Debra Prinzing

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Episode 500: Celebrating Episode 500 and the publication of Where We Bloom, with BLOOM Imprint’s Robin Avni and designer Cynthia Zamaria of Toronto’s House & Flower

Wednesday, April 7th, 2021
Here’s the COVER with the book jacket flap fully opened to reveal Cynthia Zamaria’s charming floral studio. (c) Robin Stubbert

Welcome to a very special episode of the Slow Flowers Podcast — Episode 500 — in our weekly podcast series about Slow Flowers and the people who grow and design with them. Since we launched this special program in July 2013, I have regularly featured the voices of influencers, stylemakers, pioneers and heroes in the Slow Flowers Movement — and today we celebrate an impressive milestone with Episode 500!

Meet Cynthia Zamaria, looking so content in her creative space, featured in Where We Bloom (c) Robin Stubbert

It’s been a busy and exciting week here at the Slow Flowers Society! In January, I introduced you to creative director Robin Avni, my partner and co-founder of BLOOM Imprint, the book publishing branch of Slow Flowers Society. You can listen to our conversation from January’s Episode 490 here, in which we discuss the goal of telling stories by and about Slow Flowers members through the medium of books!

BLOOM Imprint’s first title is at the printer right now and we can’t wait to tell you all about it. Where We Bloom is an information and idea-packed volume filled with 37 intimate and inspiring floral studios, workshops, storefronts and growing spaces like greenhouses and barns — all home to creative floral enterprises of Slow Flowers members.

You may have seen the cover art because I’ve shared a few sneak peeks across social media and in Slow Flowers’ newsletter, but today I’m excited to introduce you to the woman responsible for the delightfully engaging space featured as our cover destination to illustrate the concept of Where We Bloom.

Please meet Cynthia Zamaria, Toronto-based designer, flower grower and stylist whose studio is called Cynthia Zamaria House & Flower. Cynthia will share a bit about her journey with flowers and the three of us will discuss the central themes of Where We Bloom, about which I write in the introduction:

  • The importance of devoting space to the pursuit of one’s art
  • The way environments can inspire individual expression and reflect one’s aesthetic style
  • The ways one’s studio or workshop can inspire the senses.

There is also the intangible feeling of security and comfort that creative individuals may feel when they can escape to a destination where their ideas flourish and, yes, blossom!

Debra Prinzing, where we bloom

Let me tell you a bit more about Robin and Cynthia:

Based in Gig Harbor, Washington, Robin Avni is a creative veteran in the media + high-tech industries. Her experience includes more than 15 years in the publishing industry and eight years at Microsoft in design and creative management. She has successfully managed innovative, award-winning design teams and high-profile projects as well as received numerous national design awards and photo editing honors for her own work. Robin has produced 10 books, including collaborating with Debra on the Slow Flowers Journal.  

Robin Avni, co-founder and creative director of BLOOM Imprint

In 2004, following Microsoft, she founded bricolage*, a consultancy specializing in creative strategy, content development, and trend analysis for home + garden. She has worked with Fortune 500 companies, national advertising agencies and award-winning media properties, applying timely actionable insights to their businesses. ​

Robin received a BA in journalism from Indiana University, Bloomington and a Knight-Wallace Journalism Fellowship at the University of Michigan; she holds a Master of Communication in Digital Media from the University of Washington. 

Find and follow Robin Avnia & BLOOM Imprint at these social places

Robin Avni on Instagram

BLOOM Imprint on Instagram

Cynthia Zamaria (c) Lisa MacIntosh

Based in Toronto, Ontario, Canada, Cynthia Zamaria is an interior and floral designer known for character-filled spaces and carefree flower displays. With an infectious creative spirit and a belief that we all need more beautiful in our lives, Cynthia shares inspiration as an interior and floral editorial stylist, content contributor, writer and workshop teacher. Her work is regularly featured in leading lifestyle media. ​

An advocate of the Slow Flower Movement, Cynthia sustainably grows small-batch speciality blooms and designs unfussy seasonal arrangements. This soulful aesthetic spills into Cynthia’s interiors which are true-to-the-space, trendless mash-ups of scale, texture and colour.​

Cynthia and her husband Graham Loughton share a passion for saving forgotten houses and have restored a range of period properties. A former public relations executive, Cynthia now devotes her time to family and creative projects from her home base in Toronto.

