs de Villes on Instagram

You can find details about the Seattle Fleurs de Villes display — February 26-March 1st at the Northwest Flower & Garden Festival

Future schedule to see Fleurs de Villes around North America and beyond.

As promised, here are the local florists and designers participating as Fleurs de Villes artists. Each will create a floral garment to adorn the lifesize mannequin. It’s no surprise, but a number of them are Slow Flowers members!

First of all, I am thrilled that Melissa Feveyear of Terra Bella Flowers & Mercantile is designing the Slow Flowers-sponsored mannequin featuring all local and domestic botanicals. We are so grateful for Melissa’s longtime membership and support and I can’t wait to see what she creates!

Of course, as anyone who is committed to sourcing domestic and local flowers in the Pacific Northwest in February, which faces a dormant growing season that many of you also experience, I want to just acknowledge what a feat it will be to bring a Slow Flowers sentiment and values to an undertaking like a botanical garment made entirely from fresh and natural materials. I’ve heard anecdotally from several Slow Flowers members as they’ve planned their creations and I know they are committed to sourcing a good percentage of their looks with domestic crops. Let’s cheer them on and see what they create. Including Melissa of Terra Bella, nine Slow Flowers members are participating as Fleurs de Villes designers — more than half of all the dresses you’ll see! They include:

TJ Montague of Garden Party Design

Tobey Nelson of Tobey Nelson Events & Design

Maura Whalen of Casablanca Floral

Alicia Schwede of Flirty Fleurs

Keita Horn of Smashing Petals

Annika McIntosh of Hazel Landscapes & Designs

Tomasi Boselawa, CFD, of Tiare Floral Design

Tammy Myers and the florists of Lora Bloom

Other Fleurs de Villes florists include: a Natural Design; Fena Flowers; Seattle Floral Design; Zupan’s Markets; Leah Erickson; Ondine; and you’ll see supporting floral installations by Apotheca Design and Soren Events.

Jennifer Jewell is the author of The Earth in Her Hands, which includes a profile of Lorene Edwards Forkner, Christin Geall and Debra Prinzing, among many others.

If that’s not enough floral, horticulture and botanical inspiration, you can find me on Thursday, February 27th at 12:30 pm, as part of a panel entitled:WOMEN AT WORK: MAKING A LIVING WHILE FOLLOWING YOUR PLANT PASSION,” moderated by author Jennifer Jewell, and featuring Lorene Edwards Forkner, Cristin Geall and me. Get your Northwest Flower & Garden Festival tickets here — and I’ll see you there!

Jumping ahead to future events . . . the clock is ticking along as we continue to finalize details for the 4th Annual Slow Flowers Summit – June 26-28, 2020 in San Francisco Bay Area at Filoli.

We only have 50 seats left so I urge you to follow the links in today’s show notes and reserve your space with the Slow Flowers tribe! Your Ticket Includes: All-Day Sunday, June 28 + Monday, June 29 with 5 Presentations + 7 Fabulous Speakers, all meals, refreshments and evening cocktail receptions;

Floral Design Demonstrations; an Interactive Floral Installation; Author Book-Signings; Cool Take-Home Gifts . . . and then, on Tuesday Morning, June 30th, a behind the scenes tour at Farmgirl Flowers HQ where you’ll enjoy a Light Breakfast + Coffee, and meet our good friend Christina Stembel of Farmgirl Flowers.

I can’t wait to see you there!

(c) Mary Grace Long photography

The Slow Flowers Podcast has been downloaded more than 578,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

As our movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

Thank you to our Sponsors

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. Our partnership with Florists’ Review is such a valuable one, providing a forum for beautiful and inspiring editorial content in the #slowflowersjournal section – month after month. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

FarmersWeb. FarmersWeb software makes it simple for flower farms to streamline working with their buyers. By lessening the administrative load and increasing efficiency, FarmersWeb helps your farm save time, reduce errors, and work with more buyers overall. Learn more at  www.farmersweb.com.

Our next sponsor thanks goes to Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com

Music Credits:

Le Marais; Symphony 40 in G Minor; Via Verre; Gaena; Glass Beads
by Blue Dot Sessions
http://www.sessions.blue

Lovely by Tryad 
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
Music from: audionautix.com