Find and follow Cynthia Zamaria at these social places:

Cynthia Zamaria on Facebook

Cynthia Zamaria on Instagram

Cynthia Zamaria on Pinterest

Sneak peek to more inside pages:

“Modern Homestead,” owned by Lori Poliski of Flori (c) Missy Palacol
“Backyard Room of her Own,” owned by Maura Whalen of Casablanca Floral
(c) Alessandra Brescia
“Arizona in Bloom,” owned by Aishah Lurry of Patagonia Flower Farm (c) Kayla Simpson Lewis
“Living Among the Lavender,” owned by Jennifer and Adam O’Neal of PepperHarrow
(c) PepperHarrow

Thanks so much for joining me today. You can pre-order a signed copy of Where We Bloom at and we are offering bulk discounts to retailers — so reach out if you’re interested in quantities. Don’t forget to join Robin and me, along with many of the talented Slow Flowers members featured in Where We Bloom at our Virtual Book Launch party on Tuesday, April 27th at 4 pm Pacific/7pm Eastern. We’ll be sharing some giveaways and introducing you to a few creatives featured in our pages. Join us via this link!

If you’re in the Seattle area, please come out and say hello, at two upcoming booksigning events — we’ll be wearing our masks and observing careful social-distancing practices! On May 1st, 2-4 p.m., Gillian Mathews and Ravenna Gardens, Seattle’s boutique home and garden emporium, will host a signing and we expect that some of the creatives featured in Where We Bloom will join us! On May 8th, 1-3 p.m., we’ll be at PaperDelights in Burien, just outside Seattle, where we are joining Teresa Rao of Belle Petale at her Mother’s Day floral popup. Teresa is featured in the pages of Where We Bloom so we’re thrilled to share this event with her!

To find out what’s next for BLOOM Imprint, sign up for our newsletter and follow us on social media – I’ll have the links for you in today’s show notes. Later this year, BLOOM Imprint will publish two exciting books by Slow Flowers members. First, we’ll release an essential guide to rose growing from Felicia Alvarez of Menagerie Farm + Floral; and then we’ll publish Holly Chapple’s long-awaited first book, A Life in Flowers. And we have four other titles in the catalog for 2022, including as you heard, Cynthia Zamaria’s book, House & Flower. What a dynamic lineup of creativity!

Above: Tobey Nelson (left) and Becky Feasby (right),
photographed at the 2019 Sustainable Flowers Workshop Photos by Ian Gregory: @ianmgregory

And save the date for this Friday’s April member meet-up for the Slow Flowers Community. That’s right, on Friday, April 9th, join our monthly meet-up via Zoom. The time is always 9 am Pacific/Noon Eastern. This month, we welcome two Slow Flowers leaders who will share their approach to Sustainable Floral Design and green practices. Learn more about the definition of “sustainability” in floral design and gain insights about how you can adapt your floral enterprise to be safe, healthy and beautiful!.
You’ll learn from Tobey Nelson of Tobey Nelson Events & Design and Sustainable Floral Design (Whidbey Island, Washington) and Becky Feasby of Prairie Girl Flowers and Sustainable Flowers Workshop (Calgary, Alberta, Canada). You can find the Zoom link to join us in today’s show notes and come prepared to ask your important questions about this important shift in floristry. We’ll have some fun giveaways, and you might win one of our drawings! See you there!

Thank you to our Sponsors

This podcast is brought to you by, the free, online directory to more than 850 florists, shops, and studios who design with local, seasonal and sustainable flowers and to the farms that grow those blooms.  It’s the conscious choice for buying and sending flowers.

And thank you to our lead sponsor for 2021, Farmgirl Flowers. Farmgirl Flowers delivers iconic burlap-wrapped bouquets and lush, abundant arrangements to customers across the U.S., supporting more than 20 U.S. flower farms by purchasing more than $9 million dollars of U.S.-grown fresh and seasonal flowers and foliage annually, and providing competitive salaries and benefits to 240 team members based in Watsonville, California and Miami, Florida. Discover more at

For each Podcast episode this year, we will also thank three of our Major Sponsors:
Longfield Gardens, which provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Check out the full catalog at

Red Twig Farms, based in Johnstown, Ohio. Red Twig Farms is a family-owned farm specializing in peonies, daffodils, tulips and branches, a popular peony-bouquet-by-mail program and their Spread the Hope Campaign where customers purchase 10 tulip stems for essential workers and others in their community. Learn more at

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Visit them at

Thanks so much for joining us today! The Slow Flowers Podcast has been downloaded more than 711,000 times by listeners like you. We wrapped up the month of March with 13.5k downloads — wow — that’s the highest in the past year. Thank you for listening, commenting and sharing – it means so much. As our movement gains more supporters and more passionate participants who believe in the importance of our domestic cut flower industry, the momentum is contagious. I know you feel it, too.

I value your support and invite you to show your thanks to support Slow Flowers’ ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right at

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more Slow Flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at

Music Credits:

One Little Triumph; Turning on the Lights; Color Country; Loopy; Gaena
by Blue Dot Sessions

by Tryad

In The Field

Branding A Slow Flowers Philosophy with Gloria Battista Collins of New York’s GBC Style (Episode 233)

Wednesday, February 17th, 2016

A garden-fresh bouquet design by Gloria Battista-Collins of gbc style (c) Karen Hill Photography

A garden-fresh bouquet design by Gloria Battista-Collins of gbc style (c) Karen Hill Photography

Today's Slow Flowers Podcast guest, Gloria Battista-Collins

Today’s Slow Flowers Podcast guest, Gloria Battista-Collins

I’m so pleased to introduce you today to Gloria Battista-Collins, owner of gbc style, a design studio based in Montebello, New York.

I first met Gloria in 2014 when Holly Heider Chapple invited me to make a presentation about the Slow Flowers/American Grown Movement to the Chapel Designers Conference in New York.

At least 75 florists from around the country were gathered and I was grateful to have the platform for introducing them to American Grown values and the Slow Flowers approach.

To be truthful, I worried a little that my message would be received as something novel or just a “fringe” concept.

However, I was so pleased that Holly’s instincts were right – many wedding and event florists who make up the Chapel Designers’ membership were interested in learning how to rebrand themselves with a local and seasonal story.

I reunited with Gloria (left) and flower farmer Ellen Lee of Butternut Gardens (center), a Connecticut-based Slow Flowers member, at the Field to Vase Dinner held last September in Brooklyn.

I reunited with Gloria (left) and flower farmer Ellen Lee of Butternut Gardens (center), a Connecticut-based Slow Flowers member, at the Field to Vase Dinner held last September in Brooklyn. (c) Linda Blue Photograph

Gloria was one of those in the room with whom I felt an instant connection. And in the two subsequent years, we’ve had some meaningful conversations about how she has successfully repositioned her studio, GBC Style, with a local sensibility.

A gorgeous, all-local wedding bouquet by Gloria Battista-Collins

A gorgeous, all-local wedding bouquet by Gloria Battista-Collins

Having trained with some of floristry’s top instructors, Gloria received all the technical and mechanical essentials as she developed her craft. But when it comes to sourcing botanicals, she has had to re-imagine the New York traditions of “just shopping in the 28th Street Flower District” especially when that does not align with her commitment to using only local flowers.

Certainly that’s easier said than done. And for a designer whose garden is located in USDA Zone 6b (with average minimum temperatures from zero to minus 5 degrees), winter months are challenges.


A (American Grown) Flower-filled April, Part Two. OR: Adventures with Sharon Lovejoy

Sunday, May 11th, 2014

I’ve been home for a few weeks from my 11-day road trip that took me by plane to Southern California and back home again behind the wheel of a rental car. I have many fond memories (as well as the photographs that I collected), while stopping along U.S. Hwy. 101 on my way north to Seattle.

So here is a second travelogue, which I think many will enjoy.

I stopped at the home and garden of fellow writer and sweet friend Sharon Lovejoy and her partner in all, Jeff Prostivitch. They live in San Luis Obispo, a stunning area of coastal California, in a cozy bungalow surrounded by an oft-photographed and published garden.

There are several highlights from this short visit that I want to share.

running-out-of-night First of all, I got to hold in my hands the advanced readers’ copy of Sharon’s debut novel, Running Out of Night, which will be published in November.

On an earlier visit to Sharon and Jeff’s (I think it was in the fall of 2009), I tagged along with Sharon to a regular session with her writer’s group. This is the small gathering of writers in her area who have faithfully met with one another for years as they’ve read given both encouragement and critiques of each other’s writing projects. It was on that visit that I heard Sharon read aloud one of the chapters of her novel-in-progress. 

So you can only imagine how thrilling it was to sit for a while on the sofa in their living room and read the first few chapters in the REAL book! If you have a young person in your life (ages 7-12), I urge you to order this book or ask your librarian to order it. It is an adventure that involves two young girls who are equally enslaved, despite the difference in their skin color. I thoroughly love the characters, the plot – and the dialogue! Sharon is a masterful storyteller and I can’t wait to get this book into the hands of my niece (a 4th grade teacher) and her students.

A bud vase displays charming nasturtium flowers and foliage, on the edge of the kitchen's vintage farm sink.

A bud vase displays charming nasturtium flowers and foliage, on the edge of the kitchen’s vintage farm sink.

I also experienced a treat that anyone who visits this abode is bound to see. This is the home of gardeners, naturalists and amateur botanists. Every single thing that grows in the Lovejoy-Prostovitch garden is a gift from the earth. And they cherish those gifts with fervor.

The simplest tendril, sprig or pod is elevated with love and affection by Sharon and Jeff. Their home is filled with tiny bouquets and posies. The whole idea of “bringing the garden indoors” takes on new meaning when jam jars, bottles and shot glasses are filled with minature floral arrangements. A delight for the eyes. Here is a peek at some of the ones I noticed (I’m sure there were more!):

Geraniums (pelargoniums) in a bottle; citrus on a cake plate.

Geraniums (pelargoniums) in a bottle; citrus on a cake plate.


The posy by my bedside table. With the sweet William tucked inside, you can only imagine how it scented my dreams that night!

The posy by my bedside table. With the sweet William and sprigs of herbs tucked inside, you can only imagine how it scented my dreams that night!


Cheery golden-yellow columbine in the bathroom.

Cheery golden-yellow columbine in the bathroom. Is that parsley as the greenery?


Vases of flowers even appear in the garden, like this display of bird-of-paradise, collected with the potted succulents.

Vases of flowers even appear in the garden, like this display of bird-of-paradise, collected with the potted succulents.


Mr. Owl, with the moon, spotted on that magical night at Old Edna.

Mr. Owl, with the moon, spotted on that magical night at Old Edna.

That evening, Sharon and Jeff brought me along as their guest to a party given by their friends Aline and Frank.

This lovely couple lives in New England but spends part of the winter months staying in the San Luis Obispo area to be closer to some of their grandchildren.

While they have rented many types of houses for their winter interludes, this year found them settled in at a place outside SLO called Old Edna

Sharon promised: “Oh, Deb, you’re going to love it!”

And she was right.

Seen from the back, through the trees, the two-story tin mercantile building, circa 1908.

Seen from the back, through the trees, the two-story tin mercantile building, circa 1908.

Old Edna has an amazing history, and I hope to do it justice with this brief summary (please follow all the links to read more). Today, Old Edna is the creation of a dreamy artist named Pattea Torrence.

Pattea's office, in a charming garden shed on the Old Edna grounds.

Pattea’s office, in a charming garden shed on the Old Edna grounds.


Love how an old branch becomes a "trellis" under the eaves.

Love how an old branch becomes a “trellis” under the eaves.


Sharon and Jeff, both taking photos, at Old Edna. They are standing in front of the original Old Edna cottage.

Sharon and Jeff, both taking photos, at Old Edna. They are standing in front of the original Old Edna cottage.

Pattea has saved this elderly hamlet that time almost forgot, turning it into a destination that includes guest cottage farm stays, wine tasting, special events and more.

In 2000, Pattea and her husband Jeff Kocan purchased the two-acre, 100-year-old townsite with its running creek in Edna Valley (a world-class, wine-producing region) and two-story tin building (once a general store, dance hall and post office, dating back to the turn of the century, 1900).

They have salvaged and restored many of the structures and created a magical place for guests who stay for short or extended periods. There are two guest cottage on site, a three-bedroom Suite Edna and a one-bedroom honeymoon cottage called DeSolina. 

Another stunning sight: Birds in flight, in the sky overhead - a perfect V formation.

Another stunning sight: Birds in flight, in the sky overhead – a perfect V formation.

Pattea is affectionately known as “The Mayor” of Old Edna. She was a gracious host, although I have to also thank Aline and Frank for their amazing hospitality!

I hope to return and spend more time, but these photos will give you a glimpse of what I experienced. Up next: A visit to The Sun Valley Group, an unforgettable flower farm in Arcata, California.

Jamie Durie’s very personal version of The Outdoor Room

Saturday, May 28th, 2011

This view takes in the two cabanas on the left and the dining pavilion at the opposite end of the pool

I joined Jamie Durie, of HGTV’s “The Outdoor Room,” for brunch and an interview in LA

I’ve been after celebrity garden designer Jamie Durie for more than a year to let me come and do a story about his personal Los Angeles backyard. I sensed he was stalling because, like many of us who make gardens (or write about them) for a living, our own outdoor environment is the LAST thing to receive our attention!

Turns out, Jamie and his producers of “The Outdoor Room” on HGTV  were cooking up big plans for his hillside property in Los Angeles’s Laurel Canyon.

Jamie reimagined the long-neglected yard, dominated by a vintage 1950s swimming pool, into a gorgeous series of outdoor living spaces. The magical transformation occurred over a three week time, and became the debut episode of The Outdoor Room’s season three, which aired earlier this year (you can see a schedule of re-runs of this episode by following this link).

In late February, I received an out-of-the-blue phone call from Jamie, saying: “The garden is finished – you’re invited to come see it!” Wow – this guy is good to his word.

Here's a bird's-eye view of the transformed outside living space - photographed from Jamie's hillside deck

We had a narrow window of a couple week’s time in which I could get down to LA for a photo shoot and interview, since Jamie was about to fly back to Australia for several weeks to shoot another show there. Whew. That guy lives a marathon life and makes it all look effortless. But we made it work. Here is my profile of Jamie’s project, which appears in today’s print and online editions of The Los Angeles Times.

The Los Angeles Times sent one of its very best photographers, Irfan Khan, to document the beautiful landscape. You can check out his web gallery of gorgeous shots here. I also took lots of reference photos to use while writing the story, and thought I’d post some of my favorites below.

Jamie asked me to include the many great resources he used to pull together this extreme garden makeover. So in case you’re curious, here is that list:

Resources & Materials

Bath: “The Outdoor Room” craftsman Steve Zimpel created the bath using recycled cedar from Durie’s original design.

Decking: Fiberon composite decking

Doors: LaCantina bi-fold doors

Fire: Escea outdoor gas fireplace; Durie Design Fire Pit

Furniture: Walter Lamb for Brown and Jordan reproduction chairs and chaises from Design Within Reach; all-weather wicker sectional, Durie Design.

Kitchen: Fuego modular kitchen.

Plants: Monrovia

Vertical garden system: Woolly Pockets

Pool Makeover: Jamie worked with Aric Entwistle of Los Angeles-based H2o Development Inc. to replace a conventional chlorine system with Spectralight, which uses ultraviolet light to kill pathogens and waterborne bacteria. The renovated pool is solar heated with a system from Suntopia Solar. A new infinity edge was fabricated over the original coping using carbon fiberglass, resin, high-tensile adhesives and several coats of waterproofing. It’s finished with Bisazza glass mosaic tiles.  

Like a raft floating over the garden, the upper deck provides excellent glimpses of the garden below.

Here's a bird's-eye view of the transformed outside living space - photographed from Jamie's hillside deck

I love this view from above, which shows how the box-beams form planting channels, and how the Roman shades create a canopy roof for the cabanas.

Here's the exterior of two pivoting planted "walls." When opened, they connect Jamie's bedroom to the garden.

A gorgeous detail of the stacked stone contained by one of two 7-foot gabion tree planters that Jamie designed

Here's a nice detail shot from inside the dining pavilion. You can see how the concrete retaining walls hold the hillside back and also form the interior walls where planters are hung and pillow-backs are rested.

A dreamy morning shot of the outdoor living room, featuring Jamie's own all-weather sectionals and a custom fire pit.

Inside the dining pavilion.

A detail showing how the Woolly Pockets vertical wall system adds foliage and flower texture behind the cabana.

The full-size view of the gabion tree planter - one of two in the garden.

At the end of my interview with Jamie, he talks about how much he enjoys living here. And it’s a perfect way to sum up the feelings I also had being in the highly personal garden environment: 

“Life just seems a whole lot more hectic in Sydney,” Durie says. “You can’t say that about Laurel Canyon. All I ever hear are birds. I’ve got squirrels running along the top of my green wall. An owl moved in once I finished the garden, and we’re starting to be visited by a ton of hummingbirds. I may not have kangaroos and koalas, but it’s kind of fun telling my mates back home that I’ve got coyotes in the canyon.”

Thank you for sharing your garden, Jamie. It was a treat! I hope you slow down long enough to really enjoy it~

What to do with salvaged shutters

Thursday, November 18th, 2010

Read on to learn what I'm going to do with these amazing shutters!

I recently spent the morning at a cool local flea market in Seattle. I was up early and out the door by 7:15 a.m., ready to get my creative juices going.

My mission: to discover as many castoffs from others that could make their way home with me.

The destination: 2nd Saturdayz, a popular flea market where vendors, dealers and designers come together to do business with salvage-savvy shoppers.

The apt motto: A Saturday Market of Fine Tastes and Curious Treasures.

Once inside the doors of a huge hangar (yes, the flea market is held at a decommissioned Naval base), I met up with Jean and Gillian. But not too much socializing is encouraged at these events. That is, IF you want to get the best deals. First-come, first-serve is the motto. Or: Every woman for herself.

I shouldn’t limit this endeavor to the female salvager because there were many men in attendance at 2nd Saturdayz. But still, you know what I mean. It’s a gal’s paradise.

Galvanized chicken feeder. 30 sizeable oval openings. A succulent planter or a flower holder? Or both?

Lately, I’ve been collecting vintage flower frogs, which makes sense since I’m living and breathing floral design. But this time, instead of finding glass and metal frogs, cages and stem-holders to displace the dreaded florist’s Oasis, I picked up a galvanized metal chicken feeder.

Think of a loooong ice-cube tray with oval cutouts. In metal. Very cool. Now that I’m looking at it again, I may just use this nifty piece as a planter for hardy succulents. It’s probably leaky so that’s going to give the drainage I’ll need.

A nearly-pristine child's typewriter complements my grown-up Underwood.

I also picked up a vintage child’s typewriter. It can play nicely with my retro black Underwood typewriter that we bought back in 1985 at the Rotary Club Auction on Bainbridge Island. I think I paid $5 back in the day.

Those old typewriters, truly relics, are now priced at $50 on up. And to think so many of them have been dismantled to make jewelry from the letter keys. I’m guilty of buying one of those alphabet bracelets, too.

When I walked into one small “booth” with my friend Jean, an awesome Seattle landscape designer, I found myself absent-mindedly stroking the frame and spindles of a cast iron baby crib. The vendor had taken off one of the crib’s side-rails and piled pillows and cushions on the springs and against the three remaining railings.

Here's the end of the baby crib. Next time you see this, I'll be lounging against some cushy pillows, perhaps under a shade tree. This crib will become my garden bench.

What did it recall? Yes, a very fashionable garden daybed or bench. And for $100, I totally lucked out. My friend Gillian, who is a pro at this sort of buying-and-selling of antiques and vintage items at Ravenna Gardens, pulled me aside to share the secret that she’s seen other dealers selling cast iron baby cribs for $600. I don’t have a “garden” in which to place this bench right now, since I’m in a rental house and I’m not yet ready to invest energy on land I don’t own. But . . . I did decide to bring this crib home and store the pieces in the garage until the next garden comes along. Luck-ee me!!!

I couldn’t ignore the central element inside the warehouse – a little hamlet of potting sheds. Their perky corrugated metal roofs, topped with finials created from shiny bits and pieces, stood high above the flea market’s landscape.

While gazing at the rustic but stylish potting sheds, I met designer/builder Bob Bowling. Owner of Bob Bowling Rustics of Whidbey Island, this engaging shed artist greeted me and generously shared his story.

Turns out, like some of the talented folks we featured in Stylish Sheds and Elegant Hideaways, Bob makes unique structures using reclaimed and recycled materials. Whimsical and playful, and finished off with salvaged windows, doors and other artifacts, the Rustics sheds are each a delight to see.

Bob's cool garden shed was hard to miss.

The "stripes" come from variously-stained boards.

The prices are reasonable, too. I should know. For $3200, you can get this “Rasta” shed. It measures about 7-by-7 feet in diameter (plus or minus) and features cool details, like the exterior of alternating stripes of differently-stained boards and the window boxes, door hardware and towering finial.

You could easily spend this much for a pre-fab storage or tool shed on the lot of your local big-box store. Which would add more art and style to your life, while also being quite functional?

All this thrifty flea-market shopping had energized me and made me feel quite artistic.

And then I met that shutter duo that called my name. Loudly. They appear to be half-circle crowns or eyebrow tops from a set of plantation shutters.

Wooden, with 2-inch deep slats, these pieces were displayed separately. Once I noticed both of them, I was not going to leave with just one! I don’t think I got a huge bargain, since I paid $28 apiece (but the seller insisted she had just cut the price in half). Whatever. When you spy something so uncommon, you have to act.

Other than changing the depressing buff-colored paint job to something more lively, what on earth do you suppose I will do with these crescent-shaped pieces?

Hello! You two are pretty darned cute. That Baylor Chapman is uber-talented!

Here's another small shutter-turned-wall garden, compliments of Baylor Chapman.

For inspiration, I hearkened swiftly to my visit to Baylor Chapman, a talented San Francisco floral and garden designer I recently profiled for A Fresh Bouquet. After my friends Susan and Rebecca took me to meet Baylor at her floral studio, the three of us accompanied her to her loft apartment in SF’s Mission District.

And there on the outside roof deck, were some pretty amazing succulent gardens – PLANTED IN SHUTTERS!!!

Naturally, I am going to draw from this incredibly clever idea and put those twin shutters to very good use with a vertical planting of hardy succulents. It may take until next spring, but stay tuned. And if you have any suggestions on what color I should use to upgrade the crappy paint color, please chime in.

The trick, according to Baylor, is to secure a layer of landscaping cloth like a little pocket or envelope behind each shutter opening. Then you can add potting soil and plant your sedums, succulents or whatever else seems fitting. You know, I really do love that chocolate brown finish on the shutters. Doesn’t it nicely offset the silver, gray, blue and green foliage of the succulents?

Well, all in day’s work. More to come as I execute these big plans.


Wednesday, October 6th, 2